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@deevaan Күн бұрын
Watching Pandit Mallikarjun Mansur perform is one of life's greatest treasures. Indescribable how much solace and joy he brings to our lives.
@IrfanZuberi1980 Күн бұрын
@@deevaan Totally agree! 😇
@subhabratachowdhury5858 4 күн бұрын
Celestial! Again!!
@prakashkpadaki5050 4 күн бұрын
Wonderful tribute to Great son of Dharwad🙏...Proud of uniquely divine voices of my unique place in the world called #HubliDharwad .. Tq Irfanji 🙏
@IrfanZuberi1980 4 күн бұрын
@@prakashkpadaki5050 Thanks for the kind words of appreciation. It’s a blessed land indeed and you’re fortunate to belong to it. 😊🙏🏻
@diptabhog 7 күн бұрын
Thanks Irfan. Amazing rendition. This is a gem.
@pradeepm.p395 9 күн бұрын
Legend of all time ,very simple humble man.PRANAMAM 🙏🙏🙏
@vandanakulkarni6383 11 күн бұрын
it's a huge huge treasure
@mukundkhalatkar9446 12 күн бұрын
Koti koti pranam
@IrfanZuberi1980 12 күн бұрын
@@mukundkhalatkar9446 😊🙏🏻
@chidambardeshpande1716 16 күн бұрын
Great Kannada Vachana Bhakti song og 12 th century by Akkamahadevi
@bhagwanrane9053 18 күн бұрын
Thanks for uploading this rare bhairavi by mansur ji Pl upload more if u have
@IrfanZuberi1980 18 күн бұрын
@@bhagwanrane9053 Thanks for the appreciation. I will certainly upload many more of his recordings in the coming weeks. 😊
@vaibhavchoudhary4895 19 күн бұрын
Wow!! This is absolutely divine. Veena Sahasrabuddhe on Tanpura
@ajaymanjrekar2293 19 күн бұрын
दे हात शरणागता.....
@janardh1 19 күн бұрын
You may enjoy this rendition by panditji kzbin.info/www/bejne/Zp3GcpqGhc-Ep5Ysi=6v2i7pFh4iT9JKZ7
@vikrantgayak 20 күн бұрын
Thank u for uploading
@janardh1 20 күн бұрын
Great great singer. Had an opportunity to listen to his live concert in Trivandrum long time back.
@IrfanZuberi1980 20 күн бұрын
@@janardh1 Thanks for your comment! It would be lovely if you can elaborate the memory of listening to his live recital - when it was, what he sang, what was the occasion, etc. - if possible. 😊
@janardh1 19 күн бұрын
The occasion was Soorya festival in 1980s. Venue was senate hall of Kerala University. His family members , few daughters and grand children were present on the stage. In fact, one of the little child was crying and she was made to sit facing the opposite side of the mic so that the child music did not mix his with music. In the next days news paper, there was a photograph of the same . Title was back facing child music. Mallikarjun ji was not bothered about the child music. 😂. Unfortunately, I do not remember the raga he rendered on that day.
@IrfanZuberi1980 19 күн бұрын
@@janardh1 Thank you sooooo much for describing the scene so vividly for us all! Hahahahaha... that does sound like it must've been quite a funny sight to see one of his grandchildren with the back facing the audience; it's quite incredible that nothing, just nothing disturbed Mansur ji's music-making! Incredible!!! 🙂
@ujjalsitar 21 күн бұрын
All most same as Saoni, bihag ang, and also ek nishad ki bihagra.
@IrfanZuberi1980 21 күн бұрын
Well, it doesn't sound like Ek Nishad Bihagda to me and certainly not like Sawani at all! But ok, to each, his/her own!
@ujjalsitar 15 күн бұрын
@@IrfanZuberi1980 Please post a good compilation of Ek Nishad Ki Bihagra and Bihag Ang Ki Saoni with this one of Pandit Mansur ji, and differenciate those three ragas with notational expression and phrase...
@IrfanZuberi1980 14 күн бұрын
@@ujjalsitar All the best to you for doing this yeoman task. I’m sure you’ll be able to locate plenty of recordings in the public domain for carrying out this noble experiment.
@ujjalsitar 14 күн бұрын
@@IrfanZuberi1980 😀😀😀
@ujjalsitar 21 күн бұрын
difficult to differentiate with bihagra. All most the same.
