What it takes to set up a show- Rush

[@snapascrew]

Watching this back in 2009 was what inspired me to become a live sound engineer. Here we are all these years later. I’ve worked alongside some of rush’s crew members and crossed off a LOT of things on my career related bucket list. To whom ever made this documentary happen: thank you. Shout out to Brad and Brent.

[@yinoveryang4246]

The power of KZbin right there. Thanks for this.

[@biggusdickus1689]

As a musician interested in live mixing/recording, do you have some equipment you recommend for a starter?

[@avolite719]

Howard Ungerleider was a HUGE part of my inspiration and beginnings into the journey to become a touring Lighting Director. Used to visit him at F.O.H. back when I was a kid in the late 70's and early 80's ..... bumped shoulders with him many a times yaers later as a stagehand, then at festivals while out on some of my first tours thru the late 80's and ealry 90's. Come 1992 and I was at VARI*LITE Dallas office doing my training as a opertaor/tech and he just happen to show up one day for a demo. He invited me out to lunch and we sat and talked for awhile. Still reach out to him everytime I'm in Toronto. Rush ALWAYS had great people around them.

[@shadcovert1160]

I love this! Thanks for sharing, man! So very cool.

[@FOHguy]

Step one. Arrive at venue. Step two. Find catering. 😁

[@Stryder46]

It's very bittersweet watching this. It's fascinating to watch, but also deeply saddening. I miss our friends. I hope all of these incredible artists behind the scenes are doing well and still having fun. RIP, Neil.

[@lpjbird]

Couldn’t of said it better. RIP, Skip, aka Slider...

[@anthonysaponaro6318]

Well said ! I am sure men such as these are in high demand across a variety of industry . . . . But I hope they’re all in the same industry and still thriving

[@MB-ot3vb]

Crazy how this video was uploaded 8+ years ago, yet 99% of the comments are a day or 2 old! Gotta love the algorithm. 🤯

[@danknoize]

🤣

[@icarntspel759]

Seriously!!

[@oliverlathe]

Ya, hello,🙄

[@ronaldmorgan7632]

It just popped up today for who knows what reason.

[@tglenn3121]

Yeah, I agree. I've never seen this video before today. Didn't even know it existed.

[@jswinfre]

As a guy who used to earn a living in concert production and mixing foh and monitors I really appreciate this film showing the good, bad and ugly angles of what it takes to put on a big show. It truly takes a village and everyone involved is very important to pulling it off. Most folks have no idea what's involved but, that's part of the beauty of it, making it look easy. If you can achieve that, we used to joke after a show "we fooled em again"

[@FOH3663]

Yep, indeed. Or; "got 'em for another one"

[@sschario60]

Most don't know. Hell, most probably don't even wonder. Back in the 70s, before the house lights went down, I used to marvel at all the rigging, cables, lights, and massive speaker cabinets. How it all went together, how much work went into making sure things went right, most of the time. This doc was incredibly satisfying.

[@snapascrew]

@@FOH3663 my favorite is when everything’s fucked and everyone’s pissed my old monitor tech would just say “but the kids are gonna love it…..”

[@pupstudio]

UNFREAKING BELIEVABLE!!!! I have owned my own studio and have engineered / produced many projects over the years. However, the work and intelligence that goes into Rush concerts has never done anything less than stun me. So enjoyed this video that I have watched over and over. So sad we will never be able to enjoy the Rush live experience live again.

[@theariesexperiment4642]

The personal guitar techs have the best jobs. Most downtime. Best pay. Get to handle and guard legendary instruments. Forge a personal relationship with the artist. THE BEST JOB EVER.

