【微分音】Microtonal Piano in 100 tone equal temperament (100EDO) (Microtonal Music) 微分音ピアノ 100平均律!

[@icefaceH]

Are you ready to be microtonalized? 　Let me know what you think of this piano! これまでで一番派手な動画になったかも。ぜひ感想ください！！

[@Kaiveran]

It's amazing how you manage to create interesting melodies in such a relatively tiny pitch space.

[@icefaceH]

BDNproductions thanks. I always want my melodies to be interesting and nice anyhow.

[@unslept_em]

it's like if ligeti had a good day

[@musisisurabaya]

Hi

[@MuzikBike]

I cant tell if this sounds absolutely terrifying or weirdly soothing

[@icefaceH]

Muzik Bike I hope this is more than words can tell :D

[@lucabaar1]

This is the most brilliantly haunting tune! How expressive!

[@icefaceH]

Thank youuuuu!' ε-(´∀｀; )

[@dannyundos8927]

Should try 200-TET, which has even better approximation of perfect fifth than 53-TET.

[@icefaceH]

Thanks! I'll try sometime

[@stephenmitchell8111]

someone should enlist you for a creepy horror movie soundtrack.

[@icefaceH]

I hope you can find me someone!

[@therealhelmholtz]

@@icefaceH there’s always me

[@死んぱい停止]

ピアノは好きでは無いけどこう言うチャンネルは大好きです

[@icefaceH]

ありがとうこざいます。嬉しいです！

[@kouw]

幻想的で綺麗

[@icefaceH]

ありがとうございます！

[@satoh-suzukitakahashi-tana3796]

不思議なサウンド😵ですが、どこか懐かしい😮ような感じもしました😃

[@icefaceH]

Satoh-Suzuki Takahashi-Tanaka コメントありがとうございます。そんなふうに楽しんでいただけてありがたいです☺️

[@therealhelmholtz]

Montana Microtones... love it

[@icefaceH]

Thanks again 😃 Montana Montana!!

[@therealhelmholtz]

@Iceface H. Wakabayashi 微分音チャンネル MONTANAAAAAA

[@Ymp_11]

The way you make use of it is amazing! It reminds me of an old friend that once told me doubling a sound with itself a few cents higher or lower gives a richness to it :) It's also nice to hear slides that only span a few semi-tones...

[@icefaceH]

Thanks! Cheers to you and your old friend.

[@richardj.rustleshyman2026]

I think timbre and number of sounds affects to the end result. 2 violins playing out of tune, for example, don't sound as painful as 2 simultaneously playing sinewaves that are out of tune. On the other hand, a full professional orchestra. Though they are playing in tune, each violin is ever so slightly out of tune with each other (possibly just a few cents). Add up all these differences, and you get that rich, chorusing orchestral sound.

[@IsraelRuizAyala]

Ok, you have won a subscriber, nice job! Challenges the ear a lot, but it opens a world of possibilities!

[@icefaceH]

Thanks. You won a subscriber too!

[@musisisurabaya]

Hello

[@richardj.rustleshyman2026]

Lul, plebians...... I only listen to 4,650-tone equal temperament.

[@rogerantonybennett5272]

This is an interesting way of using very small microtones in an intuitive way. It works well and you have to use your ear rather than theory. We need new ideas to explore the cracks between the 12-note octave. This is one way to explore further. Thank you....

[@icefaceH]

Thank you for your kind comments. Yes intuition is the most important factor to make even microtonal music for me.

[@musisisurabaya]

Very nice my friend

[@icefaceH]

Thanks!!!

[@circular17]

It's like you don't need any glissando effect, you can just press all the keys in between.

[@icefaceH]

You are right. I think I did a bit too much hahaha

[@woodsmith_1]

Bravo!

[@icefaceH]

EOrem Thank you!!

[@Cr8Tron]

Have you tried 72-TET system? 72 is at least evenly divisible by 12, 24, and 36, allowing for those to still be the divisions of the octave if you wish. I've found all of these systems on KZbin, except the 72-TET one. But then I still manage to find the 100-TET system? What the heck!? >_

[@icefaceH]

ahaha, I just wanted the impact of "100" and that's the main reason I made this piece and video. but you can find 96TET acoustic piano playing on youtube.

[@icefaceH]

kzbin.info/www/bejne/g522nWBsn6ycd9k Manoeuvre (2016) - Brechtje van Dijk

[@MadMusicologist]

96TET is Julián Carillo, Mexican composer, look for "Sonido 13". (The "thirteenth tone" being the first one to break up our 12 TET system jail, the first step outside to a freer world (only in music, though).

