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Preparing a guest lecture I had been invited to give at NYU's Gallatin School in which I used two baroque arias (Händel's Lascia Ch'io Pianga and Porpora's Alto Giove) to illustrate elements from Boethius's book, The Consolation of Philosophy, I stumbled over a passage that made me rethink the meaning of the story of Orpheus and Eurydice. Here's what I came up with. It relates to the art of performing in an uncanny way.