Verdi :Otello Plácido Domingo, Piero Cappuccilli Kleiber 1976_Sí.pel.ciel.avi

7-12-1976
Teatro alla Scala
Carlos Kleiber

[@marksmith3947]

Cappuccilli has a gorgeous voice. I wonder if he ever sang this with Vickers

[@81soulmate]

What a perfomance!

[@joemcbob9688]

AMAZING!!!!!!!!

[@wotan10950]

Fantastic Domingo and Cappucilli! Domingo owned the role of Otello in the 1970s/80s/90s, and he was lauded for good reasons.

[@micheldaxhelet2738]

Le talent...

[@user-tz1hl5yi4z]

Просто Охеренно!

[@RonaldBarone]

OMG he could make a lion to feel scared of him. What a power.

[@bombayteddy]

This seems to be taken from an excellent video-transfer. Where/how may one get the complete recording?

[@Andrei_Patrin]

I can share this recording if you haven't found it yet.

[@bombayteddy]

@@Andrei_Patrin Yes please, thank you! How may I get in touch with you?

[@Andrei_Patrin]

​@@bombayteddyPlease see channel description.

[@bombayteddy]

@@Andrei_Patrin I will contact you. Thanks.

[@harpercraft9354]

3:15: High A

[@virgiliomiranda2527]

Um B natural para um barítono e um tenor!! Incrível!!!!

[@sugarbist]

E un B- Flat no B-Naturale

[@waynewilliams4706]

@@sugarbist For crying out loud, don't be obsessive with note values, sit back and enjoy the Music.

[@sugarbist]

@@waynewilliams4706 Virgilio Miranda stated that it was a B natural, so I shared with him that it was a B-flat. If that's obsessive, then I'm guilty.

[@xTwistedFleshX]

@@sugarbist And funny enough you're both wrong. It's an A lmao.

[@sugarbist]

@@xTwistedFleshX Nice, intervention. Good Job

[@OscarLevant1]

Domingo was called "Nasingo" by the Italians because his voice is so nasal! He does not have enough drmatic power for Otello. Cappuccilli on the other hand, is a prince among baritones and sounds much louder in the theatre than he does on recordings.

[@wotan10950]

Joseph Shore I suppose that explains why he sang Otello in every great theater in the world, under the baton of all the great maestros!!!

[@gabrielvelascorios8892]

The magnitud and lenth of Domingo's succes it's all enough by It self. "Nasingo"... The italians... The dramatic power... At the end non mattered, did they?

[@sugarbist]

I don't think Domingo was nasal. I heard him in a Trovatore in the late 1970s on radio and he sang very well. But later on as he aged, he became tight in the passaggio and higher. I think his voice was of a fine velvet quality but not much squillo. I have criticized him often, but we were fortunate to have him. I don't believe He was a great tenor, but certainly a fair to good or excellent at times. He certainly had the stamina to sing many roles through his very long excellent career

[@ER1CwC]

@@wotan10950 Voice teachers tend to say that Domingo’s technique is not one to emulate. He liked singing with his tongue in his throat, and that caused him to do a lot of unorthodox things, including excessive placement in the mask and arguably the nose, especially as his career progressed. His problematic top was symptomatic of that. He did however have vocal cords of steel. On paper, his voice should not have sounded as good as it did and have persisted as long as it did.

[@photo161]

Two good singers badly overparted!

[@irenavisockiene3735]

Otelo vaidmuo visais atžvilgiais labai tinka Placidui Domingui,geriau už Jį nebus kam taip atlikt!

[@bodiloto]

è ovvio che Domingo non aveva nella sua gola la vera vocalità d'Otello . non mi piace affatto.

[@lydiaguarro]

Non so perche ascolti Domingo se non ti piace affatto niente che lui cante. Il pubblico di Vienna ha applaudito l'Otello de Placido 30 minuti nel 1991.

[@gabrielvelascorios8892]

La vera vocalita... Otello e molto pui, e Domingo e un grandísimo artista.

[@ilboss7541]

Concordo e secondo me Domingo non è mai stato un vero tenore

[@bodiloto]

@@gabrielvelascorios8892 Guarda Signora, ''un grandissimo artista lirico'' privo dalla madre natura della grande voce lirica vera questo ''fenomeno '' nella storia della lirica non ha mai esistito! in Otello Merli,Del Monaco, Fleta, Caruso, Pertile, Salazar,Paoli,De Muro, Vinay, Usunov, Cossuta, Nikolov,Giacomini e compagnia questi Signori si che erano dei GRANDI OTELLO o avevano almeno la vera voce d'Otello !... accanto a loro Domingo come Otello faceva pallida figura,e' un fatto . il vecchio

[@bodiloto]

@@lydiaguarro la pubblicità e l'ignoranza umana vanno mano nella mano . e' proprio questo pubblico ''moderno'' che gridava negli ultimi anni ''bravo'' e ''bravi'' a TUTTI e a TUTTO ! un pubblico ignorante e maleducato nella materia . così e' lo stesso pubblico chi ha partecipato nell'assassinio della vera arte lirica . come non vi vergognate non lo so . sono un anziano della professione e temo che ho ancora il diritto a dire quello che penso. sono ancora libero di ascoltare Domingo quanto voglio, non siete voi ignoranti fanatici per dirmi cosa devo fare o dire. viviamo ancora nella democrazia, una parola assente del vocabolario di tutti fanatici. auguroni Signora. il vecchio