[@MsRocker961]

How does one get to being in that job ? Are they usually somebody the musicians have known personally for years ? And what kind of money 💰 do personal roadies make

[@theariesexperiment4642]

@@MsRocker961 Typically. Yes. It's people they've known for years or the tech they used prior to getting signed. I had a good friend who was the guitarist in a death metal signed band called Origin. His name is Paul Ryan. Absolute monster. Jason Becker good. No joke. His tech made 15% of his door and merch money. That would vary venue to venue. No in the big show??? Like John Mayer, Slipknot, and so ??? Those guys make pretty crazy money. Elwood,.....who was Billy Gibbon's tech and now his bass player, made insane money. He said in a rig review interview that he has everything he has ever wanted thanks to Billy. I'd say it low six figures a year. At the least. And those guys get set in stone contracts. So yeah. Best job ever. Besides being that guys boss. Lol

[@MsRocker961]

@@theariesexperiment4642 Very cool 😎 thanks so much for answering my question ❤️

[@seeburg220]

First Rush show: 1981 Last Rush show: 2013 And 10 other Rush shows in between. All of them sounded TOP NOTCH! Now I know why.

[@noelleonard2498]

In 2015 they were still at the top of their game, R40 was incredible. Even on their very last tour they gave it 110%.

[@47Str8]

Top notch and always punctual!

[@noelleonard2498]

@@47Str8 me and an older guy I used to work with went, seen them in Michigan. He was in his late 50's at the time, he puts that show in his top 10 concerts he's ever seen. Been since the late 80"s since I had seen them and the 70's for him. When they came out we were blown away

[@nigelford6777]

I saw them in '74 at Brighton Centre UK which was fairly new and had already a reputation for bad acoustics but they sounded brilliant.

[@thomasedmundrichards]

@@noelleonard2498 110% is impossible

[@bryanroundmusic]

I was fortunate enough to see Rush on their last tour, something I’ll never forget. RIP Neil.

[@AndrewGrey22]

Man, I never got to see them.

[@barrygerenski6259]

I had tickets but thought I had to sell them which I did and am kicking myself in the ass ever since. R.I.P NEIL

[@Ctaff63]

So Sadi will never see these brilliant musicians live again. I feel very privileged to have seen them live a few times. I hope Alex and Geddy are healthy and happy enjoying life with their loved ones. RIP Neil Peart. What a band. 👏👍🇬🇧

[@stratdx]

You know this stuff goes on, but no one ever talks about it. I absolutely respect what these people do and how passionate they are about it. And what a band to work for. 3 of the nicest guys in rock history.

[@denniskelley8974]

I've always had a lot of respect for roadies regarding how hard they work, and the long hours they put it. But it's real easy to forget it also takes a ton of intelligence, common sense, and ingenuity. Even the guys working "small" bands and concert venues are impressive... but you reach the level of mega-groups and arena or even stadium concerts, and it's just unbelievable what they're able to pull off. Once in a great while you'll hear a musician praise their road crew during the show... but it doesn't happen nearly often enough.

[@chadjones7365]

As someone who does this for a living. I really appreciate this kind words.

[@STV-H4H]

Another ‘once upon a life’ guy who survived his misspent youth as an invisible back line player for countless ‘neverweres’, ‘has beens’, up and comers back between 1983 and 96 in Seattle. Loved the show loved the life. Woulda loved to have stayed in it if it had been for a couple less indecisions or decisions. Depending upon what actually happened. Miss a single call and it can safely be said: it’s over. Working for I believe every single production company in Seattle, at varying times, occasionally double dipping if lighting was simple and timing was right, joining the event services team to work for stage or background properties, any of numerous other things, even finding myself enjoying the drapery department, something i ardently avoided. But one day my buddy Kieth VD (last name initials, not relating to any STDs) said he needed me to help in the dreaded drapery department. Being taken from the calming and always beloved task of building a cable, or re-lamping the entire Par64 rig from 1KMFL to a VNflood on the old black cans was something others despised while I called it an easy and silently satisfying project to do. Between the actual events, every day in the shop prepping for a triple 7 rollout (The first was massive and as exciting as I can only imagine doing a Stones or Rush gig. Dozens of subsequent 777s to some Saudi douche prince, not so much.) The junior prince rollouts were an interesting, but embarrassing contest for out luxurying a competitor kings spoiled childish adult son pitted against the need to throw his bloody oil money away at alarming rates, while enjoying the benefits of berating the lowly surfs who handled the decor and lighting type chores of the working class. 😂 Yes, those were the glory days and years of my misspent 20s. Had I not missed a single stage call (as I am sitting and recollecting) that day, I can only remember that it followed a 2-3 week period of 16-20hour work days, and falling asleep on the bus. Often times I’d take the bus to use as my time off, pick a route that was circular, and leave Seattle, and arrive back downtown 3-4hours later at the same location. The drivers knew me by name often. One day I slept through the drivers entire shift and was awakened by the mechanic at the metro station. LOL. Now in ‘23, it’s just a good memory.

