It's not only about orchestration and making new sound colors. It's about understanding all of music and why we have some systems such as the major and minor scale and why a tritone wants to resolve.

OMG, this vid is an absolute lifesaver! As a composer, I use multiple files for different movements and then join them together; now I know how to copy the appearance of one movement to the next. Thanks!!! 😄

Great. May I ask you how to open the inspector? Thank you

You look like Jacob Collier

Hyatz?

in the program, waht does it mean by +- cents

Ravel would love the synthesizer.

I used Sibelius before with the mouse and i always thought if there´s a fastest way to input notes. This way is more comfortable.Thank you kind sir!

Thanksssssssss

Thank you so much! Even though I’m already used to shortcuts in Sibelius it is a real pleasure to watch your videos! They are the pieces of art. P. S. - strangely enough, but when I'm trying to use hotkeys by the technique text input (for example, hotkey for a quarter note) it doesn't work, even though Sibelius got this shortcut in the "words menu"

There is no cooler guidelines on Sibelius on KZbin!

I’m a idiot. I should find this 10 years ago.

What a fantastic video! I’ve got a question. What was the tempo of the overtone series of the low c at 0:00?

I think his quartertone pieces are incredible. I can feel my brain rewiring while listening to them.

Thank you! I vividly remember the first time I heard Robert Browning Overture when I was a young teenager in the 1960s. In 60s language: "It blew my mind! Far out!" I read his autobiography. He paid to have his music engraved, hired a conductor and orchestra and a hall. Thirty minutes after starting rehearsal, the conductor quit saying "This music is unplayable!" In the mid 1950s shortly after Ives' death, Ives' music started getting the recognition it deserved from performances by Stokowski and Bernstein. My music literature teacher said Ives used every musical technique that begins with "poly" and or ends with "ism". Ives often quoted hymn tunes. His favorite was "Columbia, Gem of the Ocean". Thanks for sharing this video.

Is there a way to do something like this where the grouped staff updates to edits on the individual staffs? Essentially I want to have a fixed ostinato on one staff and changing melody on the other🤔

Sound in the beginning sounded like bagpipe

Would you consider making a video about Satie? He was active around the same time as Ives and was similarly completely uninterested in contemporary compositional techniques and just did his own thing.

When will you offer a sibelius class?

please come back

Poor trumpetists!

What piece is this? 6:13

Very useful!Thank you

It just takes me only one vid of yours for the insta sub. Gold content!

55 Heowrtz

Wow!!!

This doesn't seem to work in Sibelius Ultimate.

Love this guy!!! 😁

I am so glad you gave Bernd Alois Zimmermann and Sofia Gubaidulina a mention!! Zimmermann is so underrated in my opinion! His works are so rarely performed outside Germany! Gubaidulina is one of my favorite Russian composers! She really established her own musical voice so well!

Alex on his way to make the best content about music there is and then disappear

Thanks! I didn’t know this was a solution.

Thank you so much!

Thank you for your explanation! It is so helpful and needed for composers who use Sibelius.

Not great for Mac users.

Thank you! I had some really weird glitch where it was like two scores laid on top of each other so my pages were a cluttered mess, but now it's a lot better :3

Hello Could you please share the shortcut to allign multiple lyrics in a better way?

This was a fantastic series. Thank you for all of the time and effort that went into producing it. Well done!

2:28 Note to myself: The fifth overtone is not a minor third, that’s a fifth (from the root note!) when he said “minor third” he meant the interval between the fourth and fifth overtone. Minor thirds (talking from the root/diatonic scale) don’t appear initially in the overtone series until the 19th harmonic. And that’s why a minor chord sounds sad, they don’t “exist” in nature. Extra note: the root is also called fundamental and that is because it’s the lowest frequency that it can physically vibrate, not less. Reminder: Hz is the unit measure of how many vibrations occur per second.

Awesome !!!! Awesome awesome Thankyou so so much. May God bless you❤❤❤ Really helped me transcribing our hymn.

The 'half-boxed' text was only available on MAC until the new Pori release.

THANKS!

Simple and easy. Thank you!

Could you please explain the difference between ABSOLUTE and RELATIVE (sizes), please?

Have subbed!

Great, cheers!

Very good presentation! You have been very helpful :)

1:30 "fifty five HËÆAUÜTHS"

I feel like many orchestral composers before the modern era of computers and synths are the O.G. sound designers! Without realizing what it was, I grew to love this technique in my music production, layering different types of oscillators on a synth, layering subtractive synths with samplers, layering different types of guitars, or layering them altogether to create totally new tonal instruments, layering drums for creative new timbres (how about fattening up a snare drum with a filtered door slam and a soda can being opened?). While that last example is less tonal, the point is, I and many music producers do this layering instinctively because it sounds cool and it's really fun. For many years I had no idea I had been playing around with manipulating the overtone series, albeit in a less informed way than Ravel. Now that I've gotten further into writing orchestral music, I really look forward to putting this knowledge to work for me, approaching orchestral and acoustic instruments like a sound designer! 🤓

CHEERS!

Another way of hiding individual parts on the full score is by deselecting them in the Focus in Staves in the Layout menu