VIVO S10 (LONG VERSION)

The all new VIVO S10, and VIVO S10L with 3.2 GB memory holding 180 high-definition sounds represent the most advanced technology and features ever offered in professional-level stage pianos and keyboards.
𝘼𝙡𝙡 𝙎𝙤𝙪𝙣𝙙𝙨 𝙥𝙡𝙖𝙮𝙚𝙙 𝙞𝙣 𝙩𝙝𝙞𝙨 𝙥𝙧𝙤𝙙𝙪𝙘𝙩𝙞𝙤𝙣, 𝙚𝙭𝙘𝙚𝙥𝙩 𝙛𝙤𝙧 𝙩𝙝𝙚 𝘿𝙧𝙪𝙢𝙨, 𝙖𝙧𝙚 𝘿𝙚𝙭𝙞𝙗𝙚𝙡𝙡 𝙎𝟭𝟬/𝙎𝟭𝟬𝙇 𝙛𝙖𝙘𝙩𝙤𝙧𝙮 𝙨𝙤𝙪𝙣𝙙𝙨, 𝙥𝙧𝙚-𝙞𝙣𝙨𝙩𝙖𝙡𝙡𝙚𝙙 𝙞𝙣 𝙩𝙝𝙚 𝙞𝙣𝙨𝙩𝙧𝙪𝙢𝙚𝙣𝙩 𝙙𝙞𝙜𝙞𝙩𝙖𝙡𝙡𝙮 𝙧𝙚𝙘𝙤𝙧𝙙𝙚𝙙 𝙩𝙧𝙖𝙘𝙠 𝙗𝙮 𝙩𝙧𝙖𝙘𝙠, 𝙪𝙨𝙞𝙣𝙜 𝙩𝙝𝙚 𝙞𝙣𝙨𝙩𝙧𝙪𝙢𝙚𝙣𝙩𝙨 𝙐𝙎𝘽 𝘿𝙞𝙜𝙞𝙩𝙖𝙡 𝙊𝙪𝙩 𝙤𝙣 𝟰𝟴𝙠𝙃𝙯, 𝟮𝟰𝙗𝙞𝙩, 𝙘𝙤𝙣𝙣𝙚𝙘𝙩𝙚𝙙 𝙙𝙞𝙧𝙚𝙘𝙩𝙡𝙮 𝙩𝙤 𝙩𝙝𝙚 𝘾𝙤𝙢𝙥𝙪𝙩𝙚𝙧.
The video recording has been made in the Proel "On and On“ Theatre in St’Omero, (TE) Italy.
#lighting equipment by www.sagitter.com/ , a brand of the Proel group.
#sound equipment by www.axiomproaudio.com/, a brand of the Proel group.
Audio production by Ralf Schink ‪@RalphMrLight‬ ‪@ralfplaysdexibell9156‬
Dexibell is a brand of the Proel group ‪@Proelworld‬
Video production by www.jackandrov.com/
Discover more on www.dexibell.com/prodotto/viv...
www.dexibell.com/ ‪@Dexibell‬

[@etpslick100]

Wow! That keyboard sounds fantastic! Love my XF8; but this thing? OMG! Love that tune and his playing also. Gotta keep an 👁️ on Dexibell. Nice!🤨❤️🎶🎹👍🏾

[@MaxThompsonMusic]

So nice to hear an 11/8 piece in a keyboard demo. Wish there was more of that.

[@thewiseperson8748]

Just so absolutely amazing ! Brilliant !

[@EzraBufford]

For Brain Culbertson to put down Roland RDs to start performing with this new 88 keyboard, says something!

[@lotharramstedt282]

Die sprichwörtliche Spielfreude und Lust an der Musik ist erneut bei Ralf Schink spürbar. Er wirkt sehr motivierend auf mich, im Alter von 84 Jahren wieder Klavier zu üben.

[@ralfplaysdexibell9156]

Vielen vielen Dank, Leiber Herr Ramstedt, Sie zum Klavier spielen zu motivieren ist ein wunderschönes Geschenk von Ihnen an mich!

[@lotharramstedt282]

@@ralfplaysdexibell9156: Merci für Ihre freundliche Antwort. Ich hatte vor einigen Jahren Gelegenheit, Sie bei Krompholz Bern, Schweiz, bei einer Dexibell-Demo zu bewundern.

[@ToastandJam52]

Sounds absolutely FANTASTIC!!!!!! Could I possibly swap my S7 for an S10? Please? Pretty please?!?!

