Yevgeny Sudbin D. Scarlatti : Sonata in B minor, K.27

エフゲニー・スドビン ピアノ・リサイタル2012
10月16日（火）19時開演　すみだトリフォニーホール
公演特設サイト：www.eurassic.jp/yevgeny/
「21世紀の最も才能あるピアニストの一人、・・・スドビンはすでに巨匠の域に達している」と世界中から大絶賛の嵐を浴びているエフゲニー・スドビンの本格的東京デビュー・リサイタル。
スドビンの名を一躍世界の音楽シーンに知らしめた透明な美しさをそなえるスカルラッティ、明瞭なタッチで愁い躍動するハイドン、鋭い感覚に彩られるドビュッシー、いま新たな光と翳が溶け込むメトネル、そして最も得意とするスクリャービン、いずれの演奏にもスドビンの魔法の音があり、未体験の驚くべきスドビンの宇宙がある。
D.スカルラッティ：ソナタ ト短調
D.スカルラッティ：ソナタト長調K.455
ハイドン：ピアノ・ソナタ第32番 ロ短調Hob.ⅩⅤⅠ：３２
ドビュッシー：喜びの島
メトネル：悲劇的ソナタ　op.３９－５
スクリャービン：ピアノ・ソナタ第５番 op.５３
詳しくはこちらから：www.eurassic.jp/yevgeny/
＊ 本映像について
彩の国さいたま芸術劇場：ピアノ・エトワール・シリーズ　Vol.15
エフゲニー・スドビン ピアノ・リサイタル
2011年1月22日（土）彩の国さいたま芸術劇場 音楽ホール
主催：財団法人 埼玉県芸術文化振興財団

[@user-co8lk7px3c]

この曲はこの人の演奏が1番好き

[@user-fd3yf8fg4m]

なんてドラマチックなスカルラッティなんだろう(◕ᴗ◕✿)

[@tonypazos5030]

To this very day 300 yrs after Domenico Scarlatti composed this music it is still a challenge for even the best professional pianists to perform. DS must be rocking and rolling in heaven.

[@sav3789]

Aight Ima go make a gif of that-

[@CDU916]

Elegant performance! Rarely heard played with such beauty.

[@alienhats7590]

I love the romantic version of Scarlatti. Beautiful. I don't understand what is wrong with reinterpreting things. 300 years passed, it is normal to have more than one way of understanding at music.

[@sinarchie]

i love his legato

[@angelonucellese1411]

Bravo.. La migliore esecuzione ascoltata finora...

[@Loras36]

Interprétation très sensible et touchante ! Beaucoup de délicatesse 😮 Grand talent 👏❤👍

[@MrFarnese]

GREAT!!! - not to fast like MOST Pianists, very intensive and melodic…..

[@ZoltanTemesvari_temy]

Scarlatti would approve this, bravo! If he have had a modern piano at his hands, he would have probably played his piece similarly. He was an Italian, after all. And a genius.

[@angelonucellese1411]

Vero!

[@lushkie]

Beautifully played. A new goal for my piano future (I hope). I just love those delicate cascades. And, I really like the accentuation of "drama" in the second section. Nicely done.

[@user-et3xn2jm1u]

Ooo, I like the octaves in the left hand during the cross-over part.

[@astrohubble]

Wat een geweldige uitvoering in een zo onvoorstelbaar mooie setting. Zoals een schilderij! Zoals gevoel en geloof bedoeld zijn!

[@user-kw1tg7dt1d]

Кружево тончайшее! И сама соната редкостно хороша. Браво обоим!

[@zxbn-wh6qh]

Smooth and expressive playing. I think I like it better than Michelangeli's 1962 rendition. I'm sure Domenico Scarlatti would warm to the colour an accomplished pianist like Mr Sudbin can give to a piece played on a piano, despite that not being possible on the keyboard instruments of Scarlatti's era.

[@KATSUKIKATSUNORI1]

気品の中に静かなパッションを感じさせる演奏。

[@KATSUKIKATSUNORI1]

偶然聴いて以来、何度聴いたことか。素人でも感じる素晴らしい演奏だと思う。

[@irenenaselli2429]

Una versión bellísima !! aún resonando en mis oidos la de ABM.

