ZOOM MS-50G Update V 3.0 All Amp Models / Gibson Les Paul Studio 490R and 498T / No Talking / No EQ

Zoom's MS-50G MultiStomp guitar pedal combines the power of a multi-effects device and the flexibility of an amp modeler in a single compact stompbox. With its 55 custom guitar effects and amp models, an easy-to-use interface, onboard chromatic tuner and versatile power options, you'll be surprised at how much the MS-50G has to offer.
Amp
The 22 amp models provided here include emulations of classic and contemporary tube and solid-state amplifiers from manufacturers like Fender, Marshall, Mesa Boogie, Two Rock, Diezel, and ENGL, each with its own distinct cabinet modeling that can be used to further alter the tonal quality. What's more, you can pair any amp model to any cabinet model for unusual, and often striking effects. The MS-50G also provides you with the ability to match the output of a given amp/cabinet model to the actual setup you’re playing through (options include Line, Combo Front, Stack Front, Combo Power Amp, and Stack Power Amp).
Gibson Les Paul Studio
The Essential Les Paul
The Les Paul Studio embodies the essential Les Paul features with enhancements for playability and tonal versatility. The rosewood fingerboard and slim taper mahogany neck provide effortless playability and comfort. The 490R and 498T pickups provide tight, high-output humbucking performance and the two push-pull pots offer additional coil-tapping options. Now available in four fun finishes: Smokehouse Burst, Tangerine Burst, Wine Red and Ebony.
FD COMBO Modeled sound of a Fender Twin Reverb ('65), which is loved by guitarists in various genres.
DELUXE-R This models the sound of a Fender Deluxe Reverb made in 1965.
US BLUES Crunch sound of a Fender Tweed Bassman.
VX JMI This simulates the sound of an early model of a class-A British combo amp.
TW ROCK This crunch sound uses the drive channel of a Two Rock Emerald 50, an American
MS 1959 This models the sound of a Marshall 1959 Plexi made in 1969.
DZ DRIVE The 3-channel high gain sound of a Diezel Herbert, which is a handmade German guitar
amplifier that allows control of three independent channels.
ALIEN This simulates the high-gain sound of the Engl Invader, which features a powerful low-end.
FD VIBRO Modeled sound of a '63 Fender Vibroverb.
VX COMBO Modeled sound of a British combo amplifier representing the 1960s Liverpool sound.
BG CRUNCH Crunch sound of a Mesa Boogie MkIII combo amp
MATCH 30 Modeled sound of a DC-30 (channel 1), the Matchless flagship combo amp.
CAR DRIVE This models the sound of a Carr Mercury high-end small combo amp.
TONE CITY This models the sound of a Sound City 50 Plus Mark 2, a legendary British amplifier.
HW STACK Modeled sound of the legendary Hiwatt Custom 100 all-tube amplifier from the UK.
TANGERINE This models the Orange Graphic 120 with its unique design and sound.
B-BREAKER This models the sound of a Marshall 1962 Bluesbreaker combo amp.
MS CRUNCH The crunch sound of the Marshall 1959 that has given birth to many legends.
MS DRIVE The high gain sound of a JCM2000 Marshall stack amp
BGN DRIVE This simulates the lead sound from channel 3 of a Bogner Ecstasy
BG DRIVE The high gain sound of the Mesa Boogie Dual Rectifier red channel (Vintage mode).
REVO-1 This simulates the high-gain sound of a Krank Revolution 1 Plus.

[@-Pol-]

Top Tip: Go to an amp models 3rd page and turn off the cab sim whenever you plug straight into a real amp. That should open it up a bit - your amp has its own cab and speaker so you don't need to force the guitar signal through another emulated one first. Those simulations are best reserved for recording direct to computer or plugging directly into a mixing desk/PA. To me, my Vox Pathfinder 15 (combo) sounds as it should set to "CAB OFF" and "COMBO FRONT",

[@danielcarter3928]

I love this pedal.

