Neil Adams was a artist back in the 70's-80's. Not a writer.

He always struck me as a zeitgeist writer.

Frank was a genius. He just became a "grumpy, old man" is all. Happens to a lot of them. Angry dudes who are suspicious of everyone and everything. Frank will always be a legend, along with the other ones who went grumpy.

Rhys is just tyler durden but not tyler durden.

Lmao I thought that you were gonna say that the show sucked because of “never fails to disappoint”

Gus Frings motivation was emotional but his methods was logical

Gus is a prime example of the issues of revenge. No matter how smart you are or strong it will always get too personal in the end. Gus had the chance to win by doing nothing but he felt he needed to face hector to get some kind of satisfaction because he knew deep down once it was all over he would still have the pain of losing Max no matter how much pain he gave out.

This generation of woke readers may deeply hate Frank Miller, but I love him! It is better to read a work written with hatred but sincerely than to see the creations made by a fake artificial intelligence.

This story has been done to death, and you are quickly losing me with your silly introduction. Marvel has NOT dominated for all time, contrary to your assertion. By the late 1950s it was close to bankruptcy, with a line mostly of schlocky monster / horror / sci fi comics. The combination of Lee / Kirby / Ditko / Heck went supercritical creatively in the 1960s, eventually surpassing DC in the late

Hector made a huge mistake in not learning from Machiavelli, and in doing so he became the exception that proves the rule - if you're _going_ to injure a man, you must do it in a way that prevents him from taking revenge.

Wow!!!!! Jared from Subway...... I know he was synonymous with the brand for a long while so it illustrated your point but ....... Wow!!!!!!!

I feel like there MUST have been a better analogy to make as your opening statement for the video lmao

God who produced this video? Someone who doesn’t have a clue. Neal Adams a writer? Come on he was considered one of the best ARTISTS of his generation. Maybe you should put out a video on a subject you know about? And what the hell is the issue with the audio? It’s terrible you sound like you have a cold.

yooo not gonna lie that actually couldve happened

12:56 Did she actually die from overdose? I thought she drowned in her own vomit. 😅

Hail Jack Kirby🫀⚡️🫡

That opening sentence was out of pocket lmao

3:03 Gus’ “friend”

The scene where Hank takes the bottle from Jr illustrates the dynamic of gestures made in good faith as the politics of right and wrong Hank, erring on the side of reason suggests that he has jurisdiction and should be able to act on the behalf of the greater good. What I noticed about Hank's character arc is that the closer he came to making a bust, the less reinforcements he had in association. All the way up to clapping back at Jack about the cavalry Hank and Co perceive a reality where they might have to adopt bargaining chips to negotiate with the snake. They believe that the badge is the perch, keeping their ankles clear from being struck To him, Tuco is a cockroach. There is no complexity to him as a human being. Therefore he doesn't understand the severity of any bad blood he initiated having killed him. Every time he shrugged it off, he got bit. I'd even go so far as to saying his tolerance of Marie's theft habit falls under the same category By taking the bottle, he pressed this button severely. In his mind, Walt is not only a wimp, he's incapable of rearing his son with authority. But because of the badge, he downplays any reality of viability that is not him and the boys in blue Going into another man's house and gesturing this behavior is at least in my mind, no different than Marie taking Holly. It's not your jurisdiction. Nevertheless different events between Walt and the underworld brought this event to his doorstep. The drug bust was a significant boon to Hank's prominence. It's his turf right? A marriage between the two sisters brings Walt under their domain What I always found weird about this scene was how this was Walt's birthday. What are all Hank's boys doing at the party? For starters this was probably Marie what orchestrated it. Blowing what should be a simple event way out of proportion. It's not about Walt but her ability to organize one hell of an event for the ages And what I've come to understand about communities as I grow older is that by 6 degrees of separation, any gig you take is an extension of security for women and their young. It's literally a culture of appropriation. Notice how Hank and Marie have no children of their own. This is their way of feeling like their contribution to society has merit Hank doesn't want to maintain his profile so that his family can walk the streets safe. He wants to be able to say that arbitration on his part is directly responsible for a town's safekeeping. There's a political element to the kind of character he maintains Except Hank goes down to El Paso to float those same skills and finds himself an amateur. Outside of his turf, he's exposed, not having learned how to play ball with the elements. He and people like him believe that they are above the grime below where others have learned to maintain During his tenure, Walt began to realize that the people around him expect that be should yield himself to the ground level. Even at 50 years old, it's as though the world demands he slave at the car wash. He began adopting predatory antics to compete against other dangerous animals not the least of which Skylar and the kind of impression SHE has of him Having her 'life' is crucial as anything else that creeps along the floor. Only as Jr pointed out, she behaves as the victim because she has not learned to negotiate well. These are reactive agents of a progressive system. Much like the first matrix films where the characters who sleep are conduits for the program to occupy. It seems nobody truly wants to confront the dangers of their reality

His need for dominance and control of his environment and the people around him comes from that gaping dark pit inside where love goes to die. Gus doesn't know why he's even alive and doesn't want to question it anymore he cant feel what he projects onto the world. He just keeps going like a machine singular and driven toward the destruction of the ones he decided must die. He's not logical. He is completely irrational. He could have lived a beautiful life and Max would have been a happy memory of a loved one. Not that haunting image by the pool.

