Yayoi Kusama Polka Dot at Hirshhorn museum Smithsonian Washington DC, Cuộc sống Mỹ đầy thú vị

Yayoi Kusama Polka Dot at Hirshhorn museum Smithsonian Washington DC, Nghệ thuật chấm bi nổi tiếng
Yayoi Kusama is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, video art, fashion, poetry, fiction, and other arts
The Hirshhorn has been collecting the prolific work of Yayoi Kusama since 1996. Our 2017 survey of her work traveled to five North American art museums, introducing Kusama’s spellbinding visions to record audiences. Next up: an exhibition of her five works in our permanent collection, including two of the artist’s transcendent Infinity Mirror Rooms, sculptures, an early painting, and photographs of the artist. One with Eternity: Yayoi Kusama in the Hirshhorn Collection is a tribute to the life and practice of this visionary artist.
Owing to the nature of the artwork, free same-day Timed Passes will be distributed daily at the Museum starting at 9:30 am throughout the run of the upcoming exhibition. Learn more.
Hirshhorn Insiders members are invited to plan ahead by choosing an available date between April 1 and November 27. Become an Insider. Due to high demand, not all time slots for One with Eternity will be available to members during its eight-month engagement. We want you to experience this exhibition and recommend planning in advance with a degree of flexibility as timed entry is limited.
ABOUT THE ARTIST
Yayoi Kusama was born in Matsumoto, Nagano, in 1929. Today, she continues to produce paintings at her studio in Tokyo. She studied traditional Nihonga (Japanese-style) painting in Kyoto and moved to New York City in 1958. There, she was active in avant-garde circles during the formative years of pop art and minimalism, exhibiting her work alongside such artists as Andy Warhol, Claes Oldenburg, and Allan Kaprow-figures who have cited Kusama as influential to the development of assemblage, environmental art, and performative practices.
Kusama exhibited widely in Italy, Germany, and the Netherlands in the mid-’60s, participating in exhibitions with artists associated with Nul, ZERO, and the New Tendency in Europe, where she began developing her interest in the optics and interactive elements of mirrors, electric lights, sound, and kinetics. The artist’s fame grew in the late 1960s through her radical antiwar happenings, which espoused nudity and polka dots in the streets of New York. Kusama returned to Japan in 1973, where she has since resided. In recent years, Kusama has achieved tremendous critical respect as well as celebrity status.
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