VIVALDI | ‘Amsterdam’ Violin Concerto | RV 220 in D major

VIVALDI | ‘Amsterdam’ Violin Concerto | RV 220 in D major | 1717 edition

Рет қаралды 12,959

Күн бұрын

For solo violin, strings and basso continuo
I. Allegro (0:00)
II. Largo (3:26)
III. Allegro (6:32)
Composed: not later than 1717
Source: Jeanne Roger No. 432, Amsterdam, 1717 [Concerto VI]
Harmonie Universelle, ‘Concerti per violino’
Florian Deuter, violino solo e direzione
Mónica Waisman, direzione
Eloquentia EL 0815

Пікірлер: 41

@DelVivaldi 2 жыл бұрын

I call this one the 'lost' Stravanganza concerto, because it looks and sounds like it could be part of that collection, and it is also rarely performed. But actually it is part of a collection called "Concerti a cinque" published under the Jeanne Roger imprint in 1717. Three (out of 12) are identified as Vivaldi's, including this one. There is no trace of this work in the composer's personal archive or in Dresden. In my opinion, it must date from around 1710. For Vivaldi it corresponds to a sort of classical period, an âge d'or. Elegance and balance, rationality and beauty: armonia e inventione. I. Allegro (0:00) II. Largo (3:26) III. Allegro (6:32) Composed: not later than 1717 Source: Jeanne Roger No. 432, Amsterdam, 1717 [Concerto VI] Harmonie Universelle, ‘Concerti per violino’ Florian Deuter, violino solo e direzione Mónica Waisman, direzione Eloquentia EL 0815

@Katie2008 2 жыл бұрын

Good to see you uploading more

@giuseppegullo717 2 жыл бұрын

Thank you once again @Del Vivaldi! Wonderful upload of a rarely heard but not by any means less beautiful and interesting early concerto. I agree that this concerto sounds a lot like those of La Stravaganza, especially for the very simple thematic material of the Tutti (similar to that of Concerto n.1) and the rather large (and a bit predictable) use of 7th progressions in all the three movements. However, the whole work seems more archaic in the relationship betweem Solos and Tutti than the Stravaganza concertos and one would wonder if if might predate them even by a whole decade or so (meaning that that it could have been written before 1709 when Vivaldi lost his first appointment at the Pietà).

@DelVivaldi 2 жыл бұрын

@@giuseppegullo717 You are quite right! I was thinking mainly of Op. 4 nos. 1, 4 and 9, probably among the earliest of the set, although the first and second violins have a much greater rôle in those three. Here there is no independant first violin part, only violino primo (principale) and secondo. But in that sense, an economy of means does not always mean ‘early’.

@DelVivaldi 2 жыл бұрын

One user has found a concordance with Grosso Mogul and I have spotted one with RV 212. That's pretty "canon".

@DelVivaldi 2 жыл бұрын

Also 1:41 = more or less kzbin.info/www/bejne/o6WTmqSAZsqIgtE (Op. 4 no 6)

@kapsho 2 жыл бұрын

I'm here to say that your channel, which I extremely love, is an absolutely wonderful phenomenon on the KZbin. I've never seen a channel that would be completely dedicated to Vivaldi's works, especially not famous ones. Thank you for all of these videos!

@DelVivaldi 2 жыл бұрын

Thanks, Captain! 👍

@kapsho 2 жыл бұрын

@@DelVivaldi 😉

@guavaguy4397 Жыл бұрын

It is almost a sin that not every classical music enjoyer has listen to this. Words cannot describe how grateful I am for providing this to us. Always remember that at least someone appreciates you.

@Ryan-gz2zk Жыл бұрын

The 3rd movement opening is absolutely stunning!!! The elegance and ornamentation is everything. This orchestra absolutely nailed it in every category.

@maurorocca1745 2 жыл бұрын

Il Prete Rosso: miniera inesauribile di beltà, armonia e gioia per la vita!

