WATCH ME MASTER WITH OZONE 10 (Start to Finish) | How To Master Music With Ozone 10

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WHO AM I:
I'm Streaky, a KZbinr and professional audio engineer from Henley, UK. I make videos sharing my knowledge of mixing & mastering from my 25 years of engineering. I've worked at some of the biggest studios in Europe including Metropolis Studios and here are some artists I've worked with - Ed Sheeran, Adele, Jonas Blue, Krept & Konan, Depeche Mode, Paul Weller, Skepta, Naughty Boy, Sigala & many more... I also have a weekly email newsletter that contains tips, tricks & discounts to cool stuff (www.streaky.co...)

[@LozaAlexander]

I wanna see you master and mix some trap music streaky!!

[@striverfor7628]

0:58 Download the preset 1:17 Who Streaky is 1:47 Start, basic setup 3:11 This will get you 80% of the way then you can tweak it. 4:31 Imager module. Stereo width controls. 5:46 6:37 Gain match. 7:25 Listen. 7:58 Impact module. 10:03 Listen. 10:55 Stabilizer module.

[@null2089]

👌

[@albertk5552]

Just purchased Ozone in the last days... i know it's a great weapon but power is nothing without control. So thank you very much, for giving a quick and so on the point overview! All love!

[@savagetofu1]

It's very much appreciated, that someone named streaky... keeps their clothes on.

[@Streaky_com]

😂

[@flyme-z7b]

Let's just hope it's not an underwear reference? Oh my!!!

[@bulletsmichael]

We only see him waste up.....

[@ProjectHMF]

14:07 I've heard a lot of people saying that I should have a -1db ceiling when mastering for streaming platforms to prevent distortion and stuff. Im curious, why did you put the ceiling at -0.1? 🤔

[@Reggi_Sample]

Thinking of Impact as a 4 band graphic EQ has revolutionised my usage of it. Makes so much sense. I also generally find stabiliser better when cutting. Great video

[@dannyday1984]

I really prefer the Mastering Assistant in Ozone 9. I found that, for me, MA in O9 simply balances the frequency and sets the limiter where you tell it to (low, mid, or high intensity). But O10 throws all the new modules into it and is more like a HYPE Assistant. Especially if you keep the Impact module on. Just sounds harsh and crunchy to me. I compared the same song in both O9 and O10 mastering assistants and found that if I turn off Impact and Imager then it's very close to what O9 suggests...but not exact. The EQ curves are similar, but the EQ curve in O10 is taking into account the fact that Stabilizer is also doing some work. I don't know...I liked using the MA in O9 to give me a good frequency balance, and then I would finalize that with a Pink Noise setting in the Match EQ before going into the limiter, where I would set the level myself. I feel like O10 MA is just over-cooking too much and that's dangerous because then a lot of people will start releasing music online using this. We don't need MORE hype, rather we need LESS in our masters. I wish they somehow incorporated a Legacy option in the O10 MA. Thankfully I can still use O9.

[@jimmolinamusic]

I completely agree! I thought it was just me!

[@WTFaulkner]

Also prefer using the interface stand-alone and not having to use it as a plug-in within a DAW. Also, anyone else think the track he's using in this vid has too much saturation on it to begin with? Literally everything is distorting

[@anthonyh1298]

@wtfaulkner yep sounds like someone went heavy on a tape saturator. Doesn't do much for the track imo, and there's nothing to be done about it at the mastering stage 🤷🏻‍♂️ rolling off the bottom end did help a lot

[@tugaryev]

yeah, i agree

[@atmosphericdaft2152]

Thank you! this has helped me a lot!

[@grandiosity360]

THanks for the video! : ) Just curious, at about 23.15, why is the rms meter in ozone showing 4-7 when your other meter shows around 8? Is the latter more doing an average kind of metering?

[@santiagovanegas3812]

What does the "stereo independence" tool in the maximizer do? great video!

[@AntoniusKaeser]

Awesome. Thanks a lot.

[@fjlamela]

The original file (mix) sound distorted and a too much bit crunchy. I as always say, if garbage sound in garbage sound out. Mastering cant' solve or improve a bad sound or/in a bad mix , ony can make up. This video show clearly this.

[@impossiblemusicforce]

Thanks, its really helpfull to know what the plugins in Ozon can do!🙏

[@DJStatusss]

Are the tracks set at -6db before you go into ozone and meter?

[@benjaminlongmire9131]

can we get in touch I was wondering something about your presets...

[@geeman9999999]

Thanks Streaky- I've been following you and taking your courses for a few months - really fantastic. Thank you so much for sharing your knowledge :)

[@lilzibmusic]

Can I upgrade the standard version of ozone 9 to ozone 10 advanced or do I need to buy advanced for more money?