[@J.C...]

Then you have bands like The Allman Brothers Band, who put their Roadies on the back of the album. And thanked them graciously.

[@daveschwartz5893]

You can feel the stress watching this. By far one of the best behind the scenes tour documentaries.

[@jeanclaude.transam]

This very concert at the ACC was my first Rush concert. Will never forget how excited I was for that show and rightfully so. Saw them at the Molson Amphitheatre on the next tour front row right in front of Alex and that was the greatest show experience I ever had. Got some picks from Alex and the set list was one the best,if not the best because they played Bangkok and Circumstances. I will cherish those shows for the rest of my life. Thanks Rush!

[@robertbent7232]

Geddy Lee one of the greatest Canadian,who befriended my brother,and they had a. Wonderful relationship until my brother passed away.Geddy I'm sure spent time. Sharing emails although Geddy was busy on tour or writing music.He brought much joy to Ralph

[@briancarrier1419]

im just a fan from Minnesota, happen to come across this, hope all is well... Love

[@bobbiemiles-foremaniii8747]

Geddy is gay?

[@mwayne9109]

Very sorry for your loss. Glad he got to know Geddy. Rush was comprised of 3 class acts, that is for sure.

[@Cigarsnguitars]

@@bobbiemiles-foremaniii8747 Be a moron somewhere else.

[@Cigarsnguitars]

Rush is not your typical band of rock stars. Very appreciative of the fans and approachable. Amazing musicians. Not surprised to hear that Geddy reached out to an individual for whatever the reason. More reasons to love these guys.

[@RockinExperience]

At the end of most shows I worked, we would always play 2 songs as the audience left the venue. Those songs were "We Are The Roadcrew" by Motorhead, and "East Bound and Down" by Jerry Reed. It was our thanks to the Local crews.

[@vincegedeon6583]

Unbelievable amount of work to set these shows up for even a 3pce band! My hats off to the road crews who do this👍

[@tednugentlives]

Reminds me of my first concert ever. Rush Signals 1983 Dallas Reunion Arena. Golden Earring opened up.

[@josephtabar492]

I remember my first RUSH concert in1977. I wish to be able to go back and see that show again in Cincinnati, Ohio at US Bank Arena.... RUSH has had the secret sauce for over 4 decades. The Fly by Night album was my introduction to RUSH. I could really get my aggressions out of my system when listening to RUSH. FAREWELL NEIL PERT. THE RUSH BAND COULDN'T PLAY AS A BAND ANY LONGER WITHOUT THEIR FRIEND AND COMRADE IN MUSIC. RIP Neil Peart - I hope you found Jesus 🙏 🥁.

[@lpjbird]

I had a friend I grew up with that worked with them starting in the early years & remained into the 90’s. He loved it, RIP, Skip...I can’t help but think of him every time I watch or listen to anything to do with Rush.

[@StatueMarvelsHYF]

Skip died???

[@jasonm8017]

@@StatueMarvelsHYF 🤣 that was my question. Where skip? Ahhhh jk that’s cool 😎

[@mwayne9109]

Good to see these kinds of documentaries. RUSH is one of the few bands that always gave credits and kudos to 'The Crew!' All these guys are invisible when they do their jobs right. Its a tough and demanding life.

