When you hear the lick 5 seconds into a video you know it's gonna be good :D
@xae82804 жыл бұрын
I prefer this intro way better than the others. Straight to the point
@JensLarsen4 жыл бұрын
Isn't this the same as all the other lessons from the last year (give or take)?
@justabeard37944 жыл бұрын
@@JensLarsen Maybe he's comparing it to other teachers on youtube
@binface94 жыл бұрын
Really enjoying the way you're linking what you're teaching back to jazz standards.
@JensLarsen4 жыл бұрын
Thank you! :)
@tonyvino11154 жыл бұрын
you are an excellent teacher. I am a long time professional guitarist and teacher. Thank you for opening the door to improvisation over common jazz chord changes.
@JensLarsen4 жыл бұрын
You're very welcome Tony! :)
@joehernandez56004 жыл бұрын
HI Jens, hope you're well and staying safe. I don't say this enough but your lessons have been incredibly helpful to me in making progress in my jazz playing. I truly appreciate all your great content. Thanks.
@GeorgeSPAMTindle3 жыл бұрын
This is my first viewing of this channel, and I am mightily impressed. I subscribed straight away, and hope to understand later. I think that I'll need to watch this channel in the same way that I watch Rick Beato's channel, that is with a notebook and pen, lots of stopping and rewinding, guitar at hand, and then watching it again all the way through without pausing it at all. Thank you very much for this channel Jens.
@patrickfitzgerald28614 жыл бұрын
Jens, I am amazed at how many views you get on what are some very difficult concepts. You are clearly doing something right, and fulfilling a need with your channel. Great job! 👍
@JensLarsen4 жыл бұрын
Thanks Patrick! I think there are a lot of people looking for info on all of this, so I don't think it is that crazy actually?
@patrickfitzgerald28614 жыл бұрын
@@JensLarsen You're right of course, but I never would have guessed that there were anywhere near this many. 28K+ views on a video about half diminished chords? Wow!
@Avatar7x7 Жыл бұрын
@@JensLarsen The intonation of your guitar is perfect, is there some device like the "Buzz Feiten system" on it or you've got the best guitar tech in the world ?
@JensLarsen Жыл бұрын
@@Avatar7x7 Thank you! I have a great tech
@bezziano573 жыл бұрын
Superb lesson! I’m trying desperately to keep up with Jazz studies. I had discovered some months ago that a min 6 is also a m7b5. I used the trick on musicals. Wherever I see m6, I sub to a m7b5 so I’m only thinking same shapes. But thanks Jens for the other ways to use this chord. Brilliant!!
@calbrush66542 жыл бұрын
They don’t sound the same, bubba
@Isabella-jx5kw2 жыл бұрын
If the roots a minor 3rd away then it’s the same
@rl29052 жыл бұрын
This video helps bring to light the concept of the unlimited potential of the tritone. If you've got a chord with a tritone in it, it's essentially dominant, and the world can be all yours with it. Thanks!
@JensLarsen2 жыл бұрын
Well, yes and no. A m6 chord is a tonic and has a tritone so they are not all essentially dominant chords :)
@scottmoyer13574 жыл бұрын
Thank you for this.....it adds to my studies of the minor 7b5 as seen on the Circle of 5ths and as applied to the F, D, Ab, & B dominant 7th chords which are all tritones of each other as seen on the Circle located opposite each other.
@JensLarsen4 жыл бұрын
Go for it Scott :)
@c0nk28793 жыл бұрын
Jens! Your videos are a wealth of information for the modern jazz guitarist. Thank you for all the great work.
@JensLarsen3 жыл бұрын
Glad you like them 🙂
@griqds41284 жыл бұрын
Awesome lessons sir! As a young jazz learner all your videos are very precious tools, i've been watching your vids for a few weeks and already feel the upgrade in my playing and knowledges! Keep it up :) (i'm french, excuse my english)
@JensLarsen4 жыл бұрын
Thank you! Great to hear that you can put it to use 🙂 no worries about your English, I am Danish so... 😁
@tonyhume1004 жыл бұрын
I love I/2 dim chords - so many ways to flavour things up - a few new ways here by jens….brilliant as usual
@JensLarsen4 жыл бұрын
Thanks, Anthony!
@tyron07 Жыл бұрын
You are a brilliant teacher
@JensLarsen Жыл бұрын
Thank you!
