What Graphite do you use for those parts also what size is the graphite (microns) do you use and where do you get it from
@taturner76Ай бұрын
Do you have an email or some way I can contact you to ask questions? I’m restoring an upright from 1885 that has a shrunken soundboard and has little to no crown and no downbearing. Customer doesn’t want a new soundboard or bridge so I need to recrown. Looking for expert advice.
@Johannes_Brahms65Ай бұрын
I'm in aw but at the same time I think it's really ugly (sorry...).
@qwaqwa1960Ай бұрын
6-oct? I have what appears to be the same model, tho from 1846. Still in the restoration queue... My veneer isn't as impressive-possibly due to refinishing. I'll have to take a closer look.
@Johannes_Brahms652 ай бұрын
Would you consider the hammerheads as being original or even replaced by original-like ones? According to my techinician the originals would have been at a straight angle (with no “Stielschräge”) but I never saw that in a vintage Steinway. He replaced the hammerheads in my model R for really small ones, mounted at a 90degree angle to the shaft. I’m not happy with the sound at this moment (hammers are new from Abel) and I wonder if it has to do with the weight of the hammerheads. All the brilliance that the piano had before (the “Steinway sound”) is lost!
@michaelpaul92363 ай бұрын
Your video prompted me to experiment… Here’s another way to get the bushing cloth into the balance rail mortice slits on both sides at once. kzbin.info/www/bejne/r6OTkoaBiph-i9Esi=SPVep14ZnbQE0coI
@leandrorefumanta10784 ай бұрын
Name of the key cloth bushings???
@hampshirepiano63834 ай бұрын
It is German cloth; I get it through pianofortesupply.com. High quality bushing cloth is essential.
@edwardhurst40694 ай бұрын
Excellent information, thank you. I’ve just obtained a 7’ 1901 Aliquot like this. Needs a fair bit of work and this gives me a great starting point!🙂🍃
@scottcarson30046 ай бұрын
There were a few English baby grands made this way. I've seen a Challen, around 4 foot 6, and iirc a barless Broadwood (no reinforcing cross struts on the frame, all the load taken by the frame rim.)
@АЛЕКСАНДРМАЛЬЦЕВ-к4ь6 ай бұрын
КОЛУПАЕВ ПОРВЕНКОВ ВИРБЕЛЬБАНК ПИАНИНО
@dylanmcqueen46566 ай бұрын
Thank you for your contribution!! is very good! :), a question about the red round felts on the front rail, are the white discs also felt or paper punchings? That is to say, can I also use one felt disc on top of another to increase the thickness if I don't have the thickest felt? For the correct height of my piano I had almost 4mm of punchings plus a 3mm felt disc, but the blow felt more wooden. Is it better to level it again like this or put a 6mm felt disc plus a millimeter of punchings? Thank you :) . I am a non-technical pianist, greetings from Germany.
@qwaqwa19606 ай бұрын
Re the "two-action" square, yeah, that was typical. I have 1812 & 1838 English squares, and they are both like that.
@aurelbetz21726 ай бұрын
It is very Blüthner-like in many details, but Klemm is unlikely to be the maker. The medallion says "Magazin," so it's a dealer. At that time, around 1870, a builder would never have been distributed over the three major cities in Saxony.
@SnowFromWalmart6 ай бұрын
It sounds like there's a helicopter in the background lol
@ridemywheelie6 ай бұрын
Thank you. I just got an early 1863 Steinway that my tech believes is an early Steinway design that's closer to the English Brown action than the Erard.
@martijnthomas60176 ай бұрын
Do you have more sound video’s of this one?
@themike97_587 ай бұрын
this is a fascinating process. my pin block will need this kind of treatment soon. very insightful to see your process.
@themike97_587 ай бұрын
Ive always wondered why people don't reinforce those old design pin blocks like you're doing.
@antoniotemprano14527 ай бұрын
Nice work! Thanks for sharing.
@jack-hi3tb7 ай бұрын
Play it and let us hear how it sounds. I have a bluthner grand 6/3.
@themike97_587 ай бұрын
I feel your pain with that pin block. I was doing some work on my 1888 knabe and was shocked at the incompetence and general lack of attention to detail done on some of the previous repairs.
@user-zz5te5nw7g7 ай бұрын
Left us dry with the Mason and Hamlin build from years ago...
@themike97_587 ай бұрын
what a fascinating process. thanks for sharing.
@themike97_588 ай бұрын
at what point would a soundboard be considered a total loss and not possible to recrown? I have a 19th century piano that needs soundboard repair and I would like to keep it original, but I also understand that at some point, the cell structure of the wood collapses and there's nothing for it.
@mortier98 ай бұрын
Interesting action. It looks like it would be difficult to remove a key.
@2364838 ай бұрын
What is this silica that you are using?
