Walter Auer, principal flute Venice Symphony Orchestra

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Principal Chairs

Principal Chairs

3 жыл бұрын

#flute#walterauer
Walter Auer, principal flute Venice Symphony Orchestra
www.principalchairs.com
Principal Chairs is an exciting new online resource for the study of orchestral repertoire - an online excerpt book with fantastic extras! We provide free sheet music and orchestral audio recordings (thanks to Naxos) of the most prominent and important solos in the repertoire. These are FREE for everyone to use and are right there next to each other on one page, making your preparation for practice much quicker. Most importantly of all we are working with leading international orchestral artists to provide educational, informative and inspiring pre-recorded video lessons, which you can view as many times as you like once you subscribe.
Michael Cox (principal flute of the BBC Symphony Orchestra and professor of flute at the Royal Academy of Music, London), our Artist in Residence, has already recorded many video lessons which you can learn from and enjoy. We\’re also busy working with many other top artists on additional video lessons so you can expand your knowledge of the repertoire by listening to their contrasting opinions.
Prices for the video lessons are deliberately low so that everyone, wherever they are in the world can hear what our artists have to say. By subscribing you are helping Principal Chairs to grow into a more extensive and informative resource.
If you’re not ready to subscribe and view the video lessons yet, continue browsing our sheet music and audio excerpts completely FREE.

Пікірлер: 1
@Principalchairs
@Principalchairs 3 жыл бұрын
00:46 - How do you manage with playing in different countries and different time zones? 04:29 - With the difference in orchestral sound becoming a thing of the past, was there a difference when coming form playing with Andreas and Emmanuel in Berlin to Vienna? 12:36 - question from Michael Cox: What do you think is the flute's role in the orchestra? 15:12 - Which is your favorite opera to play in and why? 18:14 - Which conductors have you worked with who you feel really understand woodwind and what do they do that is special? 21:04 - Is it possible to share with us what is your routine when getting ready for a performance? How do you prepare yourself mentally or physically? 26:29 - I see you have an extensive library behind you. How much time do you devote to studying scores before rehearsals and performances? 28:54 - What were you doing at home when you could-not go out because of covid-19? 31:17 - Do you use any special breathing exercises or breathing techniques or exercises for concentration? 33:00 - What does it take to get a job in the Vienna Philharmonic? 35:29 - What flutists inspired you in you youth? 38:33- If you could go back in time and give yourself advice as a student, what would you say? 40:42 - Are there any specific thing that British players should be aware of for an Austrian audition? 43:06 - What are the differences in playing in an Opera Orchestra and Symphony Orchestra? 44:32 - How do you put across your own musical ideas while being true to what's on the page? 45:55 - Do you have any of your morning routine/morning or daily rituals (not a musical) 49:19 - What are the main things that delights you about the flute and things which frustrate you? 52:09 - How will the Vienna Philharmonic perform from September with covid-19? 55:02 - How do you think the player's personality influences the sounds and music itself? 58:24 - What about your recitals? Are there any upcoming dates which are declared? We hope to see you in Turkey.
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