[@Sarahbuildsstepsequencers]

Beautiful song!

[@antoniobaggiano9513]

Great tune and performance, is it your original one? I can't stop replay it over and over.... it's so beautiful !!!

[@ralfplaysdexibell9156]

Dear Antonio, thanks a lot for your inspiring comment! Yes, I wrote the song. Happy, you like it !

[@jfaheina]

A influência do Pat Metheny Group no final, foi o melhor. JÁ QUERO!!!!!

[@Morton13579]

Funny..I was thinking exactly the same thing thing just before I saw your comment. If one’s composition even remotely reminds me of a Metheny/Mays tune, then a higher compliment cannot be paid!

[@ablesam]

Well done Dexibell team and Ralf! As always Ralf, your decades of experience in making good music seems to keep going on forever, and I hope it never stops. Excited to try this product once it is out. Few doubts I hope you would clarify. 1) The new S10L seems to have replaced the Combo J7. Is this confirmed? I understand the decision, since the products overlap so much. 2) 3.2GB of memory is double the old one, making the product more value for money. But, I had an S1 which took about 46 secs to load 1.5GB of sounds. Considering the new hardware platform, the specs say that it is 4x faster when loading sounds. Will this mean that the 3.2GB of sound can load under 25 secs when the improvement factors are taken into account? 3) What exactly is the difference between the normal T2L and 'Advanced T2L'. I can't find any major difference. 4) Any chance we will see disk streaming technology in future hardware implementations? It make help in making better use of the RAM to stream more libraries while taking up less space in the RAM. You can avoid answering this question if it is a sensitive topic or you don't want to disclose plans on future hardware platforms. Thank you guys for another amazing product. You have really understood stage piano users and are fulfilling the needs of so many musicians. All the best!

[@jurgenilg2811]

Da sind wir mal gespannt 😀😀

[@donutninja1118]

🎉🎉🎉

[@eugeniodoyagimenez3309]

Un saludo para ustedes que hacen posible la existencia de estos productos Dexibell. Quisiera decirles que e adquirido recientemente un Vivo S7 del que estoy muy contento de este piano digital pues sin duda es un disfrute utilizar por su sonido en especial el de piano. Reciban de nuevo un saludo desde España.

[@donutninja1118]

Sounds great as always, when will it be available?

[@Dexibell]

thanks! it will be available by the end of this year 🙏

[@donutninja1118]

Great, can’t wait!

[@malvinusmusic]

Very Lyle Mays-ish ❤

[@masonjahncke7844]

@@Dexibell Beginning of the new year and it's hard to hold off for the S10 😂 Hope it's worth the wait. I want a really good action, amazing piano samples and an awesome organ to layer in there for emotion!

[@dmackiii5534]

​@@masonjahncke7844 Exactly how i feel man haha. I decided to just grab a very good condition used S9 until the S10 is here, then I'll just trade it in and upgrade if i feel need to.

[@PeterS230758]

Wie wäre es den bereits auf dem Markt befindlichen Dexibell-Instrumenten einen richtigen Service zu bieten ?

[@ralfplaysdexibell9156]

Sehr geehrter Herr Schenk, wenn die erste und einzige Reaktion auf ein neues Video, das ich mit sehr viel Hingabe und Liebe produziert habe ... und nun verzeihen Sie meine Direktheit, "dranzukacken" ist ...denn das ist ganz genau, was Sie hier tun, dann darf ich schon mal nachfragen, was eigentlich los ist. Was ist schiefgegangen, das Sie wiederkehrend die Energie aufbauen läßt, ausschließlich negative Kommentare dieser Art in meine Videos zu schreiben, ist ja nicht das erste Mal, gell ... !. Die Kommentarzeilen dieser Videos sind der vollkommen falsche Platz für diese Art von Äußerung, Ihre Kritik hat tatsächlich absolut keinen inhaltlichen Bezug zu den Videos. Dexibell hat für Ihre Art der Unmutsäußerung eine service email. Persönlich habe ich derartig negative Rumpestereien und Kommentare, wie Sie diese gerne und immer wieder von sich geben, komplett, absolut und ganz und gar nachhaltig satt, insbesondere wenn sie von Leuten kommen, die auf ihrem eigenen youtube Kanal noch nicht einmal ein einziges vernünftiges Video veröffentlicht haben. Eine konstruktive Kritik ist, wenn diese respektvoll eingebracht wird, immer willkommen, auch wenn diese mal weh tun mag. Aber so... so geht das wirklich nicht. Mit freundlichen Grüßen, Ralf Schink

