W.A.Mozart: Zaide (Singspiel KV 344)

[@yongsikkang6569]

Act 1 09:01 No.1 10:00 No. 2 Melologo 16:27 No. 3 Aria (Zaide) 22:58 No. 4 Aria (Gomatz) 28:02 No. 5 Duetto 32:04 No. 6 Aria (Gomatz) 36:00 No. 7 Aria (Allazim) 39:52 No. 8 Terzetto Act 2 46:19 No. 9 Melologo (Soliman) 49:00 Aria (Soliman) 54:22 No. 10 Aria (Osmin) 57:38 No. 11 Aria (Soliman) 1:03:36 No. 12 Aria (Zaide) 1:10:19 No. 13 Aria (Zaide) 1:15:38 No. 14 Aria (Allazim) 1:20:35 No. 15 Quartetto

[@Pierinopasquotti]

Caro Mozart! Come amava questa sua opera incompiuta che nessuno gli volle mai ripresentare! E come lui stesso giudicava la musica veramente bella! Fortunati noi che la possiamo ascoltare dopo due secoli e mezzo.

[@fatihyetimova6142]

Zaidem kurbanin olaaam.

[@fibrofrecuencia]

Excelente, puesta en escena, actuacion, todo, gracias

[@asya_bonetti]

Огромное спасибо за постановку высочайшего уровня! Мега профессионально, творчески и с любовью! Я получила огромное удовольствие от просмотра😊

[@Hermes1548]

*Zaide* was Mozart's most personal, even autobiographical, work, and reveals his desperate state of mind in Salzburg during 1779 and 1780 ... Happiness has deserted Gomatz [i.e. Mozagt ~ Mozart], and the enforced leisure of the night gives him no rest. All comforts are without effect upon his wounded soul. To a poignant oboe phrase he longs for death to free him from his misery, until at last exhaustion lulls him to fitful sleep. // As he sleeps a female figure appears: Zaide ... Like Gomatz, he endures servitude ... Zaide, the vision who appears to him in his despairing sleep, is his muse: opera, or more particularly, German opera, whose portrait keeps the flame of hope alive in his breast ... But German opera is unliberated too, an exile like Mozart ... United at last ... together they will escape and conquer destiny ... Allazim is eventually revealed to be the father of both Gomatz and Zaide. Clearly, for Mozart, he represents his father Leopold. Like Wolfgang, Leopold is a slave, although one who has accepted his servitude and relinquished the dream of freedom. But he is a slave with authority over Wolfgang, and has the power to help his son to escape to fulfill his destiny, or to restrain him. 'You would not restrain our joy,' says Gomatz. 'You are too noble and too great for such a shameful deed. Help me to attain my freedom and the freedom of Zaide.' ... The reason that Mozart could not complete the opera, of course, was that the outcome of his own story was as yet unknown. ~Nicholas Till, *Mozart and the Enlightenment*, W.W. Norton & Company, New York - London, 1993, pp. 56-59.

[@Herman6507]

Thanks Ricardo Mena for sharing! Much appreciated.

[@eschiss1]

Thanks for uploading your performance of this rarely-done (and incomplete, I know...) work. Appreciated!!

[@NegativeBodhiImage]

+Eric Schissel yes many thanks!

[@Alyayimm]

According to sources, Zahide is the name of the Turkish girl Mozart fell in love with.

[@ElSmusso]

Exquisitely beautiful

[@giuseppedimarco8358]

Great!Thanks!

[@NegativeBodhiImage]

16:27 my favourite Mozart Aria … although this isn't the best version of it.. IMHO only

[@jfthiesen2947]

Ja, meine Favoritin ist REGULA MÜHLEMANN ! ! ! Ein-fach auf YT rein-hören ! jft

[@jfthiesen2947]

Für eine Live - Auf - Führung schon Okay, aber WIR haben in-zwischen zu viele Angebote im NETZ u.a. CD .....und ver-gleichen viel zu viel ! ( SIE essen doch auch nicht jeden TAG i h r LIEB - LINGS - ESSEN , oder ? Dann ist ES das nicht mehr ! )

[@NegativeBodhiImage]

@@jfthiesen2947 Exquisite!

[@fabian.astudillo]

Gracias!!! estaba buscando esta melodía… 😢 tan bella, tan sublime 🥹

[@Fener-gj6hk]

Zaide Turkish Woman

[@viktorhalbnarr999]

For the original opera is a fragment, which piece was chosen to open the opera ?

[@operadechambredegeneve4868]

+Viktor Halbnarr Dear Mister Halbnarr, I chose the: Sinfonie in Es KV 184.

[@viktorhalbnarr999]

+Opéra de Chambre de Genève Thank you very much for the information !! It is a very fine upload!

[@andreaweidemann5186]

Beautiful performance! What is the name of the last number at the very end following the quartet?

[@liciafrassenei5128]

i don't know

[@claudiapereira836]

🎶🎶

[@ValzainLumivix]

16:26

[@gerlindeernst4229]

Mo Cut in

[@stefanovizioli]

che pezzo musicale avete scelto per il finale?

[@leonardomauretti6742]

Si tratta del coro d'apertura, messo ciclicamente anche alla fine a suggerire un lieto fine.

[@jacopo3530]

19.48

[@giulianodalmas5949]

Zaide e L'Oca del Cairo ritengo possano ritenersi integralmente di mano di Mozart.... le altre opere portano con sè collaborazioni, copiature, acquisti...musica piacevole in questo caso ma niente di più...

[@stephencowley3661]

Enjoying listening to all Mozart's music have just reached this opera

[@martinhansmann8636]

8 min. ouvertüre, das ist ja grauselig und dann noch französisch

[@jfthiesen2947]

Was die Ouvertüre französisch ? ( Das geht mit SICHER-HEIT gar nicht ! Ein Vor - SPIEL französisch!.....🤣 )

[@kleinermaulwurf4318]

Die Ouvertüre hat man einfach einer Symphonie von Mozart entnommen, da keine original Einleitung existiert. Aber ein deutsches Singspiel mit französischen Rezitativen, das Geld für den Eintritt hätte ich mir auch gespart.