@alexmckenzie84912 жыл бұрын
Yes, a tremendous video. I didn't realise how many positions there are for the half-diminished. A beautiful chord.
@kirkp_nextguitar4 жыл бұрын
This is excellent. I know much of this, but I’ve learned it haphazardly over many years. Your systematic approach helps pull it all together and extends it beyond what I’ve learned so far. I’d recommend that any players overwhelmed with the pace and amount of info in this video first watch the whole video to get the gist of it, then work on it in small chunks at a time. There is enough info here to spend days on it.
@JensLarsen4 жыл бұрын
Glad you like it :)
@Alrukitaf4 жыл бұрын
Years in my case.
@ciaranmcgrath32734 жыл бұрын
With the knowledge you share in your videos; you have helped me see the interconnectivity of tonality and how improvised music can become like a fluid motion. I really appreciate you sharing your deep understanding of how music moves.
@RC32Smiths014 жыл бұрын
Always showing the best ways to utilize and master choral types of all varieties! Cheers man!
@JensLarsen4 жыл бұрын
Thanks RC :)
@RC32Smiths014 жыл бұрын
@@JensLarsen Cheers man!
@phampshire68644 жыл бұрын
Thanks, that's a really good way of seeing how to form half diminished chords from m7.
@TheSandkastenverbot Жыл бұрын
Best Jazz teacher ever!
@JensLarsen Жыл бұрын
Thank you!
@christianp41234 жыл бұрын
Best jazz youtuber
@JensLarsen4 жыл бұрын
Thank you! :)
@mybiggrin3 жыл бұрын
Dude... so useful. This video is a week's worth of information. Thank you so much. Easily helping me transfer my knowledge of piano to the guitar.
@JensLarsen3 жыл бұрын
Glad it was helpful!
@johngardiner75374 жыл бұрын
Jens. I font know if I will ever get half reasonable at this at 68 years old but I really enjoy the lessons
@JensLarsen4 жыл бұрын
Thanks John! Great to hear, and I would say: Go for it, as long as you have fun what could possibly be the problem?
@lilmoe43644 жыл бұрын
At a job once I ended up talking to Al Dimeola on the phone. I asked him what his favorite chord was. He thought for a second and then said "Minor 7 flat 5."
@joyfullmusicexploring-thom50934 жыл бұрын
i wish i would be 20 now and jens would be the only youtube chanel existing ( besides jazzduets 😉😂)
@JensLarsen4 жыл бұрын
Thanks Thomas :)
@jivanbansi96404 жыл бұрын
And Rick Beato
@hubertvancalenbergh90224 жыл бұрын
Valuable, as always. After a brief refreshment tomorrow this should stick for a while.
@JensLarsen4 жыл бұрын
Thanks Hubert!
@winstonsmith76522 жыл бұрын
An old jazzer bit my head off when I called it a "half diminished" chord. He said "it's not 'half' of anything. It's a complete chord in it's own right." Semantics, I know. Great lesson. I often play the minor 7 flat 5 over dominants in my lines (something I knicked from Pat Martino) but haven't explored fully with chords. Time to change that. Many thanks again.
@JensLarsen2 жыл бұрын
That's something Pat knicked from Parker (or pretty much anybody else :D ) You should have told that old dude that if it is a complete chord then it also could not be diminished :D
@carlosclaptrix2 жыл бұрын
Well, even this guy can change his judgemental mind. It is just words which don't hurt the chord at all!
@larrybaby93773 жыл бұрын
Great vid. I watch it again and again to unconfuse myself.
@134SASAKI4 жыл бұрын
This video is also an excellent sound demonstration of the Yamaha SG-1000. I also own this guitar. Great guitar.
@JensLarsen4 жыл бұрын
Thanks! It is indeed a great guitar, though my bridge is actually bending under the strings, so I need to have it replaced :)
@134SASAKI4 жыл бұрын
@@JensLarsen The bridge of YAMAHA SG (unlike the tailpiece) is not compatible with Gibson spec, so it may be hard to get replacement parts. (Unless you reattach the studs.) My SG-1000 bridge is in very good condition, but the SA-1000 bridge is worn out and I need to replace it someday. I wish you good luck! Thank you.
@JensLarsen4 жыл бұрын
@@134SASAKI thanks 🙂 I do indeed need to go hunting for one
@brysonmartin4273 жыл бұрын
Thank u jens for your abundance of free lessons. I learn quicker from u than anyone
@marcosa31454 жыл бұрын
So much good stuff in your lessons. I'm starting to take notes.
