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Пікірлер
@marcostramaglia3153 Күн бұрын
Amazing thanks so much!
@mimiliax617 3 күн бұрын
我考大学的曲子，当时练了快6个月…😂 一度觉得自己连出了肌肉💪
@jurukurbahanlm2066 4 күн бұрын
Thanks for such invaluable insights!
@user-xg2uj9cn6o 11 күн бұрын
老师要是什么时候可以来日本上课就好了😢
@gorbeenatter 12 күн бұрын
I think a great deal of practice progress is mindset. I always break the pieces down in to small pearls maybe 2 bars/ measures or phrase and spend maybe 10/5/3/2 or 1mins running through these small snippets in a variety of ways ie hands separate together in rhythms blocks etc. hyper focusing on small amounts at a time allows me to absorb much more detail early on and polish these pearls so they shine bright. I then string these pearls together to form the whole necklace for me I find this the most efficient way to begin a piece in the first few weeks I use a strict timer and highlight the score snippets in alternating highlighted colours
@rothschildianum 17 күн бұрын
Now, I know why I should not try to perform this etude in public, even a very accomplish pianist like you cannot do well.
@ShijunWangPianoChannel 17 күн бұрын
Haha, good point. Don’t think I am a very accomplished pianist though
@yaginbong 17 күн бұрын
王老师，我想研究生考您任教的学校，求赐教！谢谢！
@ShijunWangPianoChannel 17 күн бұрын
欢迎啊。 shijunpiano是我的微信。
@kimkatz907 21 күн бұрын
Could you please talk about your opinion on the pedaling for the opening theme? Do you use pedal at all or just completely dry? I find pedaling is hardly ever addressed in tutorials and this is sooo important! Thank you!
@60yoself-taught 21 күн бұрын
I really like this professor's interpretation. It makes a lot of sense. 👍
@Devinci1003 23 күн бұрын
🙏🏻😌 thanks for your explanation ‼️ it helps a lot 👍🏻
@Devinci1003 23 күн бұрын
🙏🏻😌 thanks for your explanation ‼️ it helps a lot 👍🏻
@user-nk1yz1ck9l 23 күн бұрын
老师讲课太棒了！非常精彩！👏👏👏
@ShijunWangPianoChannel 23 күн бұрын
谢谢🙏
@sarahchen08310831 24 күн бұрын
老師是了不起的音樂家～琴聲動人至極 講解清晰不藏私又帶著氣質人文～受教了！❤
@ShijunWangPianoChannel 23 күн бұрын
感谢支持
@yaginbong 24 күн бұрын
读谱👉听录音👉单手练习👉双手练习👉被老师挨骂👉再单手练👉被老师挨骂 但稍微好点👉再双手练👉老师觉得能听了👉录音👉上台👉再继续……
@fangwang7050 24 күн бұрын
讲得真好！
@leowald1 27 күн бұрын
Beautifully played and with such good technical advice. I think the speed you play it is just correct for me. Time to enjoy the harmonies and the texture of the music.
@yaginbong Ай бұрын
Sensational performance🎉！
@BF-yi6vr Ай бұрын
How does the fingering work on bars 134-136, specifically the high b-flat and a-natural! I can't seem to come up with a good one so far. Your tutorial here is helpful and really excellent!
@ShijunWangPianoChannel Ай бұрын
Thank you! I use 5th finger for all the three high notes
@sirdicaudore Ай бұрын
Bravissimo!
@ShijunWangPianoChannel Ай бұрын
Thank you!! Appreciate your support
@sirdicaudore Ай бұрын
Excellent performance!!!
@sirdicaudore Ай бұрын
Big truths!!! Thanks very much
@mstalcup Ай бұрын
Schubert begins the impromptu in a way that captures the attention. This helps a lot because the immediately following theme is so important and so quiet that the composer has increased the chance that the audience will absorb it. Also, the homophonic chord lasting exactly three beats recurs on several downbeats throughout the opening section, so even though it's small, could the opening G in double octaves be a motif?