[@cristinadopico]

Sublime Sudbin !!!! perfect tempo

[@lorenzorossi6567]

Excellent rendition. Honestly, I prefer the "romantic" version in stead of the traditional baroque version when piano is used.

[@lucianovalle7178]

Bellissimo!

[@redrakham8060]

This performance is really good!

[@quietmind7476]

Great rendition. And his good looks don't hurt!

[@classicfan4683]

Elegante, geschmeidige, atmende Interpretation, die Möglichkeiten des Klaviers bewusst ausschöpfend...

[@Chiemseepianistin]

beautiful, a dream....!!!

[@mattbeckwith]

Fabulous!

[@jean-michelprillieux5012]

Un superbe morceau mélancolique à souhait qui fait penser à Beethoven alors qu'il s'agit de Scarlatti né 100 ans plus tôt. L'interprétation est juste un peu trop rapide à mon goût.

[@ua6523]

DAAYUUUUUMMMM!! Brahms would've been so inspired AND proud!

[@MrEbaby2011]

Very very professional! Cool!

[@martaromarate5372]

Perfección,🎶😍👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻

[@ladowska]

Wonderful performance of a splendid sonataListen to the harpsichord performance of Wanda Landowska from 1939.It is splendid!

[@mathemusicianify]

Yes, you're right. I didn't notice them before, and now I've started playing octaves there.

[@MrSammyname]

good good good bravo!

[@apistosig4173]

Bravo!

[@magicpantie]

Man, this piece was written when modern piano didn't even exist. There's already no need to stick with traditional baroque style this case. If you are so upset with usage of pedal, much legato, fast tempo etc., please go search for harpsichord version.

[@kevinrei7502]

People in those days dreamed of the piano today and to be able to play like us ( To freely articulate and express oneself much more naturally ) and yet there are people here judging, that they don't sound like what was back then ( I'm suppose they were referring to harpsichord or clavichord ) what an irony.

[@angelonucellese1411]

Mah..

[@metteholm4833]

Scarlatti can take it! He went from being a rather conventional baroque composer (home with dad), absorbed all the new things in Spain - and ended up on the verge of early romanticism. Quite a stretch!

[@glenngulda]

Man, its such a poor perspective, if you think, that the art of interpretation should be only historical correct performances..like busoni said: „every notation is trancription of an abstract idea...a transcription or interpretation does never destroy the composition.“ everything is perspective and thats what makes our world so interesting and special. we can learn from every perspective. even if you don’t like something there is a possibility that you took the wrong perspective. stay flexible my dear friends and never stop learning💪

[@luceecolori]

So nice and balanced interpretation. I liked the contrast with the second tempo of the sonata. Bravo!

[@valeriocadeddumezzanotte]

Antonino De Martino second tempo??

[@avocatdenis]

Antonino De Martino I don't know what you mean by second tempo? Please explain.

[@dlefil1364]

@@avocatdenis la sonate est en 2 parties, la seconde (a partir d'1'40") etant plus rapide que la 1ère dans cette version.

[@oscarlasprilla9345]

Brilliant playing,astonishing virtuosity, yet I must agree with other comments bellow that ,this repertoire by Scarlatti and especially J.S.Bach was meant to be played on the early keyboards of the day,in my opinion a Modern Grand Piano produces excessive Bass content by it's nature,this property seems to mar the agility of the music,kind of struggles or competes with the Treble frequencies,which somehow diminish it's brilliance.

[@grahsco]

I like the octaves in the left hand....but too fast.

[@peterbrenton410]

Agree at this tempo it's too easy to sound rushed which this does a tad

[@TiTiHealingmusic]

좋아요 ~

[@Muziclife321]

I totally agree with all the comments about the pedal. Yes, pedal is ok to add here in there in baroque music but that's usually to smooth something over, not to actually SUSTAIN. Second, those commenting on the speed being too fast, take out a metronome and dial it up to allegro (the desired tempo), he's actually right within that tempo marking.

[@stellamakrygianni9243]

ωραία εκτέλεση!

[@tteu123]

It is quite a difficult piece, but in ways very accessible. If you listen to Gilels playing it, he plays it a bit slower than this. If you're comfortable with the speed in which they play, and you don't have a problem with cross-overs, then you shouldn't struggle too much.