[@JohnSmith-iu3jg]

Cr8Tron no 53TET is better. the whole issue with 12edo is that it doesn't distinguish intervals that differ from 20-50 cents. For example, there are several just intervals, like 9/5 and 16/9, that hover around an equal tempered minor seventh, but once you have enough tones to distinguish 9/5 from 16/9, there's really no reason to keep the compromised interval in between. In short, 53EDO is simpler and better than 72EDO.

[@musisisurabaya]

Hi

[@patrickrose5769]

this is totally biasing my ears but it is cool you have obviously spent some time on this

[@icefaceH]

Yes! Not that long though:)

[@お肉とお魚のソーセージ]

ピアノ全部使っても1オクターブいかないってことか… ていうか調律すごくね！？

[@icefaceH]

すごいでしょ〜！デジタルだけど

[@Soulplace]

チャンネル購読しました！ 動画楽しみです！

[@Soulplace]

@@icefaceH ありがとうございます。いい交流をしてみましょう！

[@icefaceH]

Disobey ありがとうございます。交流よろしくお願いいたします🤲

[@PiEndsWith0]

And this is why you'll score electric piano as a reed instrument (i.e. concert pitch) in the future :)

[@icefaceH]

Ahaha yes!!!

[@CappnRock]

this is so cool

[@icefaceH]

CappnRock Thanks!!

[@Choimyungoho]

정말로 환상적 입니다. 글리센도 효과가 마치 관악기 트럼본으로 연주 하는것 처럼 메끄럽습니다.

[@icefaceH]

감사합니다

[@katedeaux2039]

Excellent playing!

[@icefaceH]

Thanks Kate!!! :)

[@rebecca-do9zc]

Amazing!

[@icefaceH]

rebecca k Thanks!

[@noahlovotti7722]

the 33rd step creates a near perfect approximation of 44/35 an interval 4 cents less than 12edo's major 3rd

[@icefaceH]

That can be a great point even in this chaotic music.

[@ghostnebula6286]

Wonky, I love it!!

[@icefaceH]

Oh thank you!

[@dorianozurlomusic]

this is beautiful

[@icefaceH]

Doriano Zurlo Thanks!!

[@rogerantonybennett5272]

I go for just intonation - but 171et(edu) is probably the best set of small steps for equally dividing 2/1(the octave). 171 is friendly with most of the low prime numbers 2,3,5,7,etc in frequency ratios....

[@icefaceH]

It will need 2 pianos for 1 octave 171et though

[@rogerantonybennett5272]

@@icefaceH - Another way of looking at it.... it will need 15 pianos to have the complete piano range with 171 equal steps to the octave ! This is ridiculous. Impractical. Imposible to notate or perform. It would be difficult even with a typewriter (or archiphone) keyboard. But I'm thinking theoretically rather than practically. 15 pianists is impractcal, but 171 et is a magnificent framework for thinking microtonally.

[@icefaceH]

@@rogerantonybennett5272 hmmm 15 pianos... you need to run around to play from the bottom to the high notes. I’ll check and think about 171 tet anyway. Thanks for the great inspiration❗️

[@rogerantonybennett5272]

@@icefaceH - the 19 et conversation was sparked off by Toshimaru Yoshitsune 's upload of Easley Blackwood's Fanfare in 19 Equal Divisions of the Octave kzbin.info/www/bejne/l3OXn6qnbbN6j6s where we exchanged ideas in the comments section I introduced my 171 et idea (which others have also stumbled upon) because it encompasses 19 et completely (since 171 = 19 x 9) miraculously in 171 et, the so-called perfect-5th requires an interval of exactly 100 steps but 19et, 31et, 41et, 53et, 106et, 171et, 270et, etc are generally supported by theoretical musicians a natural musician will probably follow her instincts with a viola & not a piano !

[@spatrk6634]

its like something from fear and loathing in las vegas

[@icefaceH]

That’s really interesting. But why in Las Vegas!? Lol

[@spatrk6634]

@@icefaceH its a title of a movie. "Fear and loathing in Las Vegas"

[@icefaceH]

@@spatrk6634 oh I see. I’ll check the movie thanks

[@Armadurapersonal]

nice

[@icefaceH]

Thanks!