[@pcLumsy1]

Thank you so much, really helpful 👏🔥✅❤️

[@erikguevara777]

Hi streaky I see you used 0.1db ceiling on maximizer/limiter , do you still use the -1.0db on the fader of record track for streaming distribution ? I remember saw that on one of your previous videos.

[@aeua800]

Finally!! A full length video again! Thanks matey 😎 - more of this please (even though iirc Shorts provide for ad revenue and algorithmic exposure on KZbin atm)

[@garyrussell1012]

My go to guy for my Logic Pro mixing. Top guy

[@skrypture1162]

Streaky! We owe you big for your knowledge!!! And the willingness to share that knowledge, thank you brother

[@TakeOneRecordsOfficial]

is the preset no longer available? thanks!

[@CRXYTV]

Great video 👌🏿 what do you think about the AI mastering feature?

[@benjaminlongmire9131]

how do I contact you?

[@bartelosimon4964]

Thanks a lot, you have a new subscriber from Ecuador! Regards.

[@loucollinsZEN]

Great tutorial really helpful gone for the full course as I want to get the most out of Ozone 10 advanced

[@warpacademy]

Good walkthrough. Nice to see your process with the updated and new modules. Yeah, I initially it was crushing the low end with limiter distortion until you mentioned the track itself is quite smashed. Thanks for the vid.

[@alainsellier7751]

Thank you for this tutorial on Ozone. I have the following question. Is it better to use Ozone on the finished mixed down master track like in your example or in the main bus when mixing your tracks? Thanks.

[@3dogrecordingstudio628]

Loads of help here, Thank you!

[@kernjames]

Thanks Streaky. I was thinking of buying this mastering software, but I didn't realize how Nerdy it was to use. Your demonstration has given me second thoughts about purchasing it. As a singer-songwriter and a person on a limited budget, I am always looking for software that is affordable and easy to use. I am sure I could master this Mastering software, but I think I will look around more before deciding to purchase this software. There are a lot of these Mastering software programs out there. In the past I have used a combination of Protools plugins and then Audacity's free software to "master" my songs.

[@squattermelon.]

Actually Ozone is very intuitive and even features automated mastering features. It is a tad pricey, but otherwise Ozone is great in my experience

[@kernjames]

@@squattermelon. I installed the Trial version and yes, it was pretty easy to use. And it is intuitive. And like you said a bit expensive; $249 for the Standard version and 400 + dollars for the Advanced. I will start saving some money up.

[@lelcecc4793]

thanks for the cool video. one question please: is there a particular reason why you put the imager at the beginning of the chain?

[@RubenBelito90s]

For me the best masterin Plug-in for the standard music industry, a good gun for da Home studio.

[@610soundproductions]

people that hate on this dont understand the fact that ozone's A.I is only a tool and should be used as a reference and then make a few mods to where you need it fit always still trust your ear first if your room is treated as well as do all tests to check your mix... a.i is meant to help us not take over...

[@stuartrogers9031]

Hi streaky just subscribed would you use only ozone for mastering or Fabfilter EQs as well don’t no one which to pick up or both? many thanks looking forward to your videos.

[@mastiklickersmusic]

Hi man, nice tutorial! I have an issue with stabilizer: in an extended mix of melodic techno song I hear artifacts that ruin the initial kick in the song, despite I do automatic mastering setting by AI of Ozone. Second thing: is possible choose singles module on Ozone and use a AI automatic settings each module? Thank you advance!!

[@MISSISSIPPISNOMSP]

THANK YOU for your videos my man !!! BEEN MASTERING THE OLD SCHOOL WAY I LEARNED BACK IN THE DAY SO IM HAVING TO FIGURE OUT HOW TO MASTER FOR STUPID STREAMING SERVICES IM LIKE YOU , U SAID IN THAT 1 VID ITS RUBBISH I LIKE HAVING MY MASTERS IN THE -8 LUF RANGER , SOUNDING GREAT LIKE A RECORD SHOULD !!! ALL THIS HAVING TO CONFORM TO THIS NEW WAY SUCKS

[@coolmind2476]

Nice video and explanation. However I would not say that any type of mastering preset will get the song 80% mastered because every mix is different and might need different mastering approach if one wants to get the best possible result (which might not be the aim of many people).

[@diysounds2532]

Amazing network of modules, especially liked the perceived width in the imager module.Great videos, keep it up !