@StevenXu-xk6rp Ай бұрын
王老师 太厉害了 好想去美国跟你学习钢琴。
@ShijunWangPianoChannel Ай бұрын
来考试试试啊。 你是大学生？
@larghedoggo9607 Ай бұрын
心得：音色其實就是三個變量 1. 聲響大小 2. 持續時間 3. 節奏快慢 細節上要顧到3者和連接每個音要達到完美 是很困難的 尤其是彈琴不能只考慮單次觸鍵，這次觸鍵方式完全會影響下個音，要在解剖學上合理。 1.聲響大小 本身分成地心引力和自己施力的部分。 要彈大聲盡量少在觸鍵時施力的話 就抬高手（節奏允許的話）然後觸鍵後放鬆到最低需求 2.持續時間 可牽涉踏板使用與否，但即使用延音踏板，tenuto/legato觸鍵深彈有時是為了下個音做重心轉移的動作，就是俄國樂派最注重的歌唱性，代表不一定要彈每個音都立即放鬆。 快速音群除了手腕輔助外 又更強調手指獨立性。 3.節奏快慢概念比較單純，但會影響1.2的觸鍵，快斷奏 快連奏 甚至刮奏 搭配Rubato 增加各種可能性 舉老師第一個示範的例子就是輕+短+快 敘事曲那裡的右手chord就是 重+長+慢 敘事曲Coda 應該就是 重+短+快 舒伯特那裡旋律 就是輕+長+慢 我認為所有音色就是這3種變量 只是他們都是連續變量，所以術語才會那麼多如果只是黑與白 比如說 快慢 輕重 久短 這樣就只有2x2x2 也就是8種音色，但事實不是，不過重點只要考慮這三種變量就是音色的一切了。有遺漏請網友指正
@yulj04 Ай бұрын
对于刚接触钢琴的理科生来说，这种可操作性非常强的讲解非常有帮助！😀很多老师的讲解过于意象化，对于初学者模仿的难度陡然增加。
@nicolasvanpoucke.pianist Ай бұрын
Great video.
@PieInTheSky9 Ай бұрын
Excellent! Do you ever experience memory slips?
@ShijunWangPianoChannel Ай бұрын
Of course! Especially new pieces and unfortunately all pieces were once new.
@madcoowsti Ай бұрын
业余的就是业余😑
@jwilliams8210 Ай бұрын
Good points and very helpful! I assume you were speaking about Nobuyuki Tsujii ...
@ShijunWangPianoChannel Ай бұрын
Yes! And also a few jazz pianists
@xiaoyujian1069 Ай бұрын
老師能不能談一下月光奏鳴曲，謝謝
@chao541 Ай бұрын
很实诚的建议。理工科全奖也是这样的，但很少见人这么耐心的说清楚。我当年一个名校不全免另一个弱些的全免 说说名校也全免了。
@CS-ed3eh Ай бұрын
Bravissimo. Apprezzo molto il tuo stile.
@CS-ed3eh Ай бұрын
Ho ascoltato questo studio da grandissimi interpreti di fama internazionale. Questa e' la migliore interpretazione che io abbia mai ascoltato. Sei eccezionale! Complimenti!❤
@Golden_reds Ай бұрын
Wow. I k ow younposted this 3 years ago, but i found this today. So beautifully explained and utterly captivating. You have really opened this piece up to me with fresh eyes. Subscription clicked ❤.
@user-hh3gc9iz4s Ай бұрын
老師講的太好了！
@Isuzu81 Ай бұрын
Very insightful. Thank you
@stevenliang3551 Ай бұрын
老师弹的太慢了
@einsteinium253 Ай бұрын
老师，这首要不要踩踏板
@pierrecarrette4976 Ай бұрын
Thank you for your channel
@flhrcl4120 Ай бұрын
ブラビー❤
@Ainzleeriddell Ай бұрын
Beautiful commentary!