@JensLarsen4 жыл бұрын
Thank you 🙂
@shanedefeo688110 ай бұрын
Playing thinking of seventh chords with different roots in the base is like taking the concept of slash chords to another level,stepping it up a notch!Great intrllectual concepts.but my brain gets overwhelmed by all this thinking and vosualizing if I dont follow write thes interval transformations down on paper.Great lesson
@mikesherrard88713 жыл бұрын
This man is the most jazz playing jazz player
@charoox4 жыл бұрын
Coming from gypsy jazz, my reference would be rather minor6 chords and thinking for instance Cm6 and Ebm6 on a minor 2 5 in G Great lesson as always ! I Will try it on maj7#11 chords !
@Nuclearsoandso4 жыл бұрын
Lessons are only getting better. Excellent work.
@JensLarsen4 жыл бұрын
Thank you, Michael!
@nikhilfranco72412 жыл бұрын
thank you for this lesson ! i'm glad i understood and it shows my progress(i think). last year i would have been lost in the first two minutes :)
@JensLarsen2 жыл бұрын
Great job!
@BrendaBoykin-qz5dj Жыл бұрын
Thank you,Jens🌹🌹🌹🌹
@JensLarsen Жыл бұрын
You're welcome 😊
@JensLarsen4 жыл бұрын
The Most Important Scale Exercise In Jazz kzbin.info/www/bejne/aIvIY2V4g8und6M A jazz solo will usually follow the chord progression that it is played over, the most important way that you do that is by using arpeggios over the chords. You are probably already practice arpeggios, but chances you can do it in a better way than what you are doing now, and that is what I want to talk about in this video. Content: 0:00 Intro 0:57 #1 Basics: Half diminished Chord construction and Voicings 2:08 #2 Basic use in a minor II V I 3:35 Two things! 4:33 #3 Dominant 6:56 #4 Altered Dominant 9:22 #5 Lydian Chords 11:13 Like the video? Check out my Patreon page.
@atuvelman4 жыл бұрын
Hey Jens, why the different half-diminished symbols at 1:55 ? Is it because the chords on the right are inverted?
@pickinstone4 жыл бұрын
As Scrap Book said on another video, it's great to use these substitutions linearly. My favorite was a sub that a saxophonist taught me a couple of months ago. Play the Half Diminished a whole step lower than the root of the dominant as an upper structure. For instance, for a C7--you'd play a Bbm7b5. That would give you Bb Db E Ab. If you think of it in relation to the C7, that's b7, b9, 3rd, b13. So, yes--as you said, altered. But it gets you to that altered sound quickly, and helps target that pesky b13th.
@tomg29464 жыл бұрын
I like to use 1. the root of the m7b5 arpeggio on the Root of the altered dominant , followed by 2. the root of the m7b5 arpeggio on the b7 of the altered dominant. Or reverse the order. This gives the root and guide tones of the altered dominant plus all the altered notes. Can think of these two consecutive m7b5 chords as from the melodic minor a semitone above the root of the altered dominant. Its also a simple movement along the neck of course.
@jimkangas41764 жыл бұрын
Nice job on this one! I've used the "up a minor third" trick, but you've really expanded the pallet here. The Lydian one is very hip.
@j.p.fitting9226 Жыл бұрын
Great playing Viking!
@olafbigandglad4 жыл бұрын
Yamha SG. Fabulous, under rated guitars.
@JensLarsen4 жыл бұрын
Thanks!
@BomShiva24 жыл бұрын
Will "get it", eventually. Then, maybe I too can be hip. :) Thanks Jens.
@JensLarsen4 жыл бұрын
Go for it :)
@peanutpeanut1234 жыл бұрын
Nice lesson. Also use this chord to chromatically walk thru a 1 6 2 5. C9 (E Bb D G) A7alt (G Dd F Bb) D9 (Gb C E A) G7alt (F B Eb Ab)
@ElectromagneDikk4 жыл бұрын
I like where u phraseed that A half diminished. I play a 7 in drop a tuning and i like using that area of the neck with the open strings.