[@xpm.official]

Streaky bro, if u see this u have genuinely helped me so much with this video. My master kept coming out really nice on everything except earphones where the vocals were super loud and the bass was quiet. Just spent a while going thru this video and brooo u have sorted me out I was gunna give up and just send him the master that sounded quiet on earphones but this one’s perfect!!! Thank u bro I’ll defo be checking out ur content more

[@bayseeboynesmusic]

Hello sir, if I’m using a compressor in this chain should I put it before or after the imager ? Thanks in advance for your assistance 🙏🏿

[@paymar77]

Streaky, How do you add the preset to ozone?

[@leonbarton2766]

Nice work , Streaky ... very informative. Top man !

[@clintonpeck]

Awesome video. Thanks for the very clear and easy explanation on how to use it and how to understand it.

[@Elvergudo07]

Why do you prefer to use RMS for mastering rather than LUFS?

[@DSWL_]

exactly what i was looking for. thanks for the preset as well ✅ subscribed

[@lurkwave]

funny seeing you here, I have a track for you

[@nathanyeldunn21]

How do I install the preset?

[@DirtyHerrie.official]

Thanks for your efforts and this preset💯 Subscribed and happy to have found your content on YT and your personal page

[@phumindlovu2997]

Thank you the input was invaluable...I'd like to see how ozone 10 handle House mastering...

[@peterpetrus5484]

Hi streaky what is your stand under neumann kh 750? I have one too and try to find exactly this

[@RMVibes]

Ozone Imager and Exciter are in my Mastering Rack since aways 💙

[@nikhilghatnekar]

Can someone tell me which mousepad he is using?

[@socialrehab9234]

Thank you!! Subscribed

[@philfyphil]

Can I just ask, why did you use a low shelf rather than a high pass with a tighter (24 db) slope?

[@RJEnriquez]

Cuts and boosts, and cuts and boosts! 🎶

[@duhzzarea]

Hey Streaky, excelente conteúdo amigo, obrigado. Consegui aprender um pouco mais sobre o Maximizer, algo que eu não entendia muito bem como funcionava. Vou fazer o download do seu preset para testar aqui. Obrigado pela dica!!!

[@chrisjakob25]

Hi Streaky. Awesome Video Idea: Fundamentals and how to affect them and why everything falls in place when starting at the fundamentals and going up to the harmonics later on. Please also discuss dependencies between frequency ranges

[@sotakunaii]

your preset is an xml file? How am I supposed to integrate that? Thanks a lot!

[@CRXTIANMUSIC]

Can this application process be applied to House/Techno/Electronic/EDM music?

[@djangomclear_rocks]

Can you please explain your thoughts on the true peak / not true peak -0.1 / -1db "discussion" ? I don't get the matter really different sources say different things.

[@Streaky_com]

It just sound bad on the transients on most tracks

[@thoro-sh3pw]

Love you man🔥

[@WassupFred]

Hey Streaky!! Great video!!! I gotta question about using the TC meter to monitor the LUFS. I’m feeding it from my focusrite.. controled by the monitor knob, do I put it at max volume into the meter? Sometimes , alotta times it peaks!! How do I get a full signal into the meter? (Going in Thru the RCA adapter) 🙏🏾 thank you for your content!!! @streaky

[@precursor4263]

Would you say you're using this on most masters before going into other plugins / analog ?

[@woolymammothproductions5162]

does tabilizer only come with certain ozones I have ozone ten doesetn seem to have it but it does have dynamic eq

[@diegooliveirabenjamin]

Great video, fun song, wanna listen the entire track

[@Kktc4you]

You always share great info I have recorded over 15,000 songs Your channel is my favorite information source regarding Mastering 😊

[@dilloinitaliano]

You have recorded over 15.000 songs?

[@Endless_Skyway_Adventures]

@@dilloinitalianoone a day for 41 years, seems legit. Mixtapes off the radio in the 80’s don’t count which brings it to 7.

[@rohanhammond2289]

Love these longer vids. Keep it up!

[@beats9711]

once you put the limiter on it was apperent the airy and open boost

[@beats9711]

nice vid, thank you

[@Emperorjones]

Maybe I'm missing something, it appears the Streaky Starter won't load in Ozone 11. Preset formats moved from .xml to .aupreset in the new version. And changing the handler doesn't do the trick.

[@dancouper2024]

Brilliant And informative video .. thank you🎉

[@juancarlosguagnoni4062]

Hi Streaky ! If I already have Gullfoss mastering and mix eq , do I need the stabilizer from Ozone 10 ??? Thanks for your time and all your videos ! 😃

[@markdesouza6044]

Which version of Ozone are you using for this demo? Elements, standard, or Advanced?

[@nusphere]

I'm unable to find the preset?

[@jwalters8498]

Will the pre-set work on Ozone 10 standard? and also why do you record on a separate track?