@user-ye4et9ev8c Ай бұрын
王博士讲的非常好👍❤谢谢你❤❤❤
@IanJefferson-ee5vu Ай бұрын
Absolutely to hear your analysis. I've been described as a very musical person, but sadly my piano playing will not ever live up to my musicality!
@wolfie8748 Ай бұрын
Sir , your playing is great. What do you think of taubman method approach?
@ShijunWangPianoChannel Ай бұрын
Very useful especially for people with tight techniques.
@wolfie8748 Ай бұрын
@@ShijunWangPianoChannel ı understand but in taubman they are saying you can rotate your wrist left or right if how can we play this piece without rotating?
@Zurvanox Ай бұрын
Wirklich ausgezeichnet, Thank you
@charlottegodbolt5138 Ай бұрын
But what of the coda!?
@tobiedavis8841 Ай бұрын
Hello professor wang, I'm going to start applying to some number of universities sometime this year, with Baylor being at the top of my interests, and I would like to know how or if the application process is any different for homeschoolers, as myself, and for cross state applicants, as I live in Mississippi as of now, and if these two variables effect scholarship offerings, housing, stipends, financial aid, etc. And I would like to know about the order in which the "Beethoven, Mozart, haydn, or schubert sonata", and "Bach or scarlatti", and the "one substantial composition from the 19th, 20th, or 21st century" are to be performed, and just what goes on during the audtion, as in, is there any conversations, questions, etc. And I have just a few more questions. How do performance and competition opportunities come about, and are there any student jobs that leave enough time to practice, do you get to practice before the audition, and lastly, how long are practise rooms typically available and are they open throughout the whole week. we'd be willing to take the trip to Waco for me to audition, but I want to make sure I know as much about Baylor, its professors, and offers as I can before making any decisions. Sorry for so many questions, but as I'm sure you can understand, it's a high decision. Perhaps we can talk more via your email from Baylor's site and discuss my situation and who I am there. Thank you very much professor Wang for any insight you can give me.
@tobiedavis8841 Ай бұрын
Two more questions. Can performances on KZbin give any insight to the professors of the students ability and can they have any weight on the decision making process? If so, I will start posting some videos to help if they can. And can I still be seriously considered if I have no personal teachers to give any letters of recommendation.
@tobiedavis8841 Ай бұрын
Sorry if some of the questions sound obvious, I've read everything on Baylor's site, but sometimes it can be a little vague or doesn't have the answers to a paticular question, and also none of my family members have gone to university, so i have to do eveythijg myself. Id be very grateful if you could answer some of the question, i understand you're busy and might not be able to get to them all. Thank you
@ShijunWangPianoChannel Ай бұрын
Sorry for the late reply. Somehow I didn’t get the message notification from KZbin. To answer a few of your questions: the scholarship will come from two parts, the university ( for academic excellence) and school of music ( for good auditions). I have had students who got the entire tuition covered, basically receiving a full scholarship. Boarding isn’t covered , but after the first year, students move out from the dorms and seek much cheaper options.
@ShijunWangPianoChannel Ай бұрын
We do have in house competitions: concerto competition, the winner performs with the school orchestra and Semper Pro, the winner performs in Carnegie Hall. As for jobs, lots of pianists get local church jobs and there are lots of collaborative jobs ( we have an about 400 music major students, they all need pianists for jury and recitals)
@ShijunWangPianoChannel Ай бұрын
For undergraduate, we ask for three pieces from different styles. We would like to see recommendations, it’s a bit strange for a prospective piano major to not have a teacher. But of course, the most important thing is the actual audition!
@zed3282 2 ай бұрын
請問最後一首巴赫曲子是哪一首？
@MonsieurXiang 2 ай бұрын
您这样的老师就是互联网上的宝藏🤩爱来自西音毕业生
@juliannadoyle7171 2 ай бұрын
You make the piano sing.