@MrMoonCraft4 жыл бұрын
You're such a great teacher. Thank you for the knowledge
@JensLarsen4 жыл бұрын
You are very welcome
@boboala14 жыл бұрын
Well done, as usual, Jens! When I get rusty in my jazz theory I always like to watch a video from you as I get to see the actual notation/voicing of your progression examples, and see the chord diagram. It makes it all click from my common-practice Bach learning I got way back in college. BTW, I used to really be into older Latin jazz (esp. Jobim) - and I think your 1/2 dim chord analysis might apply to tunes like 'One Note Samba', 'Desafinado, 'Girl With Emphysema'' and others...in case that might make for another chapter in your tutorials.
@kevinriveraguitar4 жыл бұрын
Hello from Costa Rica Jens! I just wanted to say thank you because I'm a college student and right now can't afford to pay for lessons. All your videos and emails have helped me a lot, although I'm still struggling with the theory part I am starting to understand a lot of things. But most important I'm able to enjoy what I play so much more. As soon as I can I'll become a Patreon. Again, thank you so much Jens. I'll keep studying.
@AnAmericanComposer4 жыл бұрын
As a music theory nut, thank you so much for making this video from such a practical perspective. Thank you also for using proper enharmonic spellings as I know how funny hdim and dim chords can be to spell. This kind of content is leagues beyond hacks on this platform like Signals Music
@JensLarsen4 жыл бұрын
Glad you like it! I don't really think that Jake (signals music studio) and I have the same audience, and I suspect that he sometimes makes choices like that to make it easier for his audience to get what he is talking about? We all do deal with the odd enharmonic issue in the material, I at least feel that I am always making choices about that.... :)
@peropen4 жыл бұрын
Another great lesson. Thanks, Lars!
@JensLarsen4 жыл бұрын
You're very welcome :)
@rogeriolima16024 жыл бұрын
excellent explanation here in Brazilian music we use LIDIO # 11
@JensLarsen4 жыл бұрын
Nice 🙂
@JeromyBranch4 жыл бұрын
Thanks for being so straight forward and not stopping to teach people HOW to play. We should know how already if we are looking at advanced concepts like this. I had to go back to my music theory lessons to figure out what you are talking about in some places....but that's my problem not yours. Amazing lesson thanks again.
@LukeFoo19754 жыл бұрын
That's very helpful lesson 👌
@JensLarsen4 жыл бұрын
Glad you like it Luke!
@etiloyon3681 Жыл бұрын
Hi Jens, this is really a very good lesson ; thanks for your generous sharing.
@Ko-zh1in4 жыл бұрын
Really well done video. Very informative, easy to follow, you got my like/subscribe within the a minute of the video!
@JensLarsen4 жыл бұрын
Thank you! That is very nice to hear 🙂
@helminenjuha4 жыл бұрын
Such a clear and beautiful tone. And great insights too, again! Thank you Jens!
@gabrielperrymusic4 жыл бұрын
Fantastic lesson. You really uncover a LOT of stuff here. Wow. I love it.
@cripe78743 жыл бұрын
Ottima lezione, grazie Maestro!
@indoornauta4 жыл бұрын
Great video! Thanks for each second of it
@JensLarsen4 жыл бұрын
Glad you like it, Felipe
@ARichardP4 жыл бұрын
Great tone on that guitar.
@JensLarsen4 жыл бұрын
Thank you, Richard 🙂
@joseluisvelasco45744 жыл бұрын
I love your videos, they deserve more exposure, cheers from Mexico
@jessedeguzman943711 ай бұрын
many thanks!
@JensLarsen11 ай бұрын
You're welcome!
@captainkoo3 жыл бұрын
Jam packed lesson, filled with useful information. This will take quite a bit of practice to master !
@fnl62fnl624 жыл бұрын
Great lesson. Perfect pacing. Well done sir. Thanks.
@jumemowery94344 жыл бұрын
Jens is the *Master!*
@JensLarsen4 жыл бұрын
Thank you Jume!
@wendigo24424 ай бұрын
Best ad for Ritalin ever
@aptelbruno83164 жыл бұрын
Thank you so much ! wonderful colors !!! wonderful chords !!!
@jamescopeland53583 жыл бұрын
Half diminished is probably my favorite
@ChuloDavidcito4 жыл бұрын
As a chord geek, I was looking forward to your list. I was aware of all except the last one, cool! Super clever coming after the F7alt, and a tritone in the bass makes for a spicy sound! :)
@insidejazzguitar81124 жыл бұрын
Great video, thank you. I also like bII-7b5 in place of dominant
@insidejazzguitar81124 жыл бұрын
Meant II-7b5 as sub for dom
@paulmoore79644 жыл бұрын
You did not mention my fav. Vanilla half dim. Up a minor third for dom7, then up maj 3 for tonic min 6.