[@user-zw2tl8du3e]

0:07

[@amalpianoclasses]

❤❤❤

[@2189TT]

I see. I've just heard the piece Gilels playing, I also love it!! But, for me, about its speed and comfort of playing, Sudbin's is better than Gilels' one. I think there is probably no problem about technique, so I will try this!!! Thank you for your kindness!!

[@kevinrei7502]

I think it's okay to use some light pedal to a certain extend, and if you have the chance to play the harpsichord, you will eventually realize that the OVERTONE on that instrument will sound similar to some light pedal on the piano :)

[@paulpomme2502]

Ces rubattos sont d'une préciosité pénible - et je ne comprends pas pourquoi il y a cette mode de faire un gros point d'orgue avant la seconde partie. Sinon c'est bien.

[@erickempff4010]

The only thing this gave me was a renewed appreciation for Michelangeli playing this piece

[@luigig8656]

Absolutely spot on! Every other rendition simply confirms once again how Michelangeli was a God far above anybody else

[@INDIGOBLUE555]

@@luigig8656 Benedetti Michelangeli's rendition of the K27 is unique wether we can appreciate it or not because of the choice to perform it so fast. Unique for sure yet not the only way to play this piece.

[@mathemusicianify]

I didn't hear any octaves, but maybe I'm not listening very well. Where are the octaves you are referring to?

[@nicolecyhon]

I heard someone played them for Grade 8 exam. I have already passed it. However, I got a big interest in this piece, especially: 0:13 !

[@2189TT]

Could anyone tell me how difficult this piece is!? Because I love and wanna play this! Please give me some examples of other pieces which are as difficult as this one!!!

[@lo4895]

I know some people who play this for grade 8

[@DoctorIdo]

Too fast, I think that this is not "the sense" of this sonata. It seems confused, "in a hurry". And we have to remember that Scarlatti composed his 555 sonatas thinking to harpsichord...

[@user-et3xn2jm1u]

1:51, am I wrong? Even if I am, I've incorporated them into MY playing :D

[@klfmarcus]

in 13 it's right hand

[@MrTirtakeren]

its my 8 grade song last year !!!

[@mattklammer5232]

did you sing it? What did the examiners think of that :)

[@Herman2615]

8 grade song. is this a song? didn't know

[@Georgeth-kb6rg]

I still prefer the Pletnev version

[@renatogama5549]

Pletnev version is the best! He is so careful with all the notes

[@sokkimmartin788]

1:40

[@GThOe]

Hmm. Questionable fingerings in a few spots. Legato??

[@ronaldlo7262]

Beautiful ,but...............too romantic

[@sholtonixon6557]

He isn't aiming to please a baroque audience he is taking a baroque piece and using a modern piano to create a new interpretation. There is a historically accurate way to play something, and it is clear he is not going for that interpretation, so it is not 'too' anything. He is a master pianist who has given us an incredible interpretation of what can be a very wooden piece.

[@ZenoFans]

why using pedal

[@hdholl]

Exact. This guy thinks he is playing Bang-bang Beethoven, for crying out loud. Not the faintest idea about what it takes to play fragile baroque polyphonic music. Technically brilliant (and showing it off), but musically an absolute disaster. Go home and do your homework (including studying the history of music), Yev!

[@hvl62]

If you want to play 'philologically' use an harpsichord, not the piano (a Steynway piano, moreover)

[@b_nadams]

I don't understand why people are so insistent on refraining from the use of pedal in earlier music. I understand it's best avoided as a lot of the music isn't suited to it, but if you can make it work, like Yevgeny does here, then it is a viable choice in interpretation. We live in the 21st century, not the 17th - why shouldn't we embrace newer, modern technology? What if the composers would prefer this technology if they were alive today? Everything is open to interpretation.

[@hdholl]

Because the pedal makes *all* the notes sound longer, also those that should last only as long as you press their key (as the score demands), drowning everything in one dissonant swamp of notes. It is contrary to the essence of polyphonic music, with its distinct and articulate individual voices. I suggest you learn about polyphony and follow the score while listening to this badly played sonata.

[@lorenzorossi6567]

Because he is playing a piano, not a harpsichord

[@adawaaaravaeasa]

great pianist. He doesn't get this piece tough

[@tiffanielui9827]

Thats not the idea of Scarlatti.. feel so much like in the romantic period

[@adawaaaravaeasa]

weak

[@JohnnyWalkerBlack142]

Stop playing it so fast. You are ruining the beauty