@hampshirepiano63838 ай бұрын
West System Colloidal Silica
@jeffreyvitale8 ай бұрын
the tuning fork is not the same as a vibrating string. yes adding stiffness produced nice overtones on a tuning fork meant to vibrate primarily at a pure frequency. yes having a well designed and implemented soundboard will sound best. however a "flat" soundboard can still produce overtones from the vibrating string and one might even argue a truer representation of the actual string. this is the case with solidbody guitars: they add little if any overtones beyond the string vibration. in contrast semi and full hollow body guitars act like this tuning fork and add more tonal color. Ask the great les paul which one he preferred. just my thoughts from a guitar perspective. thanks for the video !!
@myuncle26 ай бұрын
Right, and any thin wood under pressure will adapt to any stress and shape after a few months. So, all the crown is doing is just counterbalancing the strings pressure, and it's a convenient shape. But it's got nothing to do with change in tone. The soundboard could be flat and sound great like any other soundboard.
@replacesoundboard9 ай бұрын
I recognise that voice. You're the man who made the video about Blüthner aliquot.
@barkopediusmaximus555210 ай бұрын
What did you end up doing with the iron wrapped strings?
@antsonseadoos763211 ай бұрын
wow this instrument is a time capsule! I'm certainly glad piano technology has improved if only for the fact that pianos are so much more modular today - I cant imagine how expensive it would be to to a full rebuild on that instrument - replacing the soundboard and pinblock given how integrated both are in the case.
@antsonseadoos763211 ай бұрын
man old harp castings were pretty back in the day
@carmenkouw-su8ki11 ай бұрын
Es buen video. Lástima que no se vea bien la maniobra de amarrar y subí el piano
@snaps-zt7eb11 ай бұрын
Older than all of us and isnt in bad condition!
@snaps-zt7eb11 ай бұрын
Just wondering, what's the piece you were playing in the beginning?
@TheWaffleState11 ай бұрын
@@snaps-zt7ebHi! I was the one playing piano in this video! To answer your question, everything I played here was completely improvisational! :-)
@snaps-zt7eb11 ай бұрын
that's impressive! Keep up the talent.@@TheWaffleState
@qwaqwa196011 ай бұрын
What ever happenned to the Chickering?!?!? Wanna hear it.
@guillemclara11 ай бұрын
An outstanding work!
@guillemclara11 ай бұрын
It sounds great.
@hampshirepiano638311 ай бұрын
Thank you. It was a tough one it was in very very bad condition.
@ChernobieffPiano11 ай бұрын
Just get someone that knows how to voice the hammers and it should be ok. I hear unevenness across the compass, hammers out of phase, hammers sound closed and need to open up a little. Some notes have a quick decay. There were a few pretty notes that could be used as a jumping off point.
@hampshirepiano638311 ай бұрын
Yes.
@hampshirepiano638311 ай бұрын
Which few did you find to be "pretty" ? to give us something to go on.
@pborgia111 ай бұрын
you need to play it
@Johannes_Brahms6511 ай бұрын
I changed the tubes on my Steinway from 1909 for new ones. It works just fine. They're the same. At Steinways they don't care much for historical piano's. They made a huge bonfire with their table piano's that they collected. They wanne sell new ones, you know. One issue I had with the tubes is that the largest ones are from the D model. They are a little to short for my R. But that wasn't a problem.
@hampshirepiano638311 ай бұрын
What did you do?
@Johannes_Brahms6511 ай бұрын
@@hampshirepiano6383 I changed the rails for new Steinway ones. Since I'm an amateur, I used JB cold weld in stead of solder. Works very well! The profile is slightly different. Old flanges fit well on new rails but new flanges do not fit on old rails! However it’s better to install new flanges from Tokiwa.
@musicaldiscovery1434 Жыл бұрын
Obviously the soundboard was not permitted to dry to the optimal humidity level before being installed
@hampshirepiano6383 Жыл бұрын
Obviously. LOL.
@musicaldiscovery1434 Жыл бұрын
So much for the "Tension Resonator"
@ahmadrezasalavati1673 Жыл бұрын
at the first of the time you should change your fucking hammer head...
@frankle246 Жыл бұрын
Thanks for sharing the knowledge. How much do you charge for this job?
@shawnhannie8462 Жыл бұрын
One thing is certain. You take no shortcuts proving that sometimes the only way is the hard way. I enjoy the passion you put into your work.
@chopsjazz1 Жыл бұрын
Great work. Why didn't you get a new soundboard decal?
@hampshirepiano6383 Жыл бұрын
It never had one.
@Hammondbrass Жыл бұрын
Wouldn’t it be easier to refinish the parts before you glue them back together? So many cracks and hard to reach places in pedal lyres.
@justenkelley7158 Жыл бұрын
I CAN TELL YOU EXACTLY WHY, TEMPERATURE AND THE CONTRACTION AND EXPANSION. WOOD PUCKS ALLOW FOR SOME ROTATION AND WAS THOUGHT THAT IT MAY PREVENT CRACKING IN THE BOARD OR THE BRIDGE.
@johnnyp6202 Жыл бұрын
Very interesting series but disappointing that it was not completed.