[@davidpaysonsr6470]

Watching this reminded me how much this band was so much of a joy to listen to. They kept their values to the rend, not giving in to corporate pressure. Their fans was the priority and it showed. Thanks rush for being you!

[@Bulletguy07]

This documentary is really fascinating and shows the serious amount of hard graft it takes getting all the equipment into place so the band looks and sounds great.....only for it all to be dismantled, packed away, and on to the next gig. The techie guys certainly know their stuff and earn their money.

[@canadude6401]

I can attest to these guys doing an excellent job. Saw Rush for Snakes and Arrows and R40 and the sound was absolutely incredible (floor seats) The backstage crew are unsung heroes. Rush weren't no slouches either!

[@kevinhirsch7730]

I saw rush in Seattle moving pictures 1981 I was disappointed that it was not very loud at all and that was day 1 as Rush played two nights at Seattle Center Coliseum I remember the film cartoon playing on a screen behind band playing Red Barchetta and other Moving Pictures visuals

[@jamestorregrossa3041]

What a great support staff, top of their game, experts in every way. RIP Neil.

[@YogiBoo111]

Excellent insight with total transparency of Rushs concert tour production and life on the road. Friggin love this!

[@dkwoodsy2082]

I saw them TWICE on the Snakes tour in STL- 2nd time was front row stage right- probably the best shows I’ve ever been to- those were at an outdoor amphitheater- the engineering and sound challenges must’ve been brutal- but both shows were mind blowing! The bass lines were earth shaking and heart pounding and the laser and video production was astounding! Thank you to all the people behind the scenes that make it all possible nite after nite- makes the $150 a seat we paid more worth it- and RIP Neil Peart....

[@michaeltaylors2456]

Yep, the dragon spitting fire onto the stage was freaking nuts. THE coolest live effect I have evar seen.. I was seated about 200 feet back more less centered ... always wonders how that might have looked up close

[@locutusdeborg4288]

I saw them on Signals/Charleston WV and Presto/Columbus, Ohio. A MOST EXCELLENT BAND!!!!! There will NEVER be another RUSH!!!

[@Wargasm644]

Man, gonna miss Rush 🥲. RIP Neil Peart. Thanks for the music and memories. I feel bad for these road crew guys now too. When he said “if I don’t tour I don’t get paid”. Covid has put a lot of these guys in a bad place. Can’t wait to get back to something that resembles “normalcy “. Godspeed 🤘🏻

[@rickslair7557]

Ditto and Amen

[@aaronjanusch6090]

There are no great shows without great crews.

[@copykon]

I got to see them twice in my life. Glad that I had the opportunity

[@iamjakepaul944]

Wow! Which tours did you get to see? Rush is definitely one of the greatest of all time.

[@wkrp71]

Good to see fellow Rush fans and musicians commenting. I'm a drummer myself but I also did some stage/sound work. For anyone who thinks this would be a dream job, I can tell you that being a roadie/tech support in any of these roles for a touring band, is a dirty, greasy, dangerous, and hard job! Of note, and as they tell you, the most time consuming part is getting the rigging points, then attaching the chains for the motors to lift the lighting and PA rig. Unlike having a different venue every night, we saved time by making permanent rigging points in the rafters of the one arena I worked, and placed beam clamps there, and painted them, so they wouldn't be visible. Then, we'd only need a lift to attach the chains (about at least 50 feet-100 feet in the air) to the four (or approx. 6) points to lift the PA/lighting rig. Also, those chains and motors for the lifts need to be well-lubed with grease, hence the "dirty" part of the job. Expect to lift A LOT of heavy gear. You can get yourself hurt easily in this line of work. Sometimes the overall crew is broken down by lighting crew, sound crew, stage crew, and band crew. Being in the band's direct crew (being responsible for their personal instruments/gear) is probably the "top" of the totem pole, in the hierarchy of things. Also, sometimes, the crew will hire union/local crew staff to supplement the band's core crew for the more menial/grunt tasks. It's not a life I want to live anymore, so be prepared for long days and heavy lifting if you want to work in this field.