@JensLarsen4 жыл бұрын
I do try :)
@gaborkovacs71344 жыл бұрын
That's a nice way to demonstrate the versatility of the half-diminished chord: it can function as a subdominant, a dominant and a (minor) tonic chord, and as a progression it sounds so natural (especially above the proper baseline) that you can hardly notice it is in fact the same chord transposed.
@Euro.Patriot3 жыл бұрын
I'm trying to ground myself in learning at a level that I actually learn at, I've been obsessed with stuff like modal interchange while getting confused when I see a key signature with 4 flats so I'm trying to stay basic until I master it. The progression I made is D/\ to F#- 》 = key change VIadd9 > ii7 > V9 > I/\7 > IV/\7 > vii > I/\7 》vii-7b5 > Isus4 > VI/\7 > III > VI6(9) > III 》 IVadd9 OR Badd9 > Em7 > A9 > Dmaj7 > Gmaj7 > C#m > Dmaj7 > C#m7b5 》F#sus4 > Dmaj7 > Gmaj7 > A > D6(9) > A 》Badd9 The C#m7b5 sounds really out of place, I think it's because I just used a C#m but I'm not as good with theory as I'd like to be. The Dmaj7s and As have different voicings, if you reply I can add them in like this: Badd9 - X X 9 8 7 9 E A D G B e I just put a bunch of chords together and wanted to start practicing, I like the progression though.
@Euro.Patriot3 жыл бұрын
I just thought of another cool progression. Dadd9 > C6sus4 > Gmaj7 > Eadd9
@gregoryhill75533 жыл бұрын
Wow wow wow; this brother is truly awesome succinct & on point, appreciate it.
@dkwvt134 жыл бұрын
Jens, you always manage to nail one for me! I am currently doing a deep dive on Autumn Leaves and this is great material. Thank You as always...! ;-)
@JensLarsen4 жыл бұрын
Thanks Donald! That's great to hear!
@obscurebandfan4 жыл бұрын
So essentially you're teaching us how to substitute regular chords for more interesting ones? I think understand. All I've played on guitar since I was 14 was either folk or bluesy stuff so jazz is a new world to me. My theory is extremely rusty but I'm sure with a few watches I'll get this. I like the professional style of these videos.
@JensLarsen4 жыл бұрын
No, that's not really it. Because you want to use the m7b5 voicings but you don't want to think other chords, at least I prefer to think chords that fit with what the music sounds like. Eø A7alt Dm6 is pretty basic and easy to hear. Eø Gø Bø doesn't really make any sense :)
@andrestipanovic74074 жыл бұрын
great lesson, thanks Jens!!
@JensLarsen4 жыл бұрын
You are very welcome, André
@teaforone774 жыл бұрын
Awesome usable stuff! Thank you!
@Cherembo19534 жыл бұрын
Absolutly beautiful chords,love it!!you put a lot of wo r k into all this,thanks so much ,u r a superb guitarrist,god bless you ,good luck!!thanks once again.
@francesco01854 жыл бұрын
I'm a rock guitar player and always got a terrible headache after five minutes following (and playing along) videos like these. ;) But it's good and I like to learn this chords, even rootless ones. Before watching this lesson I just knew half diminished chords in two positions on the fretboard...
@cuttyshark4 жыл бұрын
For me,...Best lesson in a while
@JensLarsen4 жыл бұрын
Glad you like it!
@vgostivavstriu95194 жыл бұрын
Many thanks for the lesson!
@JensLarsen4 жыл бұрын
You're very welcome! I am glad you like it! 🙂
@guitarguy43724 жыл бұрын
This is a great video, Jens.
@JensLarsen4 жыл бұрын
Thank you! Glad you like it!
@ElectromagneDikk4 жыл бұрын
Another good video my friend. 7th chords took me a while to figure out lol. Still figurin them out. I love half diminished chords. My guitar teacher taught me them when i was in lessons as a boy hehe. He was a jazz guy and i should have studied wit him more but anyway ive always found theres great ways to use that chord to create good tension in metal songs and makes for easy key changing and interesting chord melody options.
