Why we don’t film 200fps with the Sony PXW FS5 anymore

[@LiveUPMedia]

Which luts did you use or how did you match the cameras , did you use a color chart. I'm curious because if looks good.

[@smepable]

Thanks for Testing and the hint. But I think it is pretty much pixel peeping I wouldnt have noticed without magnification. And the other thing is that most of the time you would try to avoid this contrast anyway.

[@tommasomatteodiveronesi4283]

The problem is in 2k not on the 200fps... 2k have problems on the pixel biding...

[@SAPHGOD]

Instant mute

[@AllThingsKen]

LOL

[@aindoorsman]

cool

[@Joeybettencourt]

i get this issue on a raven as well...

[@LarsGoldbachDP]

Wie siehts mit 2K 100fps aus? und im Vergleich, gibts die Artefakte auch beim Odyssey 7Q+? Ist mit bei meinem Setup so nämlich noch nicht aufgefallen. Ich dreh zB kontinuierlich nur noch 2K/100fps, wem ich Slowmo brauche. Vllt intuitiv die richtigere Entscheidung, haha.

[@kumaranherold7663]

Hallo Lars, Bei 4K100fps haben wir keine Artefeakte gesehen. Ich denke, dass es bei 2k sich ähnlich verhält. Also gute Entscheidung!! ;-) Der Test mit dem Odyssey 7Q+ steht noch aus. Wir sind auch gespannt, wie sich das Material mit dem Recorder verhält.

[@mahyargoudarzi3877]

Laut Sony Support (Nachfrage in Japan) betrifft der beschriebene Fehler hier auch die RAW-Ausgabe - wird also auf jeder Art von Recorder auch auftauchen.

[@swivel84]

just wondering if fs5 can do 4k 60p with the new ninja v... :)

[@OLDVISION]

Unfortunately no just with the shogun inferno

[@fitguy49]

Yes. But of course have the firmware upgrade for the camera and you'll need to use a HDMI 2.0 cable between the camera and the Ninja

[@cipisound]

try sony with another lens, maybe a prime, like you use for the other cam... maybe is purple fringing :)

[@69782775]

Even 4k50p has awful pink artifacts WTF man?notice the card on the model hand! thanks for the video,it stopped me to buy fs5 with recorder kit set....

[@SergioCavalieri]

My FS5 doesnt do that here are some videos that I shoot with the sony and Arri Alex ( first video) and sony and the red (second Video) every moving shoot is fs5 every tripod stationary is Arri or red 1- sony + Arri Alexa : kzbin.info/www/bejne/f33Qe4iHp8tlbJo 2-Sony Fs5 ( shogun inferno Cinema DNG) + Red - kzbin.info/www/bejne/bZi3iYWDm7Nsla8 Let me know your thoughts also, you have to shoot in Cinema DNG, it makes a huge difference Much Love !!!

[@kevinbooth6865]

lame music

[@AllThingsKen]

lol

[@heyty]

YES - I don't know why this issue doesn't get more attention. This is present for me with internal recordings as well but I have noticed them with the raw output also. Those awful pink artifacts. Same situation - for me I notice it with very high contrast areas where you have dark pixels right next to bright or overexposed pixels. If I'm trying to shoot silhouettes the shot is unusable. Funny thing is, I have spotted this issue on Sony's official demo videos - so I know it's not something I've done wrong in my setup. Clearly it's a limitation of the camera - I'm assuming it's a flaw with the sensor. The raw output from the SDI is straight from the sensor, with no internal processing (if I understand correctly). So for now, we just use our FS7's slow motion for any shots with high contrast. Not exactly a fix... Please post if you find out any more or have any workarounds.

[@mahyargoudarzi3877]

Hey Ty, unfortunately Sony seems not to do anything about this problem. The FS5M2 has the exact same issue. After reaching out to Sony, I heard different reasons (signal processing of the sensor OR off-axis light) - but Sonys support with this issue is just poor. I agree that this should get more attention and people interested in those cameras should be aware of the problem since it's promoted for its HFR features. I will make a video about this issue soon.