[@Enice43]

Does it work for ozone v8 or 9

[@MaPa60]

Thanks Streaky, I would love to see your approach to country pop.

[@RolandaSupsene]

And what about the priset who has Windows?

[@kenneth-roberts]

Another excellent tutorial!

[@babatunderamoni2370]

Okay so this is for only pro tools user,right?

[@djprominent]

Could just be me, when I downloaded the preset it shows up as an XML file.

[@delborrell]

Really informative video. Thanks for sharing!

[@Stressreallitychock]

Isnt the Ultra Fast Release on the Limiter add alot of '' Saturation '' ?

[@catiec4ke]

All good advice! Love it.

[@JoshSmith-xm4gz]

Great vid. When do you use low shelf rather than a HPF? Heard Jonathan Wyner talk about this also

[@OverdriveMusic]

I believe some mastering engineers say it messes with the phase less.

[@joshd265]

@@OverdriveMusic yes that’s what i heard. Be interested to hear when Streaky decides to use a shelf rather than a HPF tho

[@CalFritz]

Thank You! Interested in your Teaching but i'm not even sure how to dl the preset for Windows. I can only copy the name??? Why so difficult for one small file? Sorry.

[@Streaky_com]

If you are having trouble email [e-mail] and we will help

[@coldprojectofficial]

How do you feel about the loudness wars?

[@Streaky_com]

Loudness won

[@jasonstetsonofficial]

So you use ceiling 0.1 for Spotify ??

[@nicolassecretin7834]

Nice demo! Would love to see some gear review again! Getting into buying some kinda starter analog kit 😂

[@RobMitshi]

there is no way back when u go to the hard-side :)

[@mixeandoconcarls5445]

Is there any in depth video on true peaking?? I've always thought that the -1 dB "Rule" kinda kills my mix but I'm curious if I set the true peak to like -0.2 is it going to distort on streaming platforms or something??

[@MusokeMSK]

Just do it. It's fine. If professional mastering engineers have 0.1 as a ceiling WITHOUT truePeak limiting, you can have 0.2 as a ceiling and don't have to worry (especially if you decide to use truePeak limiting instead of conventional limiting)

[@dancouper2024]

Is it worth me upgrading from 9 to 10 ?

[@LookeyzSA]

Who's Rosh can anyone please tell me the name of this track they were using for this video pleaseeeee

[@Musician_Robert]

Hey Streaky, hope you are well. My ears hear that the low end wasn't cut in the original mix, at all. Do you hear that at all? I'm sad Ozoe 10 requires me to buy a new MacBook pro lol

[@wltcs]

Thank you!

[@jdnoble6945]

I really just need to access the darn thing which I purchased today. I get sent to the shop page and that's as far as I can get

[@dsremixes1992]

Thank you! 💯📀

[@olivierclasse]

Nice one. Felt quite the same. I wish there Dyn Eq module could copie easily L to R

[@olivierclasse]

I mean when unlink L R, its the way I like it most of the time with Dynamic stuff

[@murraywebster1228]

VU for the comfort zone!

[@mjencristo]

Not following why you have the play channel set up also ?

[@MichelWesterhoff]

Thanks for the great video!

[@ANDY-ip5fp]

Would you master my song and how much and send me the link please thank you

[@BihlerOfficial]

Widening the top end sounds a bit confusing to me. It's messing with the definition of the transients. I prefer to leave the top end untouched and natural Edit: I depends on the mix of course. If there are lots of drums and percs in the track then i don´t like to widen it.

[@xrabbz2010]

Agree, my perc clashes with the click of my kick too, do it in the mix, not the master

[@BihlerOfficial]

@@xrabbz2010 exactly

[@Streaky_com]

Depends on the mix

[@xrabbz2010]

@@Streaky_com definitely, works great on tech stuff, just not for my stuff, I should have specified

[@jamzdrumz141]

The Stereo width or Anti-phase processing is smearing the imaging of the sounds in the top end and mid-range, because the crossover frequency is too low. Sub content below 85 cycles and top end frequency content above 15kHz, doesn’t have any localisation cues in the 3-D sound field. They form a cloud above our head and below our feet from a psycho acoustic imaging standpoint. Adding stereo imaging processing above 15kHz, will add openness and width. However, adding anti-phase information to mid range and low mid frequency content, will smear the imaging of the instruments in the 3-D sound field. One of the biggest problems with mastering engineers, is a lot of them are not traditionally trained in mixing. Which is the foundation upon correct mastering processing… If you don’t understand mixing and placing instruments in the 3-D sound field, then you are pretty stuffed when understanding and solidifying the imaging of instruments in mastering.