Effectivement, c'est pour cela que je l'ai cherchée et trouvée sur KZbin, par contre j'ai vraiment du mal à croire qu'ils jouent cette partition à vue, sans l'avoir jamais jouée, ça me paraît tellement impossible 😨 (Philippe Cassard dit dans son émission qu'ils déchiffraient)

Ha ha ! Moi aussi je suis arrivé ici grâce aux conseils de Cassard ! ^^

Oui merci à lui et je découvre que Alexis était de la jaquette...🤣

Cuántos años escuché los programas de José Luis en Radio Clásica

Practice with one hand and performance with both hands! You will achieve new technique for other pieces

Also the build up is really great, with the tension and expectations. I used to play only this bit with the recording and felt so motivated starting my practice, I guess I am an expert in this particular trumpet entry lol😅

Who do you think had the original tempo? Was Copeland just slowing down with old age or do you think he wanted it slower as he intended it?

@@paulrosa6173 Good question. I was 26 or 27 years old at the time and "used" to and totally enamored by Berstein's interpretation. Copeland was a frail figure on the Podium. I ascribed his slower tempos and low energy gestures to age. I am now only a few years younger than he was then and so my memories are tempered. On the other hand, listening to Berstein's version will always put a spring in my step.

@@jeffreyhooper3678 . I'm 73 and living on rosa time. He was living on Copeland time? And they probably both feel the same as real time. Have to keep an eye on the clock.

@@paulrosa6173 1958 I was in 1st grade and heard Copeland for the first time. This wonderful Jewish man from New York was the embodiment of the American sound from that day until this.

@@jeffreyhooper3678 - I think Copeland put the Shakers on the map. I thought Billy the Kid was a stupid little boy turned habitual killer. Copeland really makes you stop and think about that. I don't know how he does it but he makes you mourn for him in a very profound way. That mournful couple of bars can be done too fast. The three part video of the extended ballet seems too fast just for that lament. The Billy Stewart posting to the side here does it well I think. Knowing something about Billy's history is a factor but the sound is heart wrenching. I think Copeland was being sincere. Do you think the wonderful jewish man cared very deeply for the state of Israel? He never lived there but I think performed there. Freud didn't seem to be highly wedded to his ethno/religious roots. I wonder if Copeland may have felt similarly? Gertrude Stein wasn't either. I don't think he'd be enthusiastic for current developments? I want to think he wouldn't be, anyway. I think he deeply loved this country, its culture and his music wasn't just popular propaganda. There doesn't seem to be any video on KZbin of the ballet. I think it hasn't been performed in over 60 years.