@@pastoraronmartinez47 thank you so much! Yes, you can use this for a live stream set up! All you would need to do is set up an extra output on your Wing and plug it into your streaming hardware. If you have anymore questions, email me! [email protected]

KZ Z10 Pro, better than molds I’ve used. I have like 5 pair

@alexleebataller no way haha, that's awesome. Gotta give them a try, thank you

@alexleebataller btw, would you consider this the broadcast or FOH mix? Curious as to how this template would translate on mains

Thank you!

Thank you! Post fader sends to the Drum Smash bus. 🤘🏻

@@alexleebataller thanks man! lol smash not squash... thats a vegetable.

Unfortunately after testing, I’ve found there is no delay compensation on FX inserts.

Thank you!

I normally use a separate spilt of the inputs into another mixing setup. Usually a Protools session.

Ha! You may be right, but it’s mostly a figure of speech. However we do disinfect our mics so they are pretty germ free. 😂

The drums are being sent to a group and the group is in the DCA. 🤘🏻

If you can mount the rack by the stage box, you’d be able to save money by getting a splitter snake. Otherwise, if you are ready for Dante, then, by all means, go for it.

@@juanestevez8047 good recommendation. The rack is 5 feet away from our stage box.

Because it’s not sharing waveforms of the same input (ie. overheads picking up snare), you’re in the clear. It won’t introduce anymore issues than are already inherently there to begin with. We’re talking about less than a millisecond of time difference. Which is enough to tell on the drum channels, but not everything else. Hope that makes sense!

I’m only using one stereo subgroup (bus 9/10), which is the Drum Dry group. I wanted all of the drum inputs set at unity passing into the bus so I can time align the two stereo drum busses. Everything else is a Post-Fader Bus, therefore I can control the send level.

@@alexleebataller Oh. That makes sense. Thank you

X32 Edit

@@alexleebataller Is it only for post edit? Or can you use it live? Can you use your VST's in it?

@@doubleaceprod it doesn’t host or process any audio from your computer, it is simply a companion controller app for an X32 console.

Both of our EG sources are stereo lines, this gives a much wider space for the guitars wet effects. Compression settings all depend on the source! Faster compression settings “tame” while slower settings give more initial room for “punch”.

@@alexleebataller I see interesting. I'm used to usually miking up the EG's amp using a single SM57 else is a mono out from the guitarist's pedal board direct out.

It can be treated as a Sub-group or a Post Fader bus. I have it as a Post Fader Bus on Bus 14 as it shares the block setting of bus 13 which is the Drum Verb Post Fader Bus.

@@alexleebataller I would remove all my Vocals off the LR and push it into that Vox comp bus correct ?

@@emmanuelojie9814 that is correct, then send Vox Comp to LR

@@alexleebataller perfect thanks

@@alexleebataller great video, it just broadened my knowledge.

Thank you!

I’d be interested to hear those differences side by side!

I’m not an expert on testing delay compensation but I’ve found a quick way to check round trip times and anything in between. You just need your console and a DAW. First, create two identical audio tracks with a simple sine wave and loop the audio section. Next, route them down two channels on your console and flip polarity on the second channel and set both volumes to the same. You should hear them cancel each other out and then no longer hear each of them. Next you can play around with adding different effects inserted onto the second channel and then engage and increase delay on the first channel until you start to phase them out again. Not all effects racks are created equal. You can also calculate the difference of channel to bus and even round trip latency if you add an interface and a few cables. This is an EXTENSIVE subject and there are trained professionals that handle stuff like this all the time who know way more than me. There’s also measurement applications like Smaart that you can look into. Hope this helps!

Use smaart on ur final outs.toggle insert (fxrack) on/of take a look at live ir or just simply do find delay mode n look at the time diff (ms)

All of this will work on the M32 🤘🏻

That's awesome to hear! Glad you're enjoying the content. 🤘

Thanks!

Thank you so much!

@@alexleebataller ❤

We don’t tune to a frequency, just a good balance of tone and resonance while being pitch matched around the drum. Kick - Evan’s EMAD 2 Snare - Powerstroke P4 Coated Toms - Emperor Coated

After some testing with the console, it doesn’t have any sort of delay compensation. I’ve been thinking of making a video of some more testing.

Tracks available for free on my website!

Oh this wasn’t even the half of them, there’s several EQ and Compression emulations all built in to each channel. It’s a little absurd to have this much power.

That’s awesome hear!

Thank you!

a.co/d/4URcwzM