I’d say that personally, my motivation is isolating myself to prevent my inevitable psychotic losses of control from affecting others. This is typically something that characters do easily and then learn that they are lonely without others or others miss them. I was denied this firsthand lesson for 23 years with my mother signing me up for social groups for all purposes and driving me to far away places I could not walk back from. I manifested my extremist utopia of isolation, amplified by opposition to my opposition, in designs for technology that would provide physical needs sustainably without cooperation. At 23, education to this goal was ended by the same forces of psychosis, but as the psychosis was proven, I was given sufficient isolation as punishment. Now in my success, I seek to pass on my designs as legacy, and search for groups of likeminded people in order to live out primal fantasies.

We watch worlds of superheroes and supervillains, but ability seems to be independent of intent. In the real world, we see Chris Chan, the subvillain and billions of subheroes live their lives in obscurity, watching their super idols on devices made by superhumans sharing their powers.

Im interested going into this because imo Gus is the epitome of "you cant fully separate logic from emotion. On order to over come the one you have to integrate it into the other."

Yeah "friend"

great video, one gripe though: max was gus's boyfriend, not his friend. it was very clear in the show and i don't really know how you can miss that

I am reminded of the words of Linkara: The problem with Frank Miller is that he started writing Sin City and never stopped.

13:34 Another comparable villain I’d say would be Dimitri Razcolov for any GTA nerds reading

1:41 nah always disagreed. For what it’s worth Breaking Bad I’d say’s the best thing we got from the DEA I’d say being it wouldn’t be the same without Hank. Of now days fent being the one of worst things caused from there “movement”. But ig the city alone of Portland Oregon tried full legalization breifly before giving up so ig SEE people can’t be done! 😒

Everything that happened to Jesse was caused, directly, by his own actions. Jesse was the absolute worst character in this show. He is an impetuous child. Every time I watch this show I hate Jesse more.

You can do revenge in a tactical way but it comes from an emotional place, I think your missing the true connection Gus and max had

I think you should make a video called What Happened to the Comic Book and Movie Audience?

It happens,you get old,Stan Lee went from groundbreaking to corny

funny how now all the supposed anti-racists are the ones outdated

Wait, now racism is already a bad thing???

I think, like ALL logical people, emotion itself was Gus Fring’s Achilles heel. When Gus is cool, calm, composed and collected, he’s unstoppable. But he’s not a robot. He’s human.

I'm going to have to say Gus is both - balanced in my perception, yeah at times if he seems as if the control of his is slipping away, he might come off dramatic. Yet when he has a firm grasp in a situation, he's a lot more stable and move with greater "caution"

Without stan lee there still is no spider man fantastic 4 iron man or hulk im tired of ppl downplaying that jack kirby and stan both contributed so much

I always viewed All-Star Batman and Robin as a prequel to the Dark Knight Returns.

Is this script AI?

He was great in his time, but his piece of crap personality finally won out.

For Gus this was personal. He would have never had spent so much time working to undermine the Salamancas and to be in a position to kill Eladio. Any mistake could be detrimental. Had he had Walter White killed the moment he could afford to do so he should have taken the chance. Plus had Tyrus did the job nothing could have led back to Gus bomb or no bomb.

well he is gayyyy

How can you call yourself the "definitive" anything when you don't seem to know that Neal Adams was an ARTIST in the 70s/80s, not a writer. Yes, he did some writing much later on, but it's not very good, but his art is legendary.

Guys like Kirby and Ditko, who have been short changed historically, have only themselves to blame. Stan tried to push them into the spotlight and they wouldn't take it. And when you watch the few interviews that Kirby did, they're terrible! He didn't know how to talk to people. Someone had to step up and be the face of Marvel, and ultimately comics in general, and since no one else wanted the job, Stan took it. Stan always credited the great artists and writers that worked at Marvel. You can't blame him because none of them wanted to step up and take their accolades.

I didn't know that he'd had an alcohol problem. I think that may explain the drop off in his writing and art.

Miller once said that dark Knight returns was bat-cemtric meaning that's why he treated Superman the way he did saying he wanted to do a superman story in.the future he also wanted to tackle Jesus Christ......

Frank MIller is a legend. Daredevil, Batman, Sin City, he will not be forgotten.

10:28 THANK YOU FINNALLY A STATEMENT ABOUT THE STORY THAT'S NOT JUST BASED ON 2 PAGES😭😭😭😭😭😭

great video just stop talking like you're trying to sell me a car

I thought his work was overrated. I found Sin City to be a bit silly. Especially when Bruce Willis gets shot like 14 times and thrown into the ocean and still survives.