@IrfanZuberi1980 21 күн бұрын
Really? Well, not at all to my ears! 🙂
@adarshbagade_ 24 күн бұрын
Hello sir , why he used shuddha nishad in bahaduri todi ? And also the way he rested on shuddh madhyam is so different than usual bahaduri todi . Could you elaborate more about it ?
@IrfanZuberi1980 22 күн бұрын
As far as my knowledge goes, this version of Bahaduri Todi is known as version 2 within the repertoire of Mansur ji's strand within Atrauli gharana... it has some affinities to Bilaskhani but is distinct from it as well. For anything more than that, it would be better to reach out to gharana practitioners like Shruti Tai, Manjiri Tai and others. Best wishes. 🙂
@adarshbagade_ 17 күн бұрын
@@IrfanZuberi1980 thank you so much I appreciate your effort sir ❤
@maheshkoli8980 27 күн бұрын
Irfanji what can I say? This piece is like holding me and telling me lets meet your God, there are very few recordings of this master genius, and you have documented him and his recordings, a treasure to hold and a path to follow, obliged and indebted forever that's the only thing I can say.
@IrfanZuberi1980 27 күн бұрын
@@maheshkoli8980 Wow! Thank you so much for these extremely kind words of appreciation. I am so glad that this guided listening session has been liked by connoisseurs. 😊🙏🏻
@manjushrijoshi8850 Ай бұрын
❤️
@touching_soulss Ай бұрын
Wahh wahh wahh❤️🙏🏼🙏🏼
@Lightorange-rs2jf Ай бұрын
Please provide some information about this raag .
@yogeshb357 Ай бұрын
This is fantastic..❤❤❤ I never heard this Raga before in vocal as mostly it is played in instrumental music. But this is outstanding.. Irfan sir you have a treasure.. ❣️❣️❣️☺️
@IrfanZuberi1980 Ай бұрын
@@yogeshb357 Thank you for the kind words of appreciation. I’m glad that you enjoyed listening to this very special recording. You’re right - there are very few exceptional recordings of vocal music in Jhinjhoti but you’ll find several from Agra & Atrauli singers as it was very much a part of their repertoire. 😊
@yogeshb357 Ай бұрын
Thanks for sharing ❤
@raghavendrarao1551 Ай бұрын
🌠🙏🏻🌠
@user-uo6dm2br7w Ай бұрын
I happened to find a clip of this very composition by the great Laxmi bai jadhav. The admirers of the old gems of Hindustani classical must see both the renderings objectively.
@IrfanZuberi1980 Ай бұрын
@@user-uo6dm2br7w Given how few aesthetic renditions of Bhankar there are, it would be good for listeners to listen to as many as are available. 😊 Laxmibai ji’s singing is so sureela, with thehrav that at times it even feels that she’s at odds with most others of her generation from the Atrauli tradition.
@silverghost5752 Ай бұрын
Vagadeeshwari is now listed as a Karnatic raga. Interesting to know that Dhrupad and Karnatic music have certain ragas in common- the commonest being Kambhoji.
@IrfanZuberi1980 Ай бұрын
@@silverghost5752 Indeed! Dagar Bani performers of the previous generation followed the Melakarta paddhati… my own guru Ustad Rahim Fahimuddin Khan Dagar sahib taught me a dhrupad in Kanakangi.
@silverghost5752 Ай бұрын
@@IrfanZuberi1980 Very interesting. Adds strength to the theory that dhrupad is closer to certain aspects of Karnatic paddhathi than is khyal which shows the influence of Persian and Arabic music. Wonder if some serious work has been done on the similarities between dhrupad and Karnatic music (especially the Ragam-Tanam-Pallavi format). Thank you for responding. Keep up the excellent work!
@maheshdesai493 Ай бұрын
This concert is special because in the audience is his friend, admirer and a connoisseur of music, Shri. P. L. Deshapande, also present is Pt. Wamanrao Deshpande, Veena Shasrabudhhe on tanpura and many other celebrities. Balkrishna Iyer has given inspired and complimentary table accompaniment. A concert to be treasured.
@IrfanZuberi1980 Ай бұрын
@@maheshdesai493 Thank you for adding the name of Wamanrao ji to the list of connoisseurs I have shared in the detailed description for the videos in this mehfil. 😊
@PoetDesh Ай бұрын
Pandit Mansur ji has left his imprint on this Raga Khat. Unique rendition!