[@PeterS230758]

Hallo Herr Schink, Ich bedanke mich für ihre Nachricht. In keinster Weise wollte ich Sie persönlich angreifen. Ich besuche gerne und oft ihre Darbietungen. Das Problem ist ganz banal, ich benötige ein aussagefähiges Handbuch für den S7pro. Ich mag dieses Instrument und möchte gerne die kompletten Fähigkeiten des Instrumentes nutzen. Aufgrund dessen hatte ich Dexibell Deutschland angeschrieben. Beim ersten Mal bekam ich die Info dass die Produktionsnummer benötigt wird. Die habe ich dann mitgeteilt, mit dem Ergebnis dass keine Antwort kam. Somit monierte ich nach geraumer Zeit. Zwischenzeitlich wurde Dexibell Deutschland direkt von Italien übernommen, ein Handbuch gibt es noch immer nicht obwohl das Instrument schon über 3 Jahre auf dem Markt ist. Deshalb eben diese Reaktion meinerseits. Beruflich komme ich aus dem Bereich Marketing/Vertrieb und weiß dass Service eben der Dreh und Angelpunkt ist. Dexibell hat gute Produkte … Es grüßt Peter Schenk

[@VadimShinnik]

Hello, I'm sitting in the center, in front of studio monitors, listening to your demos with piano sound and a couple of solo jazz tracks played on an acoustic piano in MP3 320kbs. I listen with my eyes closed. And then a paradoxical thing happens because the MP3 320kbs version sounds better than yours the high quality you claim. That's right - the primary source...! Ok, I'm not saying that the piano should sound like the original recording, but at least very close. But I immediately feel the plastic sound of your samples. Sorry for my very subjective but honest opinion. TP400 is great! Motor Drawbars - awesome! Build quality - on the level! But, what do you have with the sound base? What's with the pianos? What's up with Rhodes? etc ...instead - 24-bit linear - 48 KHz (Internal processing and DSP at 32 bit floating) ....OK!

[@thortschman]

I have a S7. I can understand what you are saying, but I must also say that the Japan PLT sound is much superior to the USA PLT (in my opinion). Unfortunately there are only few videos showing that sound. On the other Hand the USA sample really cuts surprisingly good through the mix compared to the Japan Grand.

[@VadimShinnik]

@@thortschman I understand. There are a lot of models in which the sound of the piano fits perfectly into the mix, for example, the old Yamaha P-80, P-90. There are older ones, and there are many of them. But these show-off characteristics about the sound quality of 24bit...48KHz, 32bit floating.... They need to rethink the sound of the piano and electromechanical sounds and the concept of their sounding in general, but for now, this is an expensive beautiful, high-quality toy. Nord is also an expensive toy, but it has a slightly different approach to sound. For example White Grand, it creates the impression of a live instrument, that is not perfectly tuned, with harmonics, the feeling that the instrument is in front of you and it breathes. But there is work to be done there as well. There are a couple of instruments on the market that provide multisampling with good conversion and you can achieve very high quality and expensive sounding of the above-listed timbres.

[@thortschman]

Regarding the older Pianos, I know what you mean. I used the old Korg SG Rack for playing live in the Rock band to that day. The disadvantage is, that these Pianos cut good but are not rich at all. I also own a Nord Stage and know the white grand very well and it is awesome! But it doesn’t fit in the mix of my band, but sounds really good as „stand alone“. I tried several Samples from the Nord Library, and no one single Piano was able to cut and fit so good as the Korg SG Rack. Then I bought the Dexibell S7 Pro. I tried the Japan PLT and immediately remembered the concert I played 20years ago on a real Yamaha C7 Grand Piano. The Dexibell is only lacking expression in this sample in the high mids. The Lower midrange is great. And the Vivo Grand is perfekt for the Band. It will replace the Korg Rack. And as a plus it sounds also rich. But I need to admit, that I had same feelings 9 years ago buying the Nord. I think we have reached a point where only innovations will bring the next step. I have the feeling that ears get used to the samples and the Digital Pianos, no matter which high end Stage Piano you are buying, start to sound boring at a certain point. Time will tell. Currently I’m very happy with the Dexi but will it be the same in 3 or 4 years? Nobody knows 😊