Amazing cheat sheet

This is piss poor teaching. Why on earth did you not show the relation of minor to major by staying on the same G chord?Literally move up or down a semitone. M8M? m11M? WTAF are you saying? As a jazz and classical composer, nsound designer and media composer, literallly NO-ONE talks like this.

I tried singing along, and I struggled to reach the same notes you did. Somehow we have the exact same tessitura

haha nice

Brilliant

😂 So good! Bravo!!!

Excellent! The captions made this even more enjoyable.

Standing clapping and CHEERING !!!!!!!!!!!!!!!!!!!!!!!

After years of searching I finally found this video again!

Thank you so much ! Best explanation ❤

omg. this is the best tutorial on scoring movies i have ever seen

When it comes to creating your own score, a solid foundation in music theory is crucial. Without this understanding, you may find yourself hitting roadblocks along the way. Rather than imitating, strive to elaborate on your musical ideas imo.

Fascinating stuff! Ditto your White Christmas canon, Tonnetz view of the Chopin E-major Prelude - so many goodies to check out. 🎶 HNY from Sydney! 🎉🎇🎊🎉🎇🎊

cool !

"Don't count" ... "Now be sure to count"

i never understood the amount of effort people are ready to put in instead of just learning the basics of music theory

Rd

:)

Your hollywood video was something I watched when it was new many years ago, thank you for your wisdom as it's helped me over my years of writeing! Ps: I would to see more like that and your 3+3+3+3+2+2 videos!

I just ran across these videos and they are the best explained and understandable versions to date. The visuals helped me a lot. Need more like this for theory and such as it helped me tremendously!

Jesus, way too much talking

@Scott Murphy I wanted to bring to your attention that the channel ''Emanuel Blanco Piano'' has stolen your content, passes it off as his own, and refuses to credit you for this wonderful work. kzbin.info/www/bejne/jGfYhGmua7CNa5o

You broke this down so well! IT was easy for me to understand. Thank you! I'm grateful Sir.

where is expression text and dynamics?

Instructions unclear, ended up becoming middle linebacker in the nfl - thanks still!

This video is partly responsible for me having a career writing music. Thank you man

Why on earth would you have people learn a new, clunkier, less significant notation system that isn't going to ever be useful in interacting with other musicians?

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The opening title theme to the Matrix is the horns and trumpets playing two minor chords. m8m or Em to Cm which has the mysterious vibe to it

I wish I had a music teacher who would have explained it like that.

Professor X dies in X-Men: The Last Stand?!?!

8:58 that sounds sooo beautiful! 🥰🥰🥰

Omg no one is teaching these hacks thanku so much

great metod, this open my mind in how to think music theory, and create faster cool progretions, depending what I want to create. thanks so much!!!!

Sorry but it sounds horrible

What are these intervals called in music theory? Even though you want to avoid music theory terms is good to mention what it's called so people can search and learn more.

Merci beaucoup for this. First time I've seen a representation like this. Is there a Tonnetz for Indian music?

Absolutely fascinating! The visualization of theoretical concepts, in motion! Absolutely fascinating!

I - II = Protagonism I - bV = Outer Space I - bVI = Fantastical I - IIIm = Sandness/Loss I - IVm = Romantic/Middle Eastern Im - IV = Wonder/Transcendence Im - II = Mystery or Dark Comedy Im - VII = Dramatic Sound Im - bVm = Antagonism, danger (less character based) Im - bVIm = Antagonism, evil (more character based)

7:56 kzbin.info/www/bejne/nn2nd6KBZ92Laqc a very beautiful example of this same thing (Gm to C (and later Eb to D, not this concept though))

Wow I really didn't expect to learn so much in 1 short video. Thanks for this!

Thank you so much for this! I find it so difficult to break out of primary chords, I have a very "locked" mindset to chord progressions, so seeing these seemingly-random chord pairs put into their actual songs was a huge eye-opener! (It also served as a great exercise for me by running them through MuseScore before the examples, so I could identify the chords myself.)

I'm going to have to try this

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Not sure if you are checking comments for this video anymore, but do you have the list of chords somewhere available either as a HQ slide or as something you can easily copy-paste? I want to print it out and hang on the wall for the easy reference.

Amazing video. The simplicity of it was equally as amazing as the technique.

Watched as far as about 12:30 . Very interesting :-) Chord 1/ Chord 2 ....I feel sure Michael Giacchomo (sorry for any misspelling ) used that in one of his sad themes in the Lost tv series .

Very interesting thx a lot

I recognized that Lost theme right away just from the two chords. That’s wild.

Your notation highlights how piano-centric Western theory is. I teach group guitar at a middle school, and on fretted instruments, it's always obvious anytime we do anything that we are dealing with 12 tones in an octave. Even calling it an octave is intuitively weird since the 8 notes (actually 7) have to do with the white piano keys, which have to do with Western tonality, which is all counter-intuitive to the guitar fretboard, which gives us 12 tones of no particular prominence. (Ok, E might be prominent in standard tuning, but it's not like it's all the white keys, and E is only prominent if the guitar is tuned to make it so.) Moving up two of these tones is called the 2nd, four is the 3rd (which is a second above the root), and five is a 4th? I can't even properly call them tones because they're called semitones in Western theory, but if they are "semi-," what are they a division of? Whole tones? Why do whole tones have a position of prominence when they simply mean an interval of two of the fundamental tones? (A whole tone scale certainly doesn't enjoy a place of prominence in Western music.) I realize that the 12-tone chromatic scale is itself a feature of Western music (as opposed to maqams, for example), but the entire Western vocabulary of melody and harmony is defined by how something deviates from the white keys on the piano, which treat the major scale as fundamental rather than the chromatic scale. Middle C is the prominent key. All the white keys make up the C-major scale, as well as all the modes off the C major scale. If you want to play in another key, you have to make notation at the beginning of every staff explaining how your key differs (in sharps or flats) from the white keys on the piano. The key signature does not specify the key; it specifies the notes in the key that are different from the white keys, and the musical notes that follow are charted as if they were the white keys anyway. We only have seven named notes: A-G. What sense does it make to give F# a borrowed name appended with a sharp sign? It looks no more or less important than any other note on a fretted instrument, but it's note one of the white keys. As a rock bassist, I play F# all the time. It's the first note in Radar Love. It's where I sit during the verses. It's part of the D major triad. I can't play a walking bass line in E (the most popular blues key) without F#. How do you explain that to a kid without getting lost in a theory that doesn't make sense on their instrument? (BTW, while I'm working with my students, the band/orchestra teacher is also in the room, and he will likely have to deal with the consequences of how I teach some of these concepts. So, no pressure! :P ) In the US, k-12 schools don't teach music with any uniformity, if at all. The first exposure kids get to theory is often when they learn an instrument. If that instrument is a guitar, Western theory makes very little sense. It's odd to me that Western theory would seem so alien on such a Western instrument. If not Western theory, then at least Western nomenclature and notation.