@devupattar Ай бұрын
Great Effort about Pt Mallikarjun Mansur. Really Happy to listen it.
@IrfanZuberi1980 Ай бұрын
@@devupattar Thank you for your kind words of appreciation. 😊🙏🏻
@devupattar Ай бұрын
great singing
@PoetDesh Ай бұрын
Feeling blessed by hearing this masterpiece! How could I miss this all these years?
@IrfanZuberi1980 Ай бұрын
Glad you are enjoying these iconic renditions by Mansur ji! His oeuvre was so large that it's completely understandable you've missed out on a few pieces. 🙂
@jayantapanigrahi4920 Ай бұрын
Damn!!!! That’s Veena Sahastrabuddhe ji on tanpura 😳😳😳
@IrfanZuberi1980 Ай бұрын
@@jayantapanigrahi4920 Yes!!!!!! 😊
@jayantapanigrahi4920 Ай бұрын
My God!!!!! This Raga just shreds your souls to bits. Extremely poignant raaaga and when you have Mallikarjun ji sing it ….it just transports you to a completely different realm
@IrfanZuberi1980 Ай бұрын
@@jayantapanigrahi4920 Precisely!!! Glad you used the phrase about shredding the soul to bits… so deeply a Sufi concept and this bandish is just laden with layers & layers of meaning like all Bhakti poetry is! 😊
@jayantapanigrahi4920 Ай бұрын
@@IrfanZuberi1980 thanks for letting us enjoy this epic of a composition
@kuldeepdongre3209 Ай бұрын
oh, this is soooooo tough one :) 2 dhaivats interspersed and the bhatiyar like use of teevra madhyam and the lalitanga meends...exquisite and flawless execution as usual by the supreme master ! :) naman
@IrfanZuberi1980 Ай бұрын
These ragas were just meant for Mansur ji! Not only did he sing them effortlessly, he brought out so much from their recesses… 😊
@venkateshkalipi4091 Ай бұрын
Thank you so much for presenting this Irfan.. was an awesome awesome listening to Mallikarjun Mansur. I had read somewhere that Dharwad became the seat of Hindustani music because Abdul Karim Khan would rest up here before proceeding to Mysore palace during his travels
@IrfanZuberi1980 Ай бұрын
Thanks for the kind words of appreciation... glad you enjoyed the presentation. 🙂 The thing about Ustad Abdul Karim Khan sahib and Dharwad is of course true... but the Atrauli Ustads Naththan Khan and Abdullah Khan had already been playing an important role spreading Hindustani music in the region... it's a rich history that needs far more thorough research than has been done so far!
@kuldeepdongre3209 Ай бұрын
lovely :)
@user-tc2xt9jh6n Ай бұрын
You made wonderful presentation sir, what to say about MM
@IrfanZuberi1980 Ай бұрын
@@user-tc2xt9jh6n Thanks for the appreciation. 😊🙏🏻
@drhrshah5978 Ай бұрын
Pl give some details of Gharana and period of event. Now this type of Mehefils are dream....
@IrfanZuberi1980 Ай бұрын
@@drhrshah5978 Please read the detailed description for the relevant details.
@atharvakshirsagar5518 Ай бұрын
What a bliss to listen Panditji ! I've listened many artist's singing same raga and composition (were Marathi though) but very few artists were able to bringout the soul in this geet, Pt. Mansur hits that list. This is raag Arabhi, a variation of raag durga with shuddha gandhar. They say that original geet was in kannada in taal dadra. In marathi this is translated as ‘ Chandrika hi janu ’ - natyapad from ‘ Manapaman ’ (drama). Many artists have sung it in different taala, Master Dinanath used to sing it in rupak, Bhimsenji used to sing in addha teentaal. Among many artists my favourite was of Master Dinanath's recording, Ustad Abdul Karim Khansaheb's recording, Chotta Gandharva's recording, Pt. Bhimsen Joshi's recording from 2001 (his old recordings were also good but still the completeness was still missing until now), Pt. Kumar Gandharva (he presented this in Marathi but in Dadra and his style of presentation was completely different from usual artist's, pure melody) and obviously Pt. Mansurji's piece. Ustad Abdul Karim Khansaheb has sung this natyageet in Raag Devgandhari(almost similar to Raag Arabhi). Unlike old days, latest recordings get more time for presentation but they still fail to bring out that sweetness which these old days artist's used to bring in few minutes. Pt. Mansur really used to sing every style (in early days) with his melodious voice and used to bring soul in his presentations. Also later on, reflected his brilliance in khayal gayaki. Mr. Zuberiji, you are doing really great work for us rasikaas by uploading his recordings. Hearing to every masterpiece of Mansurappa on your channel has become my daily schedule. Looking forward to more recordings of this maestro. Please upload more khayal gayaki of Pt. Rajshekhar Mansur if available.
