Ustad Bade Ghulam Ali Khan Raag Kamod early 50s

Ustad Bade Ghulam Ali Khan Raag Kamod early 50s- Source: From the collection of Mr.Farhat Said Khan & his son Mr.Rafat Said Khan.

[@akhilpattamatta3626]

This music can melt rocks, bring rains to parched lands and solace to parched hearts!

[@deviantvc]

Some comment man!

[@ghulamhassanshaggan]

The God himself singing through him...

[@MrSam3012]

Shut your eyes while you listen to this recital you will transcend to another planet

[@akhilpattamatta3626]

Perhaps the best music in the world! I'm an avid listener of Carnatic music, it is divine for me, but nothing so soothing to this have i heard till date! Showers my soul with bliss!

[@acct123as3]

The greatest singer of 20th century... Tansen of modern era

[@vedgupta7611]

Oooooòooo

[@srirambhamidipati]

listen to his Behag kzbin.info/www/bejne/a5WoZ5qle7qld9k . I think BGAK, DrBMK, Amir Khan, they given to me so much in the last 20 yrs to live another day

[@paulchiuk]

More than music....a world. Thank you.

[@abhigyandasgupta7730]

Who are those 7 fools disliking this? This piece is just heavenly.

[@MrSam3012]

The Greatest at his very best

[@kabirsuman1070]

Whoever wants to understand how to approach Kamod needs to listen to this rendition... to keep listening to it.

[@spc211249]

Such pathos and depth along with clarity in raga Kamod can only come from The God of music Ustad Bade Ghulam Ali khan.

[@syedabidhossainshaan3411]

Each of every second is heart touching. Oh my goodness 😶

[@ranjankumarghosal6758]

The best Kamod, archived in eternity.

[@kuldeepdongre3209]

this is so sublime...the vilambit tempo is so intoxicating..taking one to trans..stupendous Raagadaari... :)

[@sombhattacharyya6875]

Unbelievable! Absolutely enthralling!

[@smitashimpi997]

Such clarity supb erb

[@marianchatterjee]

মন্ত্রমুগ্ধকর

[@abhisheikpathak5180]

g m r SA ... Inke jaisa koi nhi lagata tha ... Chahe Hameer ho Chayanat ho ya kamod. Taar ka satak bhi kya gazab araam se lagaya hai. Thodi baat cheet bhi ki hai ... Maza aa gaya. 🙏

[@tapasichatterjee5711]

Many thanks for uploading the records of the Gem.

[@malaykumardas8103]

What a divine experience!

[@gmsabri]

simply SUPERB

[@smjforu]

कब मिल ओरी दय्या पिया को रिजाओ चरण लागु तोरे सबरंग कहे रोके देहो बता

[@maheshsonune8744]

Which taal ...? Brother

[@sanjaykhannah3373]

@Ghulamhussain , Bade Ghulam Ali ji was of a rare breed who actually used to see and experience the personification of divine Raag Raginis as mentioned in Hindu shastras of yore and never hesitated from admitting it .His Gayan sadhana prevented him from falling to paralysis

[@alapinijoshi5153]

Wa...simply great !!! What an ease and tremendous content....

[@user-id4sx9oi7l]

His Father and Uncle were way more genius in Lok geet and Hindustani Music.Thankful to God Krishna for gifting Ustad Bade ji to the world

[@Creeptonic]

wha wha kya raag to nikhaara hai Bade saab ney, adhbuth. Thanks for this awesome share. God Bless.

[@dr.buddhadebghosh1994]

Ashadhanor

[@bhaktidebnath1786]

Pronam sree charone,

[@saifuddinabdullah7286]

He was a simple, straight man with unimaginable talents. Between 05:20-05:36 he emphasized on a typical mandr saptak barhat that Ustad Amir Khan was famous for and quickly asked, 'Amir khan sahab ne aana tha'..

[@swapnilsahasrabuddhe7831]

you said it

[@acct123as3]

Woeeeew

[@soumitralahiri9393]

Saifuddin Abdullah Thanks for your keen observation. But concentration in the mandra-saptak notes was not the forte of Bade Ghulam saab. It was only a novelty that he tried only for a while. Amir Khan saab would have spent at least twenty minutes on the lower notes. The philosophies of these two stalwarts were entirely different. Amir Khan sought slow repose in his music, while for Bade Ghulamji it was speed , excitement and demonstration of taiyari. And who can deny that he had the matchless voice, full-throated and of unlimited range.

[@bimansarkar4402]

@@soumitralahiri9393 .

[@srkrsvk]

@@soumitralahiri9393 Fully agree, their Gayaki was different and though they had healthy competition but both were also immensely respectful to each other, there is a story in Kudrat Rangi Birangi where Amir Khan told in his close circle : "He have to compete with Kahn Sahib with brain, where anyone can get that kind of voice, any concert with opening Bade Golam Ali Khan Sahib starts with 70 where any other singer starts with 20-40" in another context when asked why Amir Khan sahib doesn't sing thumri in concert he replied "Aisa nahi ki kabhi socha nahi, magar Gulam ali se to acha nehi ga sakte hai, is liye koushis nehi ki". When comes to tonal quality Ustaad Bade Golam Ali Sahib is matchlees, other singers we heard or read was famous for the tasir of their tonal quality (like Ustaad Moujuddin, Pandit Bhaskar Bua, Ustaad Faiyaz Khan Sahib, Ustaad Abdul Karim Khan, Rahamat Khan Sahib, Kale Khan Sahib, Pandit Vishnu Digambar, Bhatkhandeji, or Allabande Jakiruddin JI or Chandan Choubeji in Dhrupad) sadly our generation never heard their voice or only heard very bad quality recording so we would never be able to enjoy their singing

[@sajjadhussain1573]

By misal gaek Ustad BGAK ❤️

[@archanamandviker8191]

Aprateem peshkash 🙏🏻👍💐👍

[@ganeshbarik8901]

Great post

[@puspendey]

Ustadji surpluses his own imagination 👏👏👏

[@moinakbhattacharya878]

The phenomena, the legend

[@emsworthcastle4849]

Hard to surpass, leave alone equal, in the times to come.

[@srirambhamidipati]

you need to reverse 🙂

[@shreeram6313]

🌹🌹🌹🙏

[@ishavasya]

Bhai aisi gayaki kisi ke baski baat nahi

[@parthabanerjee8733]

Sublimity personified 🙏

[@shoumabhopaal.2722]

Also can try out Ashique Ali Khan's recordings.

[@gouridange2783]

Utterly beautiful. Any idea who the other person singing with him is?

[@arkarupgangopadhyay5081]

His son Ustd Munawar Ali Khan.

[@gurugamer8632]

Which year was this recorded in