Thanks, Great interview !!!

Very interesting... There's a bit of the whole tone scale in there, giving that outside sound! 😊😊😊

Pickups? Height? Action?

I'm so bogged down & bored with playing 12 bar blues & little else that I decided, on the strength of this lesson, to purchase your Beginner Jazz Guitar Course. Here we go.

I love this method, I would learn this by comparing the 3 major scales with the Major Ionian scale by comparing the mixolydian, Lydian and Ionian scales together then doing the same 3 minor scales the Aeolian, phrigian and Dorian minor comparisons

Hi Greg, I've struggled with understanding scale patterns and have been boxed in with the cage system for years. This explanation makes perfect sense, and I'm practicing it as we speak. Many thanks for creating these videos.

Super cool stuff. Pritesh is a fantastic guitar player and an incredible teacher as well! Thank you for this interview.

wonderful!

Wow! Pritesh is a beast on the guitar. I want to listen to his playing and concepts all day.

woooow this dude has some stellar concepts that i would love to dig in further (somewhere) 🏆 he should definitely make a course (that i would buy immediately!) of all those freakin cool pianistic voicings with quartal harmony n stuffs on the guitar 💎 im so glad i have checked out this email this morining coz i feel refreshed for weeks Now 🎸🔥

Welldone Sir How can I get the video?

Interesting interview !

Hello Jimmy,the first time of hearing you play it was luv of your playing and knowledge.Being a git player by ear I wore out your records and tapes God Bless☮️

Very handy knowledge here. Thank you. 😎

O link do pdf não funciona.😢

Very very nice.. Bravo !!!!

Good stuff, guys. I'm reminded of the three books Herb Ellis did late in his career: Swing Blues (blues, jazz blues, slow blues), Rhythm Shapes (rhythm changes), All the Shapes You Are (ATTYA). If you can handle those three forms, there is very little you CAN"T handle. ;o)

Greg is super loud, and Ryan is super quiet. 🤦‍♂️

A "jazz tone" is easy. Set everything at noon with no dirt. Set the guitar volume on 8 and tone on ten. Neck pickup. Thick strings. Flatwounds if possible. Start from there and adjust. The most important thing is to not play sloppy.

Great content guy's keep up the great work 🎉

The old saying : “They they rule the world rise up early in the morning “

"A simple but easy trick." Ok. Good video, though.

Get yourself a Roland JC and you are 75% there!!

ThankYou,Rodney,This is a Great interview as Always Speaking & Teaching the Real Deal of Life!💯🙏🏾💜🎸

Great info guy's really need this

Thanks very much guys, great lesson! I am just about to purchase my first hollow body guitar and amp after playing classical guitar for years, so these tips about how to get the right jazz sound out of the gear were perfectly timed for me.

Nice. Thank you. Yet, this is not really sufficient to play any progression, as one would need also the chords where the root of the ii and I are played on 5th string, and the root of V played on 6th string.

Are you a bass player? you are using your right hand just like one. It's interesting...

That's brilliant!👍

I think it might be useful to include a fingering starting with the 4th finger? What do you think? Thank you for the vídeo! Really enjoyed.

Thanks!

Great lesson mate !! Thanks heaps !!

Well D is the relative minor of Fmaj so i would already do that anyway

Great info a must see and learn you are a great teacher. I would love to see you address arpeggios more because of there inportants . Things like must knoe forms most used and perhaps how to developing a vocabulary ideas . Thank you please keep up the great lessons ...Ken

love this! i am originally a pianist and i have been trying to improve how i visualize the guitar fretboard so that I can actually play a solo without fumbling all over...this helps a lot. i have usually relied on my ear as a crutch for guitar. i've gotten frustrated because i couldn't keep track of all the different scales/modes (because all the frets look the same and i can't use black/white and shapes of keys to help). so when it comes to soloing over changes, would you recommend learning the mode based on the major scale of the same letter? where i get tangled up is on piano i find myself thinking of G mixolydian as the "same thing" as C major but just emphasizing different notes. but here it seems like it would be better to imagine G mixolydian as it relates to G major, not C major..? Does that make sense? haha

Canada Ontario ,I have a few old books on Lenny Breau , great to hear your explanation, of his technics.He was awesome.

21:25 is not Gm7 - you have G Bb D E, you need F instead of E

*solo guitar

❤

Great job man. Always fantastic lessons.Thank you.Only one question what software do you use for notation?

Excellent system, works for me and I definitely wouldn't consider myself a Jazz guitarist. well not yet!

Rodney is a killer player. Just transcribed his solo on Hamps Boogie off of Maceo Parkers Mo Roots album.

never got my wes octive tech how can we correct this please

Great Interview, Thanks.

Great Interview, thank you for sharing:)

Wonderful interview, a wonderful artist, a truly unique player with his own voice on the instrument. The note choice is so unique with Rodney's playing. I really agree with his point that as guitarists we should not just practice scales and modes and arpeggios. I am trying to get beyond that to learning language and learning tunes because that is music. I think he also illustrated this idea with the fact that his teacher gave him a great line, and he practiced using it all over the place, over any type of chord. Great storyteller. If you can interview Bobby Broom, who is mentioned early on with Ed Cherry (my two favs), that would be just awesome.

Awesome bro

Hi there You are a GREAT teacher.What a wonderful job. I like the song(killing me softly) l love your teaching....❤❤❤

Great interview, Love hearing Jimmy Bruno, always! My favorite tune from the featured album (Polarity) is "Poem for #15".

🎸✔️🎸✔️🎸✔️😀jazz🕺🏾