[@surveyordave]

being a guitar tech is not physically taxing at all!

[@wkrp71]

@@surveyordave David, I would agree with you statement, hence why I said in my post: "Being in the band's direct crew (being responsible for their personal instruments/gear) is probably the "top" of the totem pole, in the hierarchy of things."

[@surveyordave]

@@wkrp71 agreed, but being at the "top of the totem pole" gives no clear reference to the amount of physical labor involved, HENCE my reply.

[@townshendshean]

Worked with Brent many times...he's a total pro and a nice guy!

[@denboe2894]

Those were about 8 Basses on that rack there @ 43:45 . I am sure audiences appreciate the work done behind the scenes and the Band certainly does. Thanks muchly!

[@jimlutz6691]

Always nice to see the tech side of a 1st Class rock show, well done fella's . . . How fortunate we were to have known then as they were part of the Sound Track of our lives . . . .

[@Tecknut75]

Man, I feel bad for anyone who missed this amazing band live. Thanks for the Music and Memories Boys.Godspeed to The Professor.

[@Greg_call]

💯 percent agree. Rush was the best when it comes to live concerts. RIP Neal.

[@Viperboeing757]

I've wanted to be one of these guys since I first saw them , Moving Pictures tour , an instant connection with RUSH . Specifically , I would have most wanted to control the lighting . However , my 15 times seeing them in concert , ( the last in Cleveland Ohio ) , will help fill that void that now exists . Thank you Alex , Geddy and especially Neil . " Suddenly you were gone from all the lives you left your mark upon " . You departed on January 7th , but was made public on January 10th , my birthday . It was like someone smacked me with a telephone pole . I thank you for all the memories guys and getting me through some tough times . Rest in peace Professor , I pray that you are with your lost loved ones in Heaven . You will never be forgotten , ever . ❤ 🇨🇦🇺🇸

[@doctordave]

Got the rights to film exclusive backstage footage.... forgot to get the rights to any of the music

[@Bigirondoug]

Very saddening to know we'll never see RUSH on stage again

[@robertjakicic5878]

Thank You to everyone for their hard work and dedication throughout the years for Rush and the fans. All we need now is a dedicated Rush channel on Sirius XM , classic rewind keeps bringing it up from time to time and we believe it's time!!!

[@itsruf1]

Well then, send them birthday cards since you care about roadies.

[@216trixie]

and he got to what I was wondering about. The back lounge where you can smoke "cigarettes" Lol. . Like Holland!. That's where I would be.

[@dwaynecarroll6098]

Love the audio guys trying to interpret the rigging marks on the floor! Hilarious 😆

[@leokimvideo]

Suggested to me as a new video, uploaded 11 years ago from footage that looks 20 years old

[@TheZooman22]

This was great to watch. I have been a fan of the band since "Moving Pictures" ... Being able to see a lot of the set up, hard work and personalities behind the production really allows me to understand the magnitude of the event. The performance seems flawless, due to the fanatical commitment of guys like Brad and Bret. Rush is a unique band on so many levels.

[@ryanhayes5475]

Very cool, down-to-earth and dedicated crew. Rush was lucky to have them and vice versa.

[@sttvoyager1727]

Very very appreciative of this. I really enjoyed learning about the monumental effort involved in setting up a Rush Show...I’ve seen them so many times..#RIPNeilPeart

[@labmatthew]

Wow! This is mind bending - I never knew there was so much complexity involved in putting on the show! Thanks for this!

[@jimolson2557]

This is what my son does. Because he tells me all about his job I know exactly what those guys are doing. It's not a life I would choose but he loves it.