@IrfanZuberi1980 Ай бұрын
Aha, thanks a lot for this detailed comment and an assessment of the various yesteryear maestros who have sung this piece. I must say that I got to learn a lot reading through your comment. It's my pleasure & delight to share these recordings with connoisseurs such as yourself because it leads to such engaging discussions in which we all get to learn so much! 🙂 As far as Pandit Rajshekhar Mansur ji's recordings are concerned, all others in my collection are already available on KZbin in one form or another, so I thought it wouldn't be a good idea to replicate the same. I will, however, be uploading several more recordings of Pandit Mallikarjun Mansur over the coming weeks. 🙂
@atharvakshirsagar5518 Ай бұрын
@@IrfanZuberi1980 Thanks for replying 🙏 Eagerly waiting for upcoming recordings.
@PoetDesh Ай бұрын
Remain silent and bask in the sunshine of this celestial singing!
@asenterprisesshashi7552 2 ай бұрын
Irfan Bhai , your love for classical music is so vivid. The efforts you have put in presenting Mansur Sahab so systematically is phenomenal.Its truly said musicians have family all over the globe. Last week only I visited his home turned museum in Dharwad, it was like a pilgrimage for me. I could feel the vibes very much there. Thanks for presenting our heritage so beautifully. May God bless you and give you the strength to do more for music. 🌸🌸🌸🙏
@IrfanZuberi1980 2 ай бұрын
Thanks a lot for the kind words of appreciation. 🙂 I do feel that recordings tend to get presented in a fragmented way, tearing apart concerts/mehfils and such kind of documentation sessions quite often. When they get presented in a sequential form with proper context, it does add to their level of appreciation for sure. Glad you enjoyed your visit to Shri Mrityunjaya in Dharwad... I first went there over 20 years ago and have visited it 4-5 times since. It does have an aura of simplicity and humility that we associate with Mansur ji. 🙂
@PoetDesh 2 ай бұрын
Great!
@gajamukhu 2 ай бұрын
Does anyone know the composer of the vilambit Nayaki bandish? It’s such a beautiful take on the more popular and equally beautiful Mero Piya. And no recital of Jayshree Tai seems to be complete without Yahi Gali Mat Jaana. Her playfulness and cute mispronunciations just add to the effect she creates.
@gajamukhu 2 ай бұрын
Thanks for uploading this! She’s such a wonderful artiste. The vidvat and that voice at this age leave one at a loss for words. The meditative Poorvi, the meandering Nayaki, and the Jaijaiwanti sandwiched between them just made my day!
@gajamukhu 2 ай бұрын
Wow, what singing! Any idea what Panditji is saying at 1:38?
@IrfanZuberi1980 2 ай бұрын
@@gajamukhu I think he’s saying something about the quantum of andolan usually deployed by other musicians in Darbari.
@gajamukhu 2 ай бұрын
@@IrfanZuberi1980 Thanks. That’s what I guessed; just wanted to make sure.
@yashdevle3610 2 ай бұрын
🙏🙏
@deshpandepradeep 2 ай бұрын
Vintage Mansoor ! 🙏👌 Thanks a lot for uploading !!
@IrfanZuberi1980 2 ай бұрын
Glad you enjoyed it! Thanks for the appreciation. 🙂
@shubhochakraborty4891 2 ай бұрын
Captivating.
@hemantghayal7709 2 ай бұрын
This is highest show of Pt. Mallikarjun Mansur's scholarship. The short association with Ustad Manji Khan Saheb must have been one of the most intense guru-shishya association in the world of Hindustani classical music. Mansur never forgot this and always gave due credit to Manji Khan saheb. I even saw a photograph of Manji khan saheb at the "Devghar" of Mruntyunjaya (his residence) for worshiping,. I visited the residence of Pt. Mallikarjun Mansur in Dharwad couple of years ago. It was a pilgrimage for me.
@hemantghayal7709 2 ай бұрын
This a swan song of the great master. My time has come. The bells are ringing. I must go. My guru Ustad Manji Khan is calling me.