50:37

Ваще огонь! 🔥

In this song, quarter notes=thirty second notes

damn this is banger fr

50:37

There ae sleeper films and then sleeper compositions-- even Bernstein recorded this piece!

29:21 30:47 33:55 34:25 35:29 39:09 46:38

12:15 ish I hear chopin 25.4 etude cool.

my 11:20

Most intriguing. I was brought here as this was mentioned as one of to most difficult piano pieces to play. As I understand, the young Busoni was introduced to Liszt, who was a fan of Busoni's known skills at the piano. Please come visit my page of A432hz music conversions, which include many pivotal Classical recordings, as well as restorations of vintage music footage. - _The A432-Zone_

An all-around joyous and happy piece; rare for Shostakovich. I love it to death, though. It has all the wit and sarcasm of Shostakovich, mixed with playfulness and some beautiful melodies. And the interplay between piano and orchestra is top-notch.

oh my god, the andante might be the most beautiful thing i've ever heard.

Rondo Shostakovich vibes...

Does anyone have any idea why Dvorak writes the opening section out in such tiny little demisemiqiaver notes making it very hard to read and count and at such a slow tempo? Then when the allegro begins the notes are longer but played faster. Makes no sense!

The face drawing at 16:55 killed me

This is what non-classical musicians hear when they hear classical music.

Want to hear the sincerest form of flattery? Try the Piano Concerto by José Alberto Kaplan. kzbin.info/www/bejne/qpaydnWGr62Ebac

Wonderful orchestra! Joy of joys!

0:03 - ГП экспозиции 1:48 Пп экспозиции 3:43 ГП затаенно 4:26 Лирический эпизод 7:46 Разработка первый раздел 8:46 Разработка второй раздел 9:24 ГП реприза 10:42 Пп реприза 11:45 Каденция 14:57 Рефрен 1 - ля мажор 15:53 Эпизод 1 - ми мажор 16:56 Рефрен 2 17:06 Эпизод 2 - ре мажор 18:11 Рефрен 3 - до мажор ракоход 19:43 Кода

i don't know who in the heck is dancing bulgarianly to this shit but they must have like 9 legs

I was 2 months old when I expertly executed this concierto. It was ok I guess

Does Cornet play at the part in 32:37?

Who plays ?

Lee Brian Smith Linda Lopez Paul

Scherzo’s gonna be a challenge for me, I’m playing Violin 1 and tend to lose the downbeat

Neat way to sign a melodic minor scale there with a # and a b lol

3:29 solo

10:26

kzbin.info/www/bejne/sGi2Ymx7rJKZrJo funeral march around the end similar

The fourth fugue reminds me of Beethoven's Grosse Fuge as well as Chopin's 20th Prelude.

I finally found someone who loves both tech and classical music. We share the same brain. I came here from your Fantasia Contrappuntistica video

What scales is he using?

❤❤

2:13

43:47

1:13 (time stamp for myself)

I think it's not often that a second movement stands out so well but here it's by far my favorite in the set.

The main theme of the first movement sounds like the left hand of bachs prelude in c minor

Heiftz must have trained his right arm's muscles

Genius

26:21-26:51 tempo1

27:52-28:33

Une des meilleures interprétations que je connaisse

охуеть просто

Wonderful! Brings back some strong and wonderful memories of my days as a 2nd violin, playing furiously, sweat running down my face, and loving every moment. So very glad you posted this here. Thank you!

Chamber music can be a challenge for me, mainly because it so often pushes the envelope on chromaticism. Brahms, on the other hand, takes a rather symphonic approach and this quintet is a prime example. I never feel lost or without my bearings in his chamber works. Bravo, Mr B!

❤

now i understand why he calls this Symphony as "9°". that's a fucking gorgeous masterpiece. ❤🎉

I couldn't find this performance for about 3 weeks and I was scared to death it was deleted. Thank God I found it!

It is the clearest version of the second movement that I have ever heard, each little Ives song being heard perfectly within the crazy musical framework, extreme clarity in the Russian style playing