[@patrickrose5769]

I am serious. 31 tones are perfect for the natural minor mode. It seems to the 31 tone tritone should be avoided. sorry i will stop stinking up your comments section

[@icefaceH]

Oh don’t worry you can comment as much as you need to:) I need to check 31 more actually

[@jelqingmybwc]

I wanna do this so bad but I don't even have a piano or keyboard

[@venomicapple4542]

ちょっと国民保護サイレンっぽい

[@icefaceH]

国民保護サイレンに使ってもらえるようにしますw

[@Choimyungoho]

저는 아주 조금 한국의 노인층이 좋아하는 시조에서 미분음을 타이로 묶어서 미디악기로 연출한 평시조(청산은, 동창이)가 있으니 한번 들어와 보셨으면 합니다. 현대음악에 관심이 많고 언젠가는 적어도 50센트 정도의 미분음은 일상화가 되어야 된다고 생각 합니다.

[@icefaceH]

정말 감사합니다. 당신의 활동은 매우 흥미 롭습니다. 다양하게보고 드리겠습니다. 한국어가 불편 해 미안합니다.

[@AlbySilly]

It can't even complete a full octave on a full sized piano haha

[@moonshake1234]

epic

[@arcioko2142]

how it feels to chew 5 gum

[@icefaceH]

Hahaha

[@maverick.gaurav]

That's interesting!? 12 T-Equal tempered has rooted in so much into our brains that everything else sounds like crap. I really hope to understand more about the other systems which were used in past..

[@icefaceH]

You can check more of microtonal music and systems on youtube. They have been one of the most interesting issues in my life.

[@samuelshock6292]

This piano is incredibly unconventional. 100 tones per octave is a little excessive, don't you think?

[@icefaceH]

As a composition 100 TET might seem to be so but I had some opportunities to play Tonal Plexus and heard this kind of excessive sliding synth sounds and I really liked it. 100TET sound will be quite common in the near future :)

[@JordanDykstra]

Sounds so lovely, tonal even. I like it but I must admit, I like to imagine my scale with 1200 notes per octave :)

[@icefaceH]

+Jordan Dykstra haha thanks and yeah 1200, 12000!

[@JordanDykstra]

haha :)

[@malcolmjackson588]

crazy beautiful. What keyboard did you use?

[@icefaceH]

+Malcolm Jackson Thanks! This is just a normal midi piano connected to my Mac. See equipments in the credits.

[@icefaceH]

Malcolm Jackson very old one. Yamaha CLP 560.

[@dotten4456]

調律とか難しいのかな…？全く詳しくないからわからないけど

[@icefaceH]

生ピアノだと難しいと思います！

[@dotten4456]

@@icefaceH やっぱりそうなんですね！教えてくださりありがとうございます😊

[@gud2228]

100평균율이면 장음계가 16-16-10-16-16-16-10 이렇게 나오는데요, 3/2=58칸, 5/4=32칸.

[@icefaceH]

감사합니다. 많은 평균율에 메이저 스케일 같은 것이 나오고 있군요.

[@benyamind]

I've done some calculations, and from the far left of the piano to the far right is a quarter tone.

[@사랑해-d1m]

미세한 차이까지 다 느껴진다..

[@icefaceH]

느껴 주셔서 감사합니다를

[@사랑해-d1m]

0:58-1:19 😍

[@icefaceH]

🥳

[@namesame8993]

上昇する音がJアラートみたい

[@icefaceH]

name same 何かしたら役立てればw

[@侯鸟-k5w]

不如整个锯，看来12平均律还是有其道理

[@유지태-l9s]

I became psychopath serial killer because of you. Thanks.

[@사랑해-d1m]

100edo 는 몇 센트 인가요?

[@icefaceH]

octave → 1200cent 12EDO → 100(cent) X 12(keys) = 1200 cent 24EDOO → 50 (cent) X 24(keys) = 1200 cent 48EDO → 25 (cent) X 48(keys) = 1200 cent 100 EDO → (12cent) X 100(keys) = 1200 cent

[@사랑해-d1m]

제 청각 한계가 11센트가 되고나서, 12센트의 큰 차이, 아니 미묘한 차이의 매력을 다시 느끼게 되네요,

[@normandelingpole]

Music was a mistake.

[@icefaceH]

It was rather an experiment. I hope you'll generously take a listen to other works of mine as well. Thank you.

[@dmtkr]

хреново.

[@JohnSmith-iu3jg]

I'm calling bullshit. This is an improper use of microtonality. Its all dissonant because this person wouldn't know what extended just intonation is even if it blew out their ear drum

[@icefaceH]

It's just I'm rather not interested in extended just intonation but more in extended EDO and music, sound itself. I can understand why you think This is an improper use of microtonality but I believe microtonality has much much more possibility when its not just academic theory and game.