[@evastout4927]

Great review! No BS! Great chops too

[@EdFricks]

Wheres the JCM800

[@ArtistMusick]

he's not there

[@poribrutal]

Zoom is way ahead of every others. Hey, and YOU ROCK, thrilling playing!

[@ferlez2370]

Nice amps demo! to my ears the sounds are very mid focussed, almost mix ready when recording direct from the pedal, no need to cut much low or high frecuencies on mixing, more like leave as it is!

[@paytonnova9908]

instablaster.

[@joseenriqueperezportugal3409]

This pedal is a Gift of Gods! I have one!

[@JOnSixela]

So can you plug straight into your audio interface with an amp model and pedals for a half decent tone? Is that the intent of the models?

[@ArtistMusick]

sure you may!)

[@TheRealBrotherLance]

Yes

[@acousticleo4354]

When you are switching amps, these are standard gain, vol, treble, etc? Can be used as a recording interface? Thanks for such an amazing demo

[@ArtistMusick]

no recording interface

[@dbl1db]

Hi, nice video. Did you have to buy all the extra amps? If not, how did you install them? Thanks.

[@ArtistMusick]

free firmware 3.0 on the official website

[@bullfrogboss8008]

Fantastic playing, man My MS-50G doesn't sound that good lol. Maybe my guitar sucks or something

[@ArtistMusick]

I don’t know how to help! everything is fair here bro

[@bullfrogboss8008]

@@ArtistMusick don't worry, I'm not asking for help

[@anthonykenny1320]

Ok 5,000 distortions does it do anything else

[@BarnacleButtock]

Some of these sound just incredible. Especially considering you don't even change the settings! Are you running straight into your interface?

[@cechichan]

Can you turn off the amps/cabs when pedal is used with real amp ? Can u use the amp sim with the real amp for "good" sound ?

[@ArtistMusick]

Hello, Yes , Everything is possible, what you have indicated

[@cechichan]

@@ArtistMusick do u reccomend the 50 or 70 pedal? I'm still not sure. I will use it with a marshall amp :-??

[@-Pol-]

Do you have any particular preferences? I'd be interested to know if there any of the sims feel significantly more responsive, realistic or more enjoyable to play than the others? I'm especially interested in how the Fender sims compare; I understand the FD Vibro/'63 Vibroverb was originally a later, premium, release for instance, so does that seem a 'better' sim in any way? I guess what I'm asking is, which are your favourites and why?

[@ArtistMusick]

There are no favorites. I look for a sound that I like and then process it to match the music I play. in analog I love the Marshall 45/ 800 / 900 / and the BOSS Pedal

[@MichaelCoughlanmusic]

Thanks for this.

[@elipses667]

excellent sound. i have the same pedal. but can you give me your sets ?? just CAB and OUT sets?? thanks a lot

[@SensitivityIsland]

Is it still a nightmare to uptdate to v5

[@alphanumeric1529]

So, you really like the MS CRUNCH! Haha! What amp is that supposed to be?

[@ArtistMusick]

probably this is a Marshall model))

[@felipeoliverio]

Hi! Can we use the pedal with headphones? (Like connecting in the mono output with an adapter)

[@ArtistMusick]

mono only

[@jaroslav595]

Откуда так много усилителей?? У меня тоже версия 3.0, так там всего их штук 7!🤷

[@ArtistMusick]

там через спец прогу нужно выбирать что хочешь что бы было в проце, короче все не в лазит нужно чемто жертвовать, я убрал всякие кваки и очистил память, но зато влезли все ревера усилки и дилеи

[@ArtistMusick]

вот нашел MS-50G_EffectManager_Win_v1.3.0_E

[@jaroslav595]

@@ArtistMusick это та спец прога? Её устанавливать на комп?

[@ArtistMusick]

@@jaroslav595 да, все через комп, нужен еще кстати спец кабель usb со специальным разъемом который на педальке,

[@ArtistMusick]

@@jaroslav595 в общем заморочек есть трохы