Ustad Allauddin Khan & Ustad Enayat Khan | Hindustani Classical | Raga Vairabi | Raga Behag

Ustad Allauddin Khan and Ustad Enayat Khan compiled under one Hindustani Classical album. It does not get bigger than this in Hindustani Classical or Indian Classical Music. This one is a special compilation of small pieces played by this two stalwarts in various ragas. Both the maestros have played six tracks each. The first six tracks are played by Ustad Enayat Khan.
Ustad Enayat Khan was one of India's most influential sitar and surbahar players in the history of Hindustani Classical Music in the first decades of the 20th Century. He was the father of Vilayat Khan, one of the top most sitar players in the field of Indian Classical Music of the postwar period. Ustad Enayat Khan belonged to the Imdadkhani Gharana named after his father the legendary Sitar maestro Ustad Imdad Khan. It is also known as the Etawah gharana, after a small town close to Agra where Imdad Khan lived. Ustad Enayat Khan settled with his family in Calcutta, where, though he only lived to 43, he did much pioneering work on the sitar. For example, he standardized its physical dimensions and added the upper resonator gourd, which is very popular with today's players. Ustad Enayat Khan Sahib brought sitar music out from its narrow connoisseur circles to new mass audiences. He was one of the major spearheads behind popularizing Indian Classical Music among the masses. The other six tracks compiled in this album are played by none other than the legendary Ustad Allauddin Khan Sahib very fondly remembered as Baba Allauddin Khan Saib. Baba Allauddin Khan was a Bengali sarod player and a multi- instrumentalist, composer and one of the most renowned music teachers of the 20th century in Indian classical music. He was the father of sarod maestro Ali Akbar Khan and Annapurna Devi, and the uncle of Raja Hossain Khan, as well as the guru of Ravi Shankar, Nikhil Banerjee, Vasant Rai, Pannalal Ghosh, Bahadur Khan, Sharan Rani, Jyotin Bhattacharya and other influential musicians. During his lifetime, he composed several ragas and laid the foundation of a modern Maihar gharana. He later became the court musician of Brijnath Singh Maharaja of Maihar Estate in Central Province. During his time as a court musician, Khan completely reshaped the Maihar gharana of Indian classical music. The Maihar gharana was established in the 19th Century, but Khan's contribution was so fundamental that he is often thought to be its creator. These two maestros have laid down some of the very popular Gats of Hindustani Classical Ragas. Some Gats like Vairabi Gat and Behag Gat based on the Ragas Vairabi and Behag are extremely popular amidst the masses. Overall this is a rare classic and a connoisseur's delight.
=== ALBUM SONG DATA ===
► Vairabi Gat 0:00:03
Artist- Prof.Enayet Khan
► Gat Pilu 0:03:34
Artist- Prof.Enayet Khan
► Bagesri Alap 0:07:00
Artist- Prof.Enayet Khan
► Khambaj 0:10:23
Artist- Prof.Enayet Khan
► Bhupali 0:13:31
Artist- Prof.Enayet Khan
► Purvi Jhala 0:17:13
Artist- Prof.Enayet Khan
► Vairabi Gat 0:20:37
Artist- Ustad Alauddin Khan
► Gara Gat 0:23:53
Artist- Ustad Alauddin Khan
► Lalit 0:27:01
Artist- Ustad Alauddin Khan
► Jila Bilambit 0:29:57
Artist- Ustad Alauddin Khan
► Tilak Kamode Gat 0:32:59
Artist- Ustad Alauddin Khan
► Behag Gat 0:36:09
Artist- Ustad Alauddin Khan

[@suryamukherjee7634]

I am feeling so lucky and blessed to listen these devine music from world's two most talented musicians. I think they would have direct connection with God through their mesmerizing art. My sincere regards..... Salaam...... & pranam to them.

[@subirbose2064]

I think Both Ustad is all time Greatest Artist our Hindustani classical music , Eswar Unko Sawag ki Sangeet sava mey sthan pradan kary, Unko Mera Koti koti Saswadahy Pronam 🕉️🤲💐🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

[@rajibmoitra2837]

The melody and technical perfection of Enayat Khan is beyond all limits

[@govindarajulu-kasturi9614]

Mind Blowing Music that rains with such master strokes from the wizards of music. God Bless Thanks please

[@bimalbanerjee1348]

AAAAAAAAAaaAAAAaA

[@dilipkumarroy3925]

Raga Bhairavi excellent. My heartiest love to both

[@rashmidayal4040]

Thanks for loading it.

[@sukantadas6757]

Ustad Allauddin Khan and Ustad Enayat Khan are classical legends of India. Ustad Enayat Khan is my Guru (Lt. Santosh Mukherjee) ka Guru!

[@himanshuverma6241]

Sir, is there is any way you name me a guru from I can learn sitar from anywhere in India, please

[@himanshuverma6241]

Please🙏

[@sukantadas6757]

@@himanshuverma6241 My Guru dies, and I am an aged person, out of the line now. Please try to contact websites of the legends.