@JazzgutsVGvanKampen4 жыл бұрын
Great lesson Jens, you want my hack? well I use 2 half dim arpegios out of melodic minor as an altered sound. For instance over G7 alt I use Fmi75- and Gmi75- (also inversions), hard to master but a great concept. Keep up your great work.
@PecktheTownCrierVideos4 жыл бұрын
Cool sounds, thank you!
@JensLarsen4 жыл бұрын
Thank you Chris! Glad you like it!
@RickDanner4 жыл бұрын
nice I use it as the 1 chord in blues like C# in A
@JensLarsen4 жыл бұрын
Solid!
@HuugyBearInc3 жыл бұрын
The fly on his head at one minute👁👁
@jadonclews33483 жыл бұрын
I saw that too 🤣
@AntarblueGarneau4 жыл бұрын
Comprehensive! Thx Jens!
@bartsjazzman4464 жыл бұрын
Great sounds.
@d0leo4 жыл бұрын
Thanks for the video! I really like the tone you get out of that Yamaha, would you mind telling me what gauge strings you use? They look quite heavy, from what I can see, and there looks like a decent amount of tension, too. Cheers!
@JensLarsen4 жыл бұрын
Glad you like it! The Yamaha has 13s strings from Sonotone. They actually feel pretty loose for 13s 🙂
@SaccoBelmonte4 жыл бұрын
Well those inversions are gonna be useful on "Les Yeux Noir", thank you Jens.
@vishyoutubevideos4 жыл бұрын
very interesting lesson. it's true half diminished chords have always been a mystery to me. not so much anymore.
@JensLarsen4 жыл бұрын
That is great Vishal :)
@purdysanchez4 ай бұрын
In America, beginners start with simple classical music or pop songs. In Scandinavia, beginners start with jazz.
@carlospraia12424 жыл бұрын
Wow great video thanks a lot
@matteozardinilacedelli79664 жыл бұрын
Always thanks
@JensLarsen4 жыл бұрын
Always welcome
@bobbymcloughlin34522 жыл бұрын
Minor 7 Flat 5 is a Full Diminished Chord, but Augmented, m7(b5) = Augmented-Diminished, dim7+, aug°,
@JensLarsen2 жыл бұрын
no
@vicentedeandres80514 жыл бұрын
Thank u very very much!! keen on you!!
@Deliquescentinsight4 жыл бұрын
Interestingly I first discovered this chord trying to master Autumn Leaves from the old 'Real Book' years ago, they are also beautiful substitutes for 9th (minor7/9/) blues progressions-Allman Bros used them a lot
@JensLarsen4 жыл бұрын
They are indeed super useful on dominants :)
@gaborkovacs71344 жыл бұрын
@@JensLarsenTo me, the thumbnail implies that no other four-note chord/arpeggio can function in so many different ways, which I fully agree with. The half-diminished chord can be found 4 times in the half-whole diminished scale, and 2 times in the melodic minor scale. Because neither of these two scales have any "avoid" notes when we improvise over chords derived from them, over a G dominant 7 chord, we can play (1) a G, Bb, Db or E half-diminished arpeggio to imply a diminished sound (e.g. G13b9), (2) F or G half-diminished arpeggios to imply an altered sound (e.g. G7b5#9) , or B or Db half-diminished to imply a Lydian dominant sound (e.g. G13b5). So, in principle, at least half of all possible half-diminished arpeggios (6 out of 12) will fit ANY particular dominant chord! What about the remaining 6? Over a G dominant 7 chord, to my ears, the A and D half-diminished arpeggios can also be used tastefully, with the C implying the sound of a suspended sound which you may resolve into a B as you continue the line. The remaining 4 m7b5 arpeggios (F#, Eb, C, Ab) all contain the major 7th (F#/Gb), so they are evidently out. But that still leaves a total of 8 out of 12 options. Of course, some if these sounds are more common than others and the choice also depends on the context.
@vladimirverline82514 жыл бұрын
very good thank you
@fer184334 жыл бұрын
Thanks, good teacher
@EclecticEssentric4 жыл бұрын
That's helpful, thanks.
@JensLarsen4 жыл бұрын
Glad you find it useful Timmy!
@tonakkie635 Жыл бұрын
Hoi Jens, waarom klinkt Cis-HalfDim chord als een gewone volle A(Amaj) of A7, als ik een blues speel. Zo gebruik ik hem in de blues als chord 1 in de key of A. Komt dat omdat de 3rd vd A een Cis is? De b7 is ook de b5 vd CisHDim