I need you to blow up cause maaan, your breakdowns are so valuable 😭 Also unrelated but guuuurl you look so gorgeous. That dress is poooppin💜

This is an amazing video!! ❤ So helpful!!!

Goodness, it's hard to believe it took me this long to subscribe to your channel. I guess I must've forgotten to do so in the heat of the moment, when I first discovered it. Regardless, it was long overdue and now I've done it! Fantastic work, I can't wait to see what you'll come up with from here on out!! (๑•̀ㅂ•́)و✧

super well written analysis! this was super helpful for an amateur artist haha, thanks so much!

Finally! Someone who understands the importance and _need_ of pockets. I can't begin to count the number of times I went into a grocery store and didn't grab a cart because I was only there for one Item (you'd think I'd learn by now, but I digress), only to walk out with ten or fifteen. If it weren't for pockets... Your mentioning of the light, specifically the colours used in the light and shadows, just made me realise something. Colour is _the_ most important element in any work; everything else is secondary. It doesn't matter how perfectly you get the background, how technically on point the subject matter is, and so on, if the colours chosen aren't right, then the entire piece fails. Conversely, you could have a piece that is your very first work of art and so is missing pretty much all of the elements that make up a "good" (whatever that word means to you) piece, but if your colours are spot on, that piece is going to stand out and be instinctively judged much more favourably by an audience. And that, I think, is why most of us quit art. We think its because we don't get the lineart right, or the background is wonky, or the proportions are horrible, or whatever we think the problem is. But what we don't realise is that its the colours we choose that is the problem. And why would we? Colours are simple. You can't get more simple than colours. So that can't be it; its got to be something else. We don't realise that colour theory is _hard_ and that it takes a lot of study and practise to get to a point where choosing the right colours takes a minimal amount of thinking, if it's not instinctive. I strongly suspect that if we realised this about colours and tone then we would have a lot more artists in the world. And just for Editor Srish: "relatability" is, indeed, a word.

The fact the i just started crocheting as a beginner and put this video to watch while working and all the sudden we’re mentioning crochet few times it’s amazing 😂❤ also I really like this series i do learn a lot ❤thank you for sharing it

Qué genial estos videos! Gracias por la traducción en español❤ puedes hacer uno de Gretlusky?

Wow i loveee your analysis videos! Can you analyse vetyyr (syd mills) ❤

I use krita, which brush was the rake brush you used? It would be very helpful

Omg my comment wont post for some reason but its ramonn90 ty 🫶

looking good in that turquoise top! It brings out the red in your hair. You honestly have been introducing me to so many awesome artists so thank you so much. For the next style study recommendation, how about yizheng ke? Im in love with the soft and yet textured painting style.

Can you do Ramon?

I just discovered your channel and I already love it! ❤😊

Srish your happy art is GLOWING. Marzia's art is truly beautiful. I love the soft blended hair with the sharp eyes. It's gorgeous. Your study also turned out beautifully. Can you do a style study on Yizheng Ke please?

Your style study videos are always a great source of interesting ideas and new ways to look at problem solving in digital painting. An artist I'd definitely love to see you look at is Sebijy! They have such a beautiful way of making their characters and portraits glow against dark backdrops.

It was really sweet to see how happy painting the study made you with all that pretty pink :D both that and your original painting turned out so good! Also I really love your jumper, the sleeves and the pattern on the front - so amazing!

I am honored to be a featured artist for a style study. You did an incredible job breaking down my thought process and style elements. I found this very interesting to see. Thank you very much ❤ (also, crochet besties 👯)

Amazing 🤩

Ahhhh I love this art challenge! The piece came out so beautifully. Definitely gunna give it a shot and post. Just hope I'm not setting myself up for a metdown🤣

OMG this is such a gift! You are so lovely and I am honoured you chose to study my art 🥰 I subscribed!

Can u do one on Marcin piwowski, been trying to figure out this very textured style

What I took away from this. Do more portrait pictures. I mostly do characters in scenes, so not a lot of focus on making close up or doing detailed pieces in the characters themselves.

Oh my god, I just found you via recommendations. I needed this. I’ve always liked classical painting but I couldn’t afford paint and brushes so I stocked to what I already have, my iPad to paint. Gonna go through all your videos!

this is so cool, I'm really exited to try it, the only thing stopping me rn is that im having difficulties importing the brush linked in the discription. It imports normally to krita and creates a location, but there aren't any brushes in said location. does anyone know what i'm doing wrong? thanks

Great video, i also try to " fun-ify " my portrait studies, objects or paysage. Everything becomes a bit fantasy or sci-fi just because it makes it more fun of a practice but still useful

"The best time of year?" I don't think so. First of all, that's Hallowe'en, and everyone knows that. Second, that "time of year" doesn't start until Mariah starts singing *that song* (you know which one), and I've got her locked in her washroom, so there's no way she can start singing until she breaks that door down. This was the biggest thing I needed to understand before I could relax and start designing original characters: it takes almost no effort whatsoever. It seems weird, but if you need to think about what to do, then you're doing too much. Take a lesson from the anime/manga world, who literally embody the "same face" phenomenon (I know it cuts down on time so that the artists can concentrate on getting the rest of the story done quickly. I don't mean to make it sound like a criticism, because I definitely am not. It's actually quite brilliant): if you want to make a new character, then all you need to do is change the hair. That's it. Even if all your characters wear the exact same thing, if you have different hair, then you have different characters. Our brains automatically associate this. We instinctively understand that our hair is a reflection of our attitudes and our personality. And I think that's why I always start off with the hair when drawing my characters. Obviously, try not to do "same face," but don't despair if you don't or can't. Because once you draw the hair, you will immediately understand who this character is, and what will (and won't) work for him or her. The style and the colour will help you focus on what needs to be done; you will know what part of the face or body needs to be adjusted, and more importantly, how they need to be adjusted to bring that character to life. And you won't have to think about it for more than a few seconds while you're drawing or rendering.

