Before You Master Music, Watch This
9:51
16 сағат бұрын
4 New Tips for Better Masters
9:47
Top 20 Vocal Plugins of ALL TIME
17:22
4 New Tricks for Cleaner Vocals
8:11
Пікірлер
@effata.resonance
@effata.resonance 32 минут бұрын
FFT is pretty old and there already is lots of plugins that use it. Most plugins use it for either visualisation or analysis where the actual processing based on the analysis happens again in time domain, not frequency domain (for example oeksound soothe). The reasons for this is the inherent latency in the FFT technique and the trade off between time resolution (for example transients) and frequency resolution (high frequency detail). You can’t really get both when you convert your signal back from frequency domain. That is why melodyne for example uses a mixture of both time and frequency domain processing to get a realistic result and it gets really complex and CPU intense if you want to get it right. There are however great sound design plugins that apply similar concepts like GRM Tools but they are more intended for creative sound mangling, not for mixing.
@ItsMarkauto
@ItsMarkauto Сағат бұрын
Sage ur going down hill
@ItsMarkauto
@ItsMarkauto Сағат бұрын
What is this gross beat v2 or sum
@rayfer.
@rayfer. Сағат бұрын
man this review is kinda slow
@lilwombat
@lilwombat 4 сағат бұрын
for the last thing is the plugin dynamic grading by playfair audio something like what you mean
@toptop7644
@toptop7644 9 сағат бұрын
Bitwig's native device "loud split" splits the audio into three sections quiet, intermediate and loud by definiting two thresholds. You can then add processing in each of these containers, regulate the gain and you have the option to hear them in solo or mute them
@maryaoa
@maryaoa 17 сағат бұрын
Bitwig lets you separate the transits from the tones simply and put whatever effects you want on each of them.
@Platnumbaby
@Platnumbaby 17 сағат бұрын
How do you use your symetrix? I brought mine 6 mayb it was 8 years ago after seeming it in your rack. Mine has been modded by revive audio. I find it lacks headroom.
@vjmcgovern
@vjmcgovern 17 сағат бұрын
I would love to hear examples!
@chazk.official873
@chazk.official873 18 сағат бұрын
ive learned a lot on your channel. thank you very much!
@HardyNahtal
@HardyNahtal 22 сағат бұрын
Thanks for the video lol I was just realizing this about the Omnipressor. I also have been using it to expand certain hip hop vocalists that I record, to hear more of that gravely tone in their voice
@romanwestenholtz4396
@romanwestenholtz4396 22 сағат бұрын
Im a little new with a lot of this but what about the plugin Rea-Fir from Cockos (Reaper) I know it gets rid of noise artifacts etc- let me know if this is what the question was about!
@DeltaWhiskeyBravo13579
@DeltaWhiskeyBravo13579 23 сағат бұрын
This sounds nice, I'll need to take a closer look
@KonSICKwence
@KonSICKwence Күн бұрын
these videos would be a lot more helpful if you showed what the plug-in does or at least said the name of the plug-in
@pathagas
@pathagas Күн бұрын
i think what you’re asking for about a dB axis and a time axis has already been done, and it’s just wave shaping. the amplitude is already encoded in the image, just as color instead of another axis. if what you’re talking about is more of “spectral wave shaping”, i believe that’s possible. that would be, attenuating volumes at particular frequencies. i can probably code this in plugdata pretty easily.
@sageaudio
@sageaudio 23 сағат бұрын
I agree! It's waveshaping but with access to thousands of individual bins that could be altered independently of one another since they've been mapped. So, like you said, it's spectral waveshaping but with access to the entire signal and the ability to introduce changes at any point in the track and in any manner (instead of the static processing of a typical waveshaping plugin).
@pathagas
@pathagas 22 сағат бұрын
@ if you wanted to see controls for this, what would it look like?
@sageaudio
@sageaudio 16 сағат бұрын
Probably just an FFT editor like RX but rearranged by time and amplitude!
@netuno_music
@netuno_music Күн бұрын
This guy is a born teacher. So easy to follow. Thanks
@NoSurrenderMuzik
@NoSurrenderMuzik Күн бұрын
Toneboosters new Pro eq has the same function. Now, is it good like this one I don't know.
@BlayzeDeville
@BlayzeDeville Күн бұрын
Hearing what these plugins sound like would be amazing.