[@fredacuneo5180]

I worked on the last leg of the Scorpions Face The Heat tour back in 1994. This brings back lots of memories. A big rock-n-roll traveling circus. Some of my fondest memories of my life. Thanks for the video. Really good and positive disposition within the crew. (At least whats presented on the video.)

[@peterknispel4020]

This so fascinating. Unreal what it takes to set up these type of shows. My greatest respect to these guys.

[@smitlag]

It's funny as I am sure the band can remember back to the grinding task of doing everything yourself. It takes years of struggle to hopefully make it to the big league. For most of us, it is a lot of work for very little pay and just the pure love of playing.

[@NonsensicalNation]

I wonder if the guys in the band ever wax nostalgic about the days when they had to lug around and set up all their own gear? I bet a small part of them would miss that. When they were young and invincible and dreaming of making it big.

[@joelsom]

How does anybody give this a thumbs down??? What a great documentary!

[@snaredude56]

I saw them on this tour so it was great to see the people behind the scenes that make it all possible.

[@elaztec.aztecca]

Saw Rush ONCE live at the Omni Atlanta GA 1996 right after the Phish Remain in Light Talking Heads Halloween show these two concerts are at the top of my immense list of amazing shows!!!!! Thank you Alex, Geddy, Neil and CREW!!!!!!!

[@philhitchings]

A great insight of how bands get on and off stage each night. None of it would happen without the crew.

[@MsRocker961]

Thank you ! What a great documentary 😊

[@potatolew4495]

I have seen Rush appox 8 times in my life and attended 100's of concerts in my 44 years of life, I must say Rush was the loudest by far.

[@skybridge3126]

Did u c iron madon

[@potatolew4495]

@@skybridge3126 yes I did at the Garden State Atrs Center now the PNC bank atrs center i believe here in N.J. I also saw them at Madison Square Garden. Must say Rush was more powerful as crazy astir might sound.

[@TheWav7]

Sure miss Rush coming around...... really do :(

[@iamjakepaul944]

I think we all have a little hole in our souls now that it’s all over. The end of a legacy.

[@mwayne9109]

@@iamjakepaul944 40 Years of non-stop CLASS. The best ever.

[@86FxBdyCpe]

We're right there with ya man....so sorely missed.

[@richardmilligan1410]

Incredible how much work goes on behind the scenes.

[@almaguapa-sailboatliveaboa440]

Seen 5 Rush live shows. Everytime just sound, lights and dynamically amazing. Engraved in my memory. Way the go production team.

[@michaelloder5150]

i was a roadie for local shore band, not anywhere on the level of this....but we miss you Neil!! and thanks to all these guys and gals who set up this stage....AMAZING talent knowing what to put where? that is the question.....

[@drfunk444]

Amazing how much planning and work goes into these shows

[@Wolfie66]

Great documentary! Rush is one of my all-time favorite bands. I've been listening to them since I was a kid back in the 70s. I own all of their albums and love every one! Unfortunately, I never had the chance to see them live.

[@danknoize]

That is a crime bro! They are amazing live. I have fond memories of just waiting in line overnight for Rush tickets to go on sale and the waiting was more than worth it!

[@markdemell3717]

I have only seen them 4 times and two of those times came on the Snakes and arrows tour ,my favourite Rush album. Take care

[@dougww1ectebow]

Saw them live 'back in the day', right before 2112 came out. What a show, I couldn't believe 3 guys could make so much sound. We hadn't even really heard of them in Boise ID yet, but they were better than Styx, who they opened for.

[@robertbent7232]

I have a photo of my brother with Geddy Lee and Jim Cuddy,these two gentlemen gave my brother so much enjoyment,for this I'm so thank ful for making my brother realize how much he joys life

[@edwardestes8038]

In my 63 years on this earth.I have enjoyed their tallents and skills for most of my life.It isn't much but i saw them twice here in Indiana.....in 75 and 78.I watched Neil like a hawk because i play drums.I saw him drop a few sticks and never miss a beat.I have real pictures of them when they were in Chicago at Comisky Park (White Sox).....and have most of their CDs and a few DVDs. RIP Neil.....now your with Selena and Jackie somewhere..!!

