VIOLA masterclass by Nathan BRAUDE | Suite No. 3 in C Major, 1st movement by Johann Sebastian Bach

Experience immersive video masterclasses on www.salineacademy.com/?utm-so...
The most esteemed teachers share their knowledge, advice, and techniques to help you improve and develop your skills.
Discover more of our viola masterclasses : www.salineacademy.com/instrum...
To learn more about Nathan Braude's work with the Saline royale Academy : www.salineacademy.com/personn...
- Complete work
- Free trial
- Annotated sheet with the professor's advices
About this viola masterclass in collaboration with the ‪@RCMLondon‬
Suite No. 3 in C Major, 1st movement, part 1 by Johann Sebastian Bach
Recorded with Nathan Braude and ‪@otohatabata3232‬ in April 2022.
Professor Nathan Braude and his student Otoha Tabata discuss sound, tempo, historical context, and other important subjects.
0:00 Intro and playing part
3:40 Advice part
In this masterclass, Professor Nathan Braude works with viola student Otoha Tabata on bow stroke and phrasing in the Prelude from Bach’s third cello suite.
Braude first discusses the imagery he attaches to the opening material and helps Tabata find a tempo and phrasing that will communicate this clearly to the audience. He then explores the topic of bow stroke and how to imitate the sound of a Baroque bow, which was more imperfect than the modern bow. He encourages Tabata to embrace the uneven quality of the bow stroke instead of trying to make every note sound the same. This will also help her play with more inflection, as if she is speaking. In the same vein, the difficulty of bridging together large intervals can be emphasized rather than covered up. Overall, Braude challenges Tabata to be more emphatic in her musical decisions and interpretation, and to take time to enjoy the journey the piece takes her on.
What we learn:
- Incorporating and displaying imagery.
- Imitating the stroke of the Baroque bow.
- Highlighting the intervals rather than hiding them.
- Phrasing as though one would speak.
- Enjoying the journey of the piece
About the Saline royale Academy:
The Saline royale Academy is an international music teaching center providing in-situ and online masterclasses taught by some of the most widely acclaimed teachers in the world at the Saline royale of Arc-et-Senans (France).
The Saline royale Academy focuses on helping to train tomorrow’s best musicians by giving them access to some of the greatest professor's teachings.
Our educational service is based on an innovative immersive and interactive video player allowing the user to choose the viewing angle of either the professor or the student without any interruption.
A unique offer preserving the rich and diverse heritage of teachings and techniques used by the greatest musicians, such as Miriam Fried, Dénes Várjon, Clive Greensmith, Nathan Braude, Margreet Honig, Philippe Bernold...and more than 50 professors of violin, piano, cello, viola, flute, voice, chamber music, trombone, clarinet and oboe.
We offer young musicians a permanent access to the excellence of online music education thanks to our vast catalog - the biggest in the world - completed by content produced by institutions such as Colburn School (Los Angeles), The Royal College of Music (London), The Royal Irish Academy of Music (Dublin)…
Follow us on social networks:
- Facebook: / salineroyaleacademy
- Instagram: / salineroyaleacademy
#violinmasterclass #classicalmu

[@jairochaves8916]

Perfect explanation!!! GREAT MASTER class!!!!! Bravo.

[@vishnuramankutty717]

The performance was so good before even the masterclass began!!! Wow!

[@dorianmonroy3839]

I love what he said about the opening scale being interpreted as the “descent of Christ to Earth”. Just awesome. 👍

[@rawxsa]

I feel she didn't apply any of his suggestions. Which is a shame. Her sound is amazing, no doubt, but she seemed not to really apply what he was trying to teach her.

[@davidcrosier2761]

Really? I think the opposite. She was really making an effort to follow everything he suggested. It's not easy to rethink and re-play how you interpret a piece like this. I think she did an amazing job...