@Rndmondomdon
@Rndmondomdon Күн бұрын
How i know what plugin does if i dont hear it. Also why people would want ro watch these shorts if everytime they dont get to hear the sound and they dont feel satisfied. I felt personally that i waited for the sound and it never came. Now im disapointed. Everytime im disapointed in these shorts. Show the audio before and after the plugins in these shorts. It wil l create more value to these. Now the value is low cause people are unsatisfied. Thankyou for listening and great content in long videos🎇
@mitekillem
@mitekillem Күн бұрын
For the FFT - Rx question, I think it would be hard to view that information in a 2D representation. Currently it's laid out in a way where the Amplitude of a frequency is either darker or lighter. The way you describe would display the Higher Amplitudes peaks stacked from top to bottom (but that would be disassociated with their frequency as now that would need a different designation). But there are such things as Spectral Compressors, such as the Sonible Smart Comp 2. Now with this unit there is a view at the bottom of the plugin which shows the high amplitude content that is being effected from Low Hz (left) to High Fq (right). It also has a separate view for the wave form over time, and the level of compression over that same timeline. Together they can work to give you the information you're looking for, but also it's still a bit much for the eyes, and somewhat confusing if you don't know what you're looking at.
@sageaudio
@sageaudio Күн бұрын
Thank you for sharing your thoughts on this!
@SchibbiSchibbi
@SchibbiSchibbi Күн бұрын
The shorts becoming very teasy 😢
@sparella
@sparella Күн бұрын
The spectral crossovers by Melda can do what you're looking for. If you want just the crossover, you can use the free MRatioMB plugin. Or if you want to do some processing with those bands, the MB series of plugins include the crossovers. When things get complex, MXXX is ultimate solution.
@JFHQ
@JFHQ Күн бұрын
can you guys at least show what it would sound like? i feel like videos like that would preform soo much better.
@Rndmondomdon
@Rndmondomdon Күн бұрын
Yes it would be much better. How i know what plugin does if i dont hear it. Also why people would want ro watch these shorts if everytime they dont get to hear the sound and they dont feel satisfied. I felt personally that i waited for the sound and it never came. Now im disapointed. Everytime im disapointed in these shorts. Show the audio before and after the plugins in these shorts. It wil l create more value to these. Now the value is low cause people are unsatisfied. Thankyou for listening and great content in long videos🎇
@Fascry_
@Fascry_ Күн бұрын
9:03 The view you describe is that of an oscilloscope, think about it. But I think what you want is to sort frequencies according to their amplitude/dynamic range, and the oscillogram isn't made for that since it shows a single signal, which is your musical output. You'd have to plot one signal per frequency on your graph, which would be quickly unreadable and much harder to select those signals/frequencies (I mean, do you see yourself clicking on the signal in your scope among all the other signals?) I think RX is great, it does exactly what you want but uses colors instead of an axis (in fact I think it has a 3D view that adds the amplitude axis like what you want). I've seen other comments on MDynamics MB, and YES I think it does what you want, and this compressor uses the usual EQ graph (x-axis = frequency, y-axis = amplitude) and I think it's great just like that
@sageaudio
@sageaudio Күн бұрын
RX and MDynamics MB are great suggestions, and they definitely offer the kind of frequency/amplitude visualization that could be great for this. Thanks for pointing that out!
@sidvicious332
@sidvicious332 2 күн бұрын
I'm going to try the multiply by 3 and divide by 2 technique. Thank you!
@sageaudio
@sageaudio Күн бұрын
You're very welcome!
@OwnVybEntertainment
@OwnVybEntertainment 2 күн бұрын
Can you do a full tutorial on this?
@focusdecorating3637
@focusdecorating3637 2 күн бұрын
Truly top video !
@DeltaWhiskeyBravo13579
@DeltaWhiskeyBravo13579 2 күн бұрын
Sage advice. I learn something every video they uploaded. Great work friend.
@sageaudio
@sageaudio Күн бұрын
Thanks for watching :)
@jayarecordsofficial
@jayarecordsofficial 2 күн бұрын
T Rack ❤
@KreativeDevices
@KreativeDevices 2 күн бұрын
Oh Yeah! 🙌
@fcmas
@fcmas 2 күн бұрын
Melda MBDynamics does exactly what you ask for
@mixphantom0101
@mixphantom0101 2 күн бұрын
Melda Productions "MB" (MultiBand) plugins can split the spectrum based on level. Grab a copy of MDynamicsMB and instead of splitting into frequency bands you can split into "Spectrum" (up to six bands!). I usually just use one split, solo the band a find the range where no musical info is left - then just reduce the level of the band. Great for audio restoration projects.
@sageaudio
@sageaudio Күн бұрын
Super interesting, will definitely look into this!
