Yinka Shonibare | Woman Moving Up

★★★★★
The Observer
★★★★★
The i
'Entangled Pasts, 1768-now' brings together over 100 major contemporary and historical works including Yinka Shonibare's Woman Moving Up.
The exhibition is part of a conversation about art and its role in shaping narratives of empire, enslavement, resistance, abolition and colonialism - and how it may help set a course for the future.
Find out more about 'Entangled Pasts, 1768-now': www.royalacademy.org.uk/exhib...

[@kellywilliams7318]

It's beautiful

[@Xavierxavou]

Métaphore ridicule et sans intérêt !

[@ralphstock1094]

Emancipation, appropriation, asiation, africation...

[@israeldiegoriveragenius2th164]

Silly rubbish.

[@j.harrison6744]

Your institution seems obsessed with the topics of gender, sexuality and race. But you never seem to broach the topic of class. Why? There is a complete dearth of working-class British people working at, and being showcased, within your institution. Institutional class bigotry is rife within the RA.