Did you see my comment ?

Wow ❤. It is soooo amazing the way you played around with a single character changing their personalities. I hope you reach a million subscribers soon. C'mon guys give this video a like for all the hard work she's put in...

ARCANE HAIR TUTORIAL P L E A S E

You will never see Kan Liu use blending brushes, he simply paints with dry brushes and uses a technique based on tonal contrasts to create smooth transitions, I think one could easily begin to understand Kan Liu's art if he starts by analyzing a very primitive form of his art, which is the Pixel Art of fighting games from the 90s, especially those from SNK. Another way to study some of it would be by visualizing posterized images, as these also have the basis of Pixel Art and are like a level above that kind of art, in fact many professionals recommend to study color theory with the help of posterized images at different levels.

I’ve seen oil painters do this before, and they often say it’s basically recreating that whole “stand back and eye-squint” that painters do when they’re painting, but making it so they don’t have to constantly actually squint. Once you get more accustomed to seeing the big shapes through the noise it becomes more natural to do without actually editing the reference material. As a suggestion, if blurring the image makes colour choice or shape building difficult, maybe try using a mosaic type of filter to turn it into blocks of colour and shape instead of soft edges?

That's new to me. Gonna try it. Thanks!

Your portrait painting turned out so smooth and amazing! It really has some of that glossy oil painting kind of feel 😍 Feels like this method really paid off with all its frustrations, but oh god at the same time thinking about this method of portrait painting fills me with so much nerves and anxiety, because I'm also veeery impatient and can't focus on the overall thing (or the portrait as a whole) no matter how much better that method would be on the long run XD

Hang on. So, you're saying that all this time, I've been doing an art style and not needing new glasses? Well, bloody hell.

Looking forward to this!

Bryn how did you get the UI (directly behind canvas) to be black?

Could you bring back the replicating art style tutorials? I know you mostly do famous web artists but can you copy mangaka’s? I’d sell my soul to learn how to draw like gotouge (the author/artists for demon slayer) 😭

ohhh i absolutely love your energy!! so underrated

Woah I love this! Your videos are always inspiring 🫶 Btw, have you heard of the artist Tasia Ms? I would really like to see your style study video related to her style!🥰

I was going to make some rather witty comments about how my portfolio is doing so much better in this new brush economy, but then you went and said "Sit down, I'm your daddy now." And now I'm feeling things I never felt before, and I'm having to question things about myself... The value of this can be seen perfectly in the final reveal. You started up close, which made it look...okay. But as you zoomed out, it all blended together until finally you could see just how "realistic" it looks from the right distance. That final reveal sold the technique and showed just what this can all do. Now, all I have to do is make sure I actually follow through with this. Which is possible. The odds on that happening are about the same as having Zendaya say that she's done with Tom Holland and has always wanted me to be her snuggle bunny, but its possible. I'm so sorry to hear about the furry potato. They're in our lives for such a short amount of time, but that time is definitely the happiest part, isn't it?

i want learn this exactly style. i am completly new

your painterly style is literally my art goals!

Srish, I've been watching your content for a while and let me tell you: every minute watching you, is a joy. Your hair looks perfect BTW.

motivational viideo of the portraits keep going making content.,

Sorry to hear about your dog passing. I never lost a pet that was my own, but I was there when my mother's pet rabbit had some serious health issues before dying. Vet visits, syringe feeding, keeping track of the body temperature. I remember looking around myself a few times even up to a year later to see if the rabbit was there. It's a hard change even if it's not someone's own pet just happens to live in the same home. I did start a specific 100 heads challenge a few years ago (2020-ish), when many people were doing the same pinterest board that was made by a creator specifically for this reason. I don't remember who made it in the first place. I did maybe around 60 of them, with about 30 minutes to 1 hour each, all in grayscale. I did see myself improve a lot. I do like how you did a thing differently with turning them into something better than just a simple piece with adding your extra colors, particles, and custom frames around them. I really rarely do dedicated studies anymore, especially digitally, I sometimes implement them into a project, like I recently started making a traditional study series with graphite of an American Horror Story character I painted and drew a few times already named Madison Montgomery. She appeared in 20 episodes total across 2 seasons and I aim to make a study from each episode, trying to use the most iconic moments. I'm weak at capturing someone's likeness properly without overworking the piece and it started as an exercise to draw the same person in different moods and light situations. I think I only did 4 so far, but I still have them and I want to finish that series.

Once again I'm so sorry to hear about your loss. The death of a beloved pet is always devastating. But I'm also glad to see you going on.

Your hair (and art) are fire!! (literally!!)

Welcome back Srish❤️❤️❤️

These look so good! You nailed it :) and sorry about your dog ❤️‍🩹