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Linoxin varnish making from start to finish
My varnish is composed of raw shellac (Seedlac), linoxin and Greek mastic dissolved in alcohol. For the preparation it is important to dissolve each resin separately in order to understand the real quantity that will remain in the varnish after filtering for the elimination of impurities and insoluble residues, making the residue left in the filter dry completely and weighing it to obtain the entity of the residue by subtracting the weight of the filter, to obtain the amount of resins that will actually be in the varnish by subtracting from the initial quantities the weight of the residue lost for each resin. It always starts with shellac because it is the hardest resin and the proportions of the other components will be established on the basis of its actual quantity. Then Linoxin and Mastic will be added. The long stay of the shellac in alcohol causes its esterification with consequent inability to harden completely, it is therefore important not to make large quantities of varnish and to use it within a year of its preparation. The quantities indicated are sufficient to varnish a violin with a large margin (maximum two violins).
Actual resin quantities may vary and will need to be calculated each time a new batch of varnish is prepared.
The varnish thus composed is very liquid to allow filtering in filter paper and it will be necessary to reduce it to about half the volume by boiling to evaporate the excess alcohol, to make it suitable for application by brush.
!!WARNING!!
To prevent the risks associated with the vapors of toxic and flammable solvents, it is recommended to carry out the boiling operations in well-ventilated areas (possibly outdoors), carefully avoiding breathing in the vapors, and using only an electric hotplate, avoiding open flames.
RECIPE:
01:32 - Dissolve 50 g of raw shellac (Seedlac) in 300 ml (240 g) of food-grade alcohol. Boil for 15 minutes, remove from the hotplate and allow to cool. Reintegrate the evaporated alcohol with boiling and filter in filter paper (about 20 hours). Weight of the lost residue: 24.8 g - Actual shellac in the varnish: 25.8 g05:18 - Dissolve 7 g of Linoxin in 50 ml of food-grade alcohol. Boil for 5 minutes, remove from the hotplate and allow to cool. Filter in filter paper directly into shellac (about 1 hour). Weight of the lost residue: 0.3 g - Actual linoxin in the varnish: 6.7 g (ratio of about 1: 4 with actual shellac)
08:06 - Dissolve 3.5 g of Mastic in 50 ml of food-grade alcohol. Boil for 5 minutes, remove from the hotplate and allow to cool. Filter in filter paper directly into Shellac + Linoxin (about 15 minutes). Weight of the lost residue: 0,6 g - Actual mastic in the varnish: 2,9 g (ratio of about 1: 8 with the actual shellac)
Total of actual resins in the varnish: 35.4 g - Shellac 72.8% - Linoxin 19% - Mastic 8.2%
Actual resin quantities may vary and will be calculated for each new batch of varnish.
11:34 - The varnish thus composed is very liquid to allow filtering in filter paper and it will be necessary to reduce it to about half the volume by boiling to evaporate the excess alcohol, to make it suitable for application by brush. To evaluate the dilution, put a few drops on a smooth glass allowing them to dry completely, evaluating the diameter of the circle, the thickness of the margin and of the film. At the same time, transparency and color can also be evaluated.Concentrate small quantities of varnish at a time (150 ml) to minimize the risks associated with the evaporation of toxic and flammable solvents, operating only in well-ventilated areas
12:49 - Reduction of 1/3 from 150 ml to 100 ml after 20 minutes of boiling - Allow to cool completely before carrying out the glass test13:34 - The varnish is still too diluted - Boil for another 5 minutes to further concentrate
14:42 - Reduction of 1/2 from the initial 150 ml to 75 ml after 20 + 5 minutes of boiling - Allow to cool completely before carrying out the test on the glass
15:39 - 1) Before concentration, dilution ok for filtering 2) After 20 minutes of boiling, volume decreased by 1/3, still too liquid 3) After another 5 minutes of boiling, volume decreased by 1/2, Ok for the application
16:24 - For the application of the varnish I use sable brushes, a 6 mm cat's tongue (filbert) brush for the scroll, the heel, and the edges, and a 30 mm wide flat one for the sides, the back, and the top. After dipping it in the varnish, drain the brush well by passing it 8/10 times on the edge of the jar to avoid flows or accumulation at the edges of the brush strokes. Due to the alcoholic solvent you have only a few seconds to apply the varnish, so it is recommended to resist the temptation to insist on the same brushstroke several times.
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