Palestrina - Missa sine nomine

[@philippelafenetre2519]

Une pure merveille, une musique splendide qui nous élève dans la spiritualité et qui nous manque tant aujourd'hui dans nos offices! ce n'est pas un concert, c'est une immense prière vers notre Dieu.

[@danibosnjak2902]

Beautiful recording. I can imagine myself sitting in this church and listen. Beautiful

[@zuzansusan]

Can you imagine going to the church nowadays and hearing this kind of angelic music there? I would definitely go there more often.

[@JodianWarrior]

You just have to find the right church

[@JewelBlueIbanez]

We still sing this stuff at the traditional Latin Mass.

[@cro_lok2363]

Depends on what kind of church you go to. Many still play this kind of music

[@GiacomoLockhart]

If you go to the traditional Latin Mass you will get this regularly. Come along!

[@francoisecognie6295]

recueillement quand j'écoute les yeux fermés ... tellement beau ! L'harmonie de toutes ces voix est une offrande à Dieu

[@hoyesotrodiap]

nunca había escuchado la obra...maravillosas tonalidades.. también me la imaginé en una iglesia con bella acústica y sonaría esplendorosa... muchas gracias por compartir.

[@flaviefurst]

I just love it so much!

[@OurFatherInHeaven37]

great recording!!!!!!!

[@jraldne1]

THANK YOU!!...

[@eryx_team1385]

Giovanni Pierluigi Da Palestrina ( Palestrina 1525-1594 Rome ) MISSA SINE NOMINÉ Sublime magnifique merci KZbin.

[@carlapr97]

merci Pierluigi

[@OurFatherInHeaven37]

great boys voices

[@FireknoXX]

Baroque counterpoint is influenced by seconda prattica (Monteverdi), Palestrina is THE representative of the prima prattica - Prima Prattica was from the late 17th century a dead language of music, only for teaching

[@ludustestudinis]

I think the main difference is not the prima/seconda prattica antagony, but the replacement of vocal with instrumental supremacy (his makes Bach's vocal music so unpleasant to sing). There is a counterpoint textbook that teaches both baroque and renaissance counterpoint (by Dieter de la Motte) and de la Motte calls baroque counterpoint "harmonic counterpoint".

[@carlapr97]

Pratica*

[@sebastiandominguez4477]

tengo la partitura completa de la missa, para laud también

[@josuesaavedra6796]

compártela por favor amigo :)

[@nigelyandell6130]

20:38

[@aangel-s2p]

fire

[@carlapr97]

Do you own a copy of this CD? I can't buy it, it's nowhere to be found!

[@giuseppelaterza2783]

Non si sente nulla..

[@capthecap812]

soprano deludente

[@georgep.burdell7237]

[Sighs]

[@ColaiMSP]

pano sumikat to??.

[@ColaiMSP]

HELLO TEACHER MAAN I CNAT MAKE A SONG FOR THIS AND THIS IS ALESHANE, ALESHANE SOTTO ADAM MARZONIA'S WIFE THE WRITER OF THE MISSA SINE NOMINE THE ELBOW OF THE ALTRIX WHICH MEANS HER ARMPIT IS BLACK TOO I USE ALTRIX'S BLACK ELBOW TO MAKE BLACK COFFEE WITH THE DESSERT DONUT DELACRUZ

[@franceskinskij]

eh?

[@ColaiMSP]

WASSUP TMIS GRADE 9 PERSEVERANCE THIS IS ALESHANE, TRULY YOURS VIC SOTTO.

[@ColaiMSP]

Hello mark if you're watching this you have a donut in your stomach.

[@ciala4830]

WTF?

[@ColaiMSP]

okay bye yours trult aleshane and ethel booba// gina

[@ColaiMSP]

WHAT THE HELL IS THIS!?!?.

[@jackseemel9920]

20:26