@dilemmacubing
@dilemmacubing 2 күн бұрын
I have a question completely unrelated to compression that I’m kinda stuck on. I love the sound of a tri stereo chorus and use feedback loops in reaper to create tri stereo flangers. Is there a free plugin that could make tri stereo phasing possible?
@dilemmacubing
@dilemmacubing 2 күн бұрын
With the definition of tri stereo being left lfo starting phase -2pi/3 center lfo starting phase 0 and right lfo starting phase 2pi/3
@sageaudio
@sageaudio Күн бұрын
​@@dilemmacubing great question! For tri-stereo phasing, there aren’t many free plugins specifically designed with that exact LFO phase arrangement, but there are a couple of ways to achieve something similar using free tools in Reaper: You might have luck with some native plugins, such as ReaEQ or ReaDelay, combined with automation to set the phase offsets manually. You could also use a stereo phaser plugin and automate the phase shift for each channel. It won’t be as straightforward as a dedicated tri-stereo plugin, but with a little setup, it could get you close to the effect you're aiming for? Alternatively, you might want to look into MeldaProduction’s MFreeFXBundle (free version) which has a versatile phaser that could give you the flexibility to adjust phase for different channels. I'll also link a few great paid tri-stereo chorus plugins below too! Hopefully, that helps point you in the right direction! store.eventideaudio.com/products/tricerachorus?srsltid=AfmBOoqgLXYElBKFB4NbgNCokhoNBhjnW8XZUnOelGP5aSpT1UEJq3M9 www.uaudio.fr/uad-plugins/delay-modulation/dytronics-tri-stereo-chorus.html
@EM-sx3xc
@EM-sx3xc 2 күн бұрын
For the experimental parallel harmonic compression technique, if I'm not mistaken, you could probably duplicate the source track and remove the output so you can use it as a dedicated sidechain source. Then, you wouldn't need a secondary eq after the compressor due to the fact that it is a source with no output. I apologize if I misunderstood what was being communicated. Thank you, Sage Audio, for the awesome content!
@sageaudio
@sageaudio Күн бұрын
You’re on the right track with the idea of duplicating the source track and using it as a dedicated sidechain source. By doing this, you can indeed use it as a "ghost" sidechain signal, which allows you to shape the compression without affecting the main output. This method would prevent the need for a secondary EQ after the compressor since the duplicated track (with no output) can serve as the trigger without altering the final sound. The key is making sure that the sidechain source (the duplicate track) is effectively controlling the compressor’s action, without influencing the audible mix. This way, you’re using it purely for its dynamic control while keeping the original signal intact. No need to apologize, thanks for watching!
@Roule_n_Scratche
@Roule_n_Scratche 2 күн бұрын
spectral compression might be what ur looking for (eg: melda spectral dynamics)
@ゆーぐれSOS
@ゆーぐれSOS 2 күн бұрын
🔥
@FerutElCampeador
@FerutElCampeador 2 күн бұрын
FFT editing should be able to map the info the way you describe, its something the developers should look into there are ways to filter predictable noise (hums, fans, electric) using some kind of fft, the edison plugin in fl studio does it fairly well. But filtering quiet noises that are not predictable is something that needs to be coded
@sageaudio
@sageaudio Күн бұрын
Absolutely, mapping FFT editing like that would be a great feature to explore. Filtering predictable noise is one thing, but dealing with subtle, random sounds definitely requires more advanced techniques. Appreciate the input!
@saadzamil8626
@saadzamil8626 2 күн бұрын
Hey sage audio 👋 love your vids. I was wondering there is a guy called @MCInsaneforever his vocals are very uniquely mixed. I want to replicate that. Have a listen and teach us how can we do that 😁🙏 Through a tutorial or comment. It would mean the world to me youtube.com/@mcinsaneforever?si=qpbMY1W8a27T6umQ
@papajohn7606
@papajohn7606 2 күн бұрын
This has become a channel where I like the video before even watching it
@arianmuller7521
@arianmuller7521 11 сағат бұрын
I do this too 🙋‍♂️😂
@Shenlongpty
@Shenlongpty 2 күн бұрын
I just wanted to say thanks to Sage audio. These videos are just amazing
@sageaudio
@sageaudio Күн бұрын
So happy you're enjoying them, thanks for commenting!
@lalitkishor01
@lalitkishor01 2 күн бұрын
👍👌
@AudioReplica2023
@AudioReplica2023 2 күн бұрын
Wow , i totally forgot about mid/side compression lol