@teoleonov 2 жыл бұрын

Bravo

@gianandreamajone8238 11 ай бұрын

The central Largo movement leaves me breathless, as if in paradise -- I suppose don Vivaldi the clergyman would approve.

@mereyeslacalle 4 ай бұрын

Preciosura ! Como todo lo que publicas @Del Vivaldi. Tu canal es absolutamente adictivo . Gracias a ti y al maestro Federico Maria Sardelli he podido profundizar y aprender más de la maravillosa obra de mi adorado prete rosso . Gracias por tanto @Del Vivaldi . Abrazos desde Chile. ❤🌺🌹

@TheOneAndOnlyZelenkaGuru Жыл бұрын

This piece gives me Biber vibes, in particular the opening bouncing rhythm at 0:17, reminiscent of Biber's 'Sonata Sancti Polycarpi a 9 voci' for trumpet ensemble.

@marcosPRATA918 Жыл бұрын

Invenção figurativa, envolvente.

@demensclay6419 5 ай бұрын

Amazing piece!

@TenorCantusFirmus Жыл бұрын

Vivaldi might have written hundreds of times the same Concerto, but it's so gorgeous I still listen to it whenever the KZbin Algorhythm suggests it to me. (And by the way, that claim is a complete hoax.)

@jonathanpearl5379 Жыл бұрын

Stravinsky said Vivaldi wrote repeatedly in the concerto form. Dallapiccola said it was same concerto over and over. They both were wrong.

@joannawarwick358 Жыл бұрын

Sublime. Words fail…..

@abnercotto2368 Жыл бұрын

Absolutely incredible. Thank you!

@freddiefries Жыл бұрын

J’aime beaucoup 😊

@DelVivaldi 2 жыл бұрын

7:25 and 8:03 scales, RV 212 final cadenza.

@dnp4406 2 жыл бұрын

2:12 - 2:21 similar to Grosso Mogul Concerto, first movement

@DelVivaldi 2 жыл бұрын

To be precise: kzbin.info/www/bejne/lYCoe36fdq6ZftE

@nuevomundo7184 2 жыл бұрын

Vivaldi fue un casanova , vertía el fuego de su vida alocada en su música, vivió gozando la vida y amando a mil mujeres 👏🏻👏🏻👏🏻👏🏻

@jonathanpearl5379 2 жыл бұрын

Casanova was a pathological liar, exaggerating his adventures, the privilege of an autobiographer.

@gnzanivan Жыл бұрын

Vivaldi era un sacerdote e si arrabbiava moltissimo quando si metteva in dubbio la sua fedeltà al voto di castità. E' anche vero che in casa sua teneva due sorelle, una delle quali era la sua cantante preferita. Egli sosteneva che era per fare del bene alle due ragazze, altrimenti destinate a destini inopportuni. Vivaldi si impegnò per metà della sua vita a comporre per le ragazze orfane ospitate alla Pietà. SI può supporre che la vicinanza e la disponibilità musicale di queste fanciulle, talvolta virtuose strumentiste e vocaliste, abbia segnato il suo stile, così giovane e così esuberante. Ma contò molto anche l'esperienza fondamentale del teatro d'opera. Scrisse tantissime opere e fu addirittura impresario teatrale, tanto gli piaceva quel mondo dorato. Morì solo, a Vienna, quando, diventato obsoleto e non più alla moda, tentò inutilmente fortuna nella capitale degli Asburgo. Dire che era un donnaiolo e un Casanova è assolutamente falso. Dire che era sensibile al mondo femminile, cosa per altro sanissima, è assolutamente probabile. Teniamo anche conto che Vivaldi era malato dalla nascita ed aveva bisogno di continuo sostegno da parte della famiglia. Nessun vitalismo casanoviano.

@marcosPRATA918 10 ай бұрын

@@gnzanivan o mundo antigo, serioso (leia-se repressivo) era hipócrita e adorava fofocas e intrigas. Obs: os bastidores do mu do atual e até a face midiática não ficam atrás.