What are SECONDARY DOMINANT CHORDS?

[@samsonjpedroza]

GREAT LESSON ! I LEARNED SOMETHING NEW AND A GREAT REFRESHER...KEEP ON KEEPING ON !!!

[@JameyArent]

Thank you! Glad it was helpful!

[@greenvelvet]

One of few good teachers on youtube. He doesn't give wordy explanations that make your eyes glaze over, but instead inspires you to pick up your instrument and play with instantly musical ideas that you can apply in practical songwriting terms. It's passionate teachers like Jamey that keep me playing

[@JameyArent]

Thank you very much! Glad the lesson was helpful.

[@julianwilsonsongwritermusi9413]

Really clear and no brain damage done! It's true that a great teacher makes even the apparently most complicated thing simple to understand. Jazz in one area where bad teachers do a lot more harm than good - but you have really enlightened me, particularly with the triton 7 sub Bravo Jamey!

[@JameyArent]

Thank you! Glad the video was helpful.

[@NavigateCareerDesignAdelaide]

You have done a terrific job of explaining subs and tritones and their practical uses Jamey 😊. You are a natural teacher. Thank you.

[@JameyArent]

Thank you!

[@michaelmerrullo2043]

I love the way you explain things. I can understand this.

[@JameyArent]

Thanks!

[@drewdunn2066]

Brilliant explanation and playing. I will watch this again until it makes more sense.

[@JameyArent]

Thank you!

[@paxalcantara1944]

This is probably the coolest music theory video I’ve ever watched. Thank you very much!

[@JameyArent]

Thank you and you’re welcome!

[@MNGuitars]

best lesson on secondary dominants iv seen thanks so much

[@JameyArent]

Wow, thank you!

[@guslakis]

Well and clearly presented

[@JameyArent]

Thank you!

[@Kemilc]

Great lesson ! Thanks for sharing, you’re really good at teaching.

[@JameyArent]

Thank you and you’re welcome!

[@Bob-r8p8s]

Great lesson Jamey, thank you.

[@JameyArent]

Thanks!

[@bigbokiptd]

Great video Jamey (as always I have to add), so clearly and quickly explained. Thank you so much

[@JameyArent]

Thank you! Glad it was helpful.

[@genebrenner855]

Always well presented. Even this rather deep lesson.

[@JameyArent]

Thank you!

[@lalarazafimahefa2783]

I like your intention to desacralize the theory a little and make it more understandable and accessible to the uninitiated 🎸🎼🎵🎶. Thank you for this important work 🙏🏻🙏🏻🙏🏻!!! Happy New Year 2024, Mr. Jamey Arent ☮!!!

[@JameyArent]

You’re welcome. Happy New Year to you too!

[@LDVPublishing]

Very cool. When you went to the tri-tone substitution, the progression was very reminiscent of the tune “The Goodbye Look” from the Nightfly album by Donald Fagen, if you’re familiar with that one.

[@JameyArent]

I love that record!

[@HunnysPlaylists]

eh

[@bryancotter9602]

Nice clear explanation. The chords flashed as you play is brilliant. Nice job.

[@JameyArent]

Thanks!

[@scottmagri6306]

wonderful channel thanks. you're a talented player & teacher. subscribed!

[@JameyArent]

Thank you so much!

[@SuperSandy1007]

awesome lesson learned a lot

[@JameyArent]

Thanks, glad to hear it!

[@mindcontrol67]

Secondary dominants are fun to mess around even with simple typical pop progressions where every chord gets a dominant. Glad I learned this from the Joe pass dvd from years ago.He does include Tritone subs as well.

[@JameyArent]

Yeah, I learned a lot from those Joe Pass Hot Licks videos too!

[@jega157]

Well explained

[@JameyArent]

Thanks!

[@adamskaggs4494]

Bro…. This was amazing. I could spend years practicing from this one video. 😂

[@JameyArent]

Thanks, glad to hear it!

[@RickDanner]

beautiful Gibson !!!!! I have an america made Gibson ES -333 its basically the same as a 335 but not great finish and no PU covers

[@bruceall2001]

Made sense, but a lot to take in. At least we can watch it over and over again, lol.

[@johnh8708]

I don't know much theory, so this was a bit quickfire for me, but it was nice to hear the differences! Is that 'note borrowing' not also the essence of modes?

[@JameyArent]

Thanks for watching! No, the note borrowing means we’re using notes from another key whereas modes use notes all diatonic to the same key, we just shift the major scale to start on the root note of the chord.

[@jfitz458]

Could you focus on the kewl walking bass lines in each of those progressions?

[@Tiaj62]

Hi Jamey, I'm beginning my 3rd attempt at the guitar, but this time I'm going to learn where the notes are. Can you tell me what you see when you look at the fretboard? What I mean is, do you see the notes or do you "know" from experience where they are? I've always seen just a vast amount of frets and I find myself trying to figure out where the whole notes are. I want to be able to see each fret as a note, is that possible? Is that something I should aim for? Thank you and btw, I wish I had you as a teacher 40 years ago. People didn't teach any of the stuff you do back then. Mark

[@JameyArent]

Here's the system I used to learn the notes up and down the fretboard: kzbin.info/www/bejne/qWjHhqlmpK6fhLcsi=FhcvNshYIoh98pbO Hope that helps! Thanks for the nice words.

[@Kaupovski]

Great lesson, made all the better by the wall panels making you look like Mickey Mouse. Instant subscribe.

[@JameyArent]

Thanks!

[@jabezwekesa203]

Quality Music Education

[@JameyArent]

Thanks!

[@markmcmyn8967]

substituting the substitutions-aaahhh#%@! great sounds-

[@jonrosen1699]

Great lesson but hard to concentrate cuz of the mouse ears.

[@davidscott1052]

You are very funny guy...now i cant unsee it...thanks mate 😂😂😂😂😂

[@themixmusicandmore6280]

I get what they are, I'm just having a hard time applying them

[@JameyArent]

Understanding the concept is a great first step! A way to apply could be making the vi chord a dominant 7 next time you play a I vi ii V progression.

[@HunnysPlaylists]

The Hymn one sounded better.

[@JameyArent]

Different colors. I like them all.

[@steves5119]

just out of the blue the G7 is played with the thumb and mutting the A string (like everyone can do it) ( played 2 or 3 differnt ways before that).. Im on a strat and dont like the smug bs of your long fingers AND thumb AND your offbrand les paul!

[@JameyArent]

I learned the thumb over the neck method from watching Hendrix. It’s worth trying as a practical approach to playing the root on the low E string and avoiding the A string. Also, it’s not an off brand Les Paul, but rather, an ES-335 made by Gibson.

[@steves5119]

@@JameyArent I learned it decades ago and probably from Hendrix also.. I had a hand injury up until 2-3 years ago. Still thumb has a slight lumpy bone .. cant much do thumb meathod anymore.. Lucky I smacked my finger by accident tried to smash somthing with a bad usb cable.. and fixed my index finger whent to 2 doctors that didnt help a bit.. and Im on a strat.. also second chord in thumbnail is impossible.. If I ever get good ins and connections to a good hand doc I could try getting hand fixed a little more.Almost dont want or need any surgery. Had it bad for 9 years and 3 months.. Could not play without pain and could only play first position C after sitting on my hand.. Still sat on hand some for two years after that just habbit.. Did not see headstock of Gibson I guess.. I really could use a SG or LP ect.. Your teaching is good.better than most in fact. Just frustrating what I cannot do. I have short fingers anyway and I guess I have slight limitations now and have not tried thumbing in long time.. I used to live with JH Montery Live tape in the player for weeks or month at a time.