[@MBdrummer3288]

This is the coolest group of dudes. I’d love to hang out with these guys. What a great job. Very very difficult to do, but very rewarding, I’m sure.

[@haizrocdrums6020]

depending on the ballbags playing their love songs and the quality of the lsd determins how much bullshit you can take setting up a tour show . when does rush do free im going to have more lsd then thats whati would do .

[@dianamourer5244]

Thank you for this video! What an incredible insight into the making of the concerts that most of us only notice the performers (and portrayers). So great to highlight the work of the roadies who put it all together for the band and audience!

[@IJustFiguredThisOut]

It's crazy how different things can sound depending on where you are in a venue. For instance, I was at a Slipknot show a couple years ago, I was up against the gate, in the very front, dead center, (it was awesome) but it sounded like shit. We basically had the PA to the side of us, facing behind us. So we could hear like the drums from the stage itself, some of the instruments, but barely any vocals. I've been to many other shows where if you are back a bit, it sounds amazing. So really the best position for optimal sound is in the center, like 50-100 feet back from the stage.

[@MrChiefcheese]

Always the best by the FOH board.

[@richardwilliams3497]

Always good to store your dry cleaning in the cigarette smoking room lol just an observation

[@richardwilliams3497]

@BUMBOCLAP BEATS lol yeah I wouldn’t know anything about smoking weed....

[@vicjames2743]

Watching history in the present Miss you Neal. 😢

[@Jakeman90210]

thank you jaems

[@rubytuesday5684]

I was a roadie back in the 60s. This today is so sophisticated that its no wonder that the band of today sound perfecr because all these systems make it almost imposible not To have a bad night....

[@zackstump5425]

I wanna hear the bad night story

[@michael7324]

This brings me back to my youth when I was a local stage hand. Best job ever.

[@allguitar7603]

So awesome.Thanks to all of those who make these shows possible thru their hard work and dedication

[@michaelfradianni2769]

And the lighting, just magically goes up and nobody notices. (Except when their equipment is in the monitor tech's way. ;)

[@danielguest7841]

I was just thinking the same thing. Especially when the light engineer is moving with the song. They could've added another hour on lights and lasers. That would've been cool.

[@TheTsunamijuan]

I feel like monitor Engineer is the hardest job there from a stress standpoint. Its far worse when your floating between gigs as a monitor tech. There is such a high expectation and almost no margin for error with a large number of performers (i don't blame the performers, theres just its usually a last minute thing and the nerves get to everyone).

[@daveschwartz5893]

Its extremely demanding and underrated unless your in the industry.

[@JohnAnderson-yl8hc]

Amazing on how many people lives these three men from Willowdale touched. I hope all the great people that brought us Rush live have found other artists to work with. All the Rush concerts I've been to have been the best live performances I've ever seen. Not only the music but what these people setup and do to make the shows special. The people behind the stage are just as talented as the three men stage center. It's still a little painful to listen to Clockwork Angles as I know this is the last tracks ever recorded by the late, great Neil Peart.

[@rickshearer]

Outstanding, well-rounded vicarious concert crew experience! 🚛🔊⚡

[@skybridg5705]

2 ,ND to none. The best in the business. The sound was very good every time I seen them play. Hands down !!!!!! As a DETROIT concert goer I should know thanks to all you guys ...your 1!!!!!!

[@MikeT-TheRetiredColonel]

This video posted was on my 30th anniv of my first concert ever and it being Rush during Signals at Madison Square Garden, NYC. And I still have the stub :)

[@TonySeliquini]

Super informative. These guys are phenomenol. Respect the crap out of the roadies.

