Using the De-Esser to Fix Harsh Vocals | 5-Minute Logic Expert (Pt 23)

[@TheBandGuide]

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[@toddthing]

Appreciating how quickly you get to the heart of the matter. (Yes, your 5 minute approach is what drew me in!)

[@Fiveash-Art]

I've never been able to hear a difference with Logic's De-essers .. I resort to cutting the 5 k frequency and I don't even know it that's right ... When I focus on the problem I hear it more... usually I'll just stop thinking about it and it cures it. 😂

[@pierreschnehage8152]

Wish I had you back in 1986 as tutor at the SABC... What a difference 35 years make.

[@seansurdovel2148]

My favorite use of the De-Esser: Take harsh high-hat bleeds out of snare tracks. Really helpful for tunes that have a lot of open hi-hat. Noise gates can only get ya so far when the hat is ringing through the snare hits. De-esser helps refocus the frequency range on the snare without taking out the snap out of the snare sound.

[@WindmillFailure]

This is genius

[@ClarkWagaman-pw7to]

Thanks for posting these 5 minute nuggets. I find them very informative, concise and efficient. Much appreciated!👍✌

[@DanMia-cd1bm]

Very Well Explained and yes, De-Esser is a funny name.

[@harrybacopoulos]

cool song

[@normjones6916]

Thanks for this

[@pmfont]

New to DeEssing... Did you put the DeEsser at the beginning of the chain before EQ or compression? Thanks for the video!

[@Moykel]

Nice tune/vocal, Colin. A new direction?

[@stephenstarr6388]

That track sounds a lot like Morcheeba