[@himanshuverma6241]

@@sukantadas6757 Will do, Thank you for replying and rest in peace for your guruji, Thank you

[@Surbahar1984]

@@himanshuverma6241 ji u can learn from my institute

[@tapanhore1667]

What an efforts to present the two Big Gun in one Umbrella. . This generation & next generation also will come to realize the original depth of classical music through these instruments . Should the said generations follow purely heart-touching quality of music ? Thanks .

[@MusicLover-dm3zy]

बड़ा गर्व महसूस हो रहा है कि मैं अपने बाबा अलाउद्दीन खान को सुन रही हूँ,दो दिग्गज एक साथ, आपने हमारे लिए बड़ा परिश्रम किया ,thanks, बाबा तो साक्षात् संगीत ही थे एक विश्व विद्यालय,।या कहे तो संगीत का एक सम्पूर्ण विश्व।

[@ruhulbari5786]

Baba Alauddin and me from a same union porishad of Shippur, Nabinagar, Brahmonbaria, Bangladesh. Baba Alauddin is my neighbor. I myself and all Bangladeshi's are very proud of him.

[@rezaulhalim7556]

I am also from Nabinagar. My all respect to Baba.

[@pradipmukherjee5851]

golden collection. thank you for uploading

[@maheshmenon7099]

Wow... brilliant... Lot of musicians play these songs these days.... its great... Thanks for uploading... GOD Bless

[@ryszard3108]

Thanks for masters' sounds. Greetings from Poland.

[@chanchalchakraborty3953]

🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻

[@amitpaul965]

Thanks for uploading. The maestros are teaching what is actually pice by music.

[@2limecrew159]

😊 so awesome!

[@dipakbiswas7494]

Yes Really thanks for uploading ......

[@chandanbasu7116]

সঙ্গীতের দুই মহান শিল্পীকে সশ্রদ্ধ প্রনাম।

[@narayancrakshit2368]

the great,the great mestroes of senia /senia rampur mahiar gharana baba allauddin & enayat ji.the great graand father of sarod & sitargharana.as such they have created theier respective gharana thanks to you tube for revealing this rara collection.we want many more of such rare videoes.thanks

[@subirbose2064]

Baba sahab is always Great Music Artist 💐👌 🙏

[@touhidkarim450]

What a clarity!!!!!!

[@kobidas126]

A rare collection of jewels. Thanks, please. K N Das.

[@simranpreetsingh9017]

wahhhh ......

[@snehamoypatra9786]

God come to earth

[@monicamurishwar5186]

Too good . 🙏

[@naturesentinel4232]

4.1.1934 born Prof C L Das as 7-8 year old clandestinely used to play 78 rpm these Bhairavi records in his vill. Gadhia, Rajbiraj (Saptari, Nepal) and when his father return on horseback from Kosi river town HanumanNagar, young boy used to sing all sitar records to great delight to his father Jainarayan Das. In mid 1950s Prof Das became disciple of Baba Alauddin Khan... Dinesh Kumar Das Patna Bihar

[@tanchokdewan9020]

D K Das is he used to live in Nepal.........m so much love with this instruments........

[@prashantiyengar6614]

👍👍👍👌👌👌🙏🏾🙏🏾🙏🏾

[@AbdurRahman-rd3ip]

Salam -Adab-Pronam 🙏 🙏

[@mdrejaulbaul1255]

জয় গুরু

[@queriesgsheet8662]

The second-to-last piece by Allauddin Khan (sarod) is really lovely. What râga is it?

[@penta15786]

Tilak Kamod

[@apurbagoswami3673]

The photograph of the video creates doubt about its originality, because Ostad Allauddin Khan Sahib was a lefthander & used to give the stroke on the strings by his left hand. Bu tin the photograph the posture of holding the Sarod is of right hander person. I hope the gentleman who has uploaded the video will throw some light on this point .

[@kuldipkr]

Were long recordings possible in the days of Enayet Khan? The quality of recording is also very good. I have listened to his short recordings released by HMV under the Chairman's Choice series. Their audio quality is also not good. But these recordings are very clear.

[@sarode]

There are 10-15 minute wire recordings of Faiyaz Khan from the late 30s and early 40s, so the recording technology was there but there was no viable distribution format. In any case, all of these recordings of Enayet Khan are under four minutes so they were all originally issued on 78s.

[@mrudangsadhak6068]

sorry but Prof Enayet khan or Ut. Enayat khan 2 alag vyakti he. apne jo AUD rakha he vo Ut. enayat khan ji ka he.

[@deepakraag]

This is not a duet! It's only Enayet playing.

[@TAB00009]

3rd is Sur-Singhar so not Enayat Khansaheb. may be Allauddin Khansaheb. Please correct credits

[@sourayansinharay4924]

Listen carefully, it is a surbahar.

[@TAB00009]

4th again Ud.Kaukab Khan come

[@sourayansinharay4924]

That is not Kaukab Khansahib. Enayet khan made an instrument to challenge (presumably) the authority of Sakhawat Hussain Khan, another brilliant sarodiya from Lucknow. It was called sursaptak and was fretless (AFAIK).

[@tapanesbhattacharyya3591]

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