[@larrylehman751]

I was clueless as to how much work goes into a concert roadies make the show happen great documentary

[@wylier]

This deserves a mention: one of the only songs by a popular artist to laud 'roadies' is "The Load Out" by Jackson Browne. It came out in the late 70s.

[@jamesmcelroy7644]

Thanks for posting this it takes great crewman for a great show

[@kens.3729]

This was an Awesome 👏 Job showing the World 🌎 what it takes to Tour and go Live. Thanks!👍

[@DHarri9977]

It's always fun to revisit this video, the production crew is amazing they work hard to bring a good show for the fans and are the unsung heroes of many great concerts.

[@steveec9704]

I have a great friend that was a concert rigger for over 25 years with this band this was pretty cool

[@lpjbird]

I’m sure he knew Skip....RIP, Skip, aka Slider

[@fireyourrocketts]

Meet the real Rock Stars, and I think Geddy, Alex and Neil, may he rest in peace, would agree.

[@peterldelong]

It’s amazing to witness how the technology has drastically changed since the 1980’s. Most of the gear from this 2007-2008 tour is long obsolete. We live in the digital world now, Dante, MADI, AES50, CAT6, Waves Soundgrid, on and on. I run 64 channels of FOH over one CAT6 network cable w/ a secondary backup. Great video, thanks!

[@Jakeman90210]

All the stuff they have here is pretty much the same as what we have now. Avid D shows fed with madi, Lake DSP controlled with the FOH tablet.

[@JohnJohnson-ql8mx]

Man, there is a lot of great info in this!! Thanks for posting

[@michaeldinanno1737]

Yes indeed God bless the working man

[@jbw9999]

I knew there was a lot involved, but never knew it was to that degree. Wow! You have to be pretty intelligent to be able to work out how it's all set up. And it's a little amazing that they can find so many helpers that are willing to do that kind of grunt work, yet are reliable. It seems like it would be really stressful, in that I would be worried about the pressure of knowing that during the show if something went wrong, I'd have to fix it, quickly. I guess I never thought of the fact that a lot of the sound mix is probably changed during the first song, so as great as the band sounds when they first start playing, the sound guy might not agree, and it probably gets better as they play. It's also amazing that after paying for all those employees, trucks, buses/fuel, equipment, food(?), venue fees, etc, the band can still make millions. He said they use 101-102db, which is a little surprising. That's definitely able to damage hearing. I really miss going to Rush shows. :(

[@montdewallydehonk.395]

watching this only even more powers my love and admiration for rush to whom i have loved for 42 years. huge respect and so emotional.

[@Greenjeeper999]

I'm reminded of Geddy's description in his book of how they transported their equipment from gig to gig in their friends vehicles....TIP Professor. We miss you.

[@nibbscbr]

The most accurate representation of it all I've ever seen. Well done!

[@bytornsnowdog2112]

This is great! Thanks for posting! LONG LIVE RUSH!!!!!!!

[@therugburnz]

I loved doing and being part of sound. I'm glad it is over tho. Nothing on this level, more like a tenth that size at the largest outdoor gig. Usually a hundredth of that on a Tuesday night kinda-sorta thing. Good job that paid my rent, good food at home and alimony. Great times.

[@bryanhawley9538]

Absolutely loved the video. Rush is my all-time favorite and to experience this side of the show was fantastic. Thanks guys

[@daveyt4802]

RIP Neil.

[@dwaynecarroll6098]

I’ve seen the band several times and never thought they were too loud. Beautiful tone as I recall…

[@surveyordave]

with reference to the "click track"...it just occurred to me that RUSH is one of the few bands that always played right on tempo. i have seen tons of shows and it always kills me when bands play songs too fast.

[@jeffreycollins7297]

I never minded when they sped up a song, unless it seemed like they were just trying to get through it for the thousandth time and they were tired of it. I always got annoyed when they couldn't play the song at it's natural tempo.

[@haroldmessinger1]

Hoping all roadies get back to their jobs soon

[@katielawrence5420]

I love Rush.