Bellissimo! From the sons of J.S.Bach - Wilhelm Friedemann Bach, understood his father's music best of all.
@AnnaBohemianBaroque5 ай бұрын
He is my Bach! The most enigmatic of the sons.
@marikomariko39925 ай бұрын
Exquisite sound of fortepiano. I love the flow in Allegretto. 💖
@sonjabaevska80285 ай бұрын
Wonderful concerto♥️and orchestra
@andremarcdelcourt9 күн бұрын
Thank you for sharing this beautifull work 🌈💫
@AnnaBohemianBaroque5 ай бұрын
Oh, and Mr von der Goltz just happens to be MY violinist. Nice!
@aldeoduguay47855 ай бұрын
D'une extraordinaire beauté!
@paulwusteman99634 ай бұрын
Yet another gorgeous 18th C British portrait. The music is nice as well. Poor WF should have gone to London like his brother.
@Steinbach19844 ай бұрын
Much of WF's work is either old-fashioned baroque or empty galanterie, but this concerto can easily stand next to the best of Carl Philipp Emanuel. His musical output is like his life: wavering between extremes but occasionally finding a safe haven.
@caminobop99623 ай бұрын
I don't know that galanterie is necessarily empty: it's the right thing at the right place when it's called for. (Very often in my life.) And it's by no means easy to compose, probably harder than an exercise in fugue composition. An appeal to taste, to the "bon goût" of the palate of the ear, may not seem technically demanding, but it is difficult because human taste can be so exquisitely discriminating when it is cultivated. One could call wine from an exceptionally good year "empty" but that makes no sense, for what should it be filled with? Superior mastery in counterpoint could just as well be "empty," because even the most impressive handling of the technical rules cannot, ultimately, hide an emptiness arising from a lack of musical imagination. Galant music and the pre-classical styles have nothing to hide behind: they are naked before an unforgiving musical ear that will pick up the tiniest divergence from that indefinable thing which is prevailing musical taste.