Great stuff! I’m so pumped to get to work. This is so inspiring. I’m binging your videos today!!

This is awesome, thank you so much! Can’t wait to try this out.

We’ll never know what his real voice sounds like

This was great. I'm a filmmaker who has been dabbling in game dev to tell stories, so this is really useful.

I feel uncomfortable to watch this tutorial for free

7:15 that poor lady, she has really good skin why you had to do her like that

Whats version of your iphone 13? Standart, pro or pro max?

Hi Charlie, I'm attending film school right now and this video is so valuable. I feel the workflows they are teaching are "old school" and this can save so much time. Its worth the time and effort for the actors to give their best performance because I'm a very visual person. I will definitely watch more of your videos.

I want to make my second movie ising this. Incredible amazing fantastic brilliant

This is so inspiring! I love your channel!

This was a great tutorial, thanks!

Hey! Thanks very much for this, really appreciate it! I have one important question: does it matter whether you have an Iphone 13 Pro or a 16 Pro for Livelink facial mocap or for Move One body mocap? I`m interested in terms of significant or relevant quality improvements in terms of capture? I`m really debating whether to invest in an Iphone 16 Pro due to better cameras or would a 13 Pro do the job just fine? Thanks!

Please don't give up, I could see your videos are always top-notch quality but it is not getting enough views does feel unfair. Your tutorials of motion tracking are like a new light for smaller groups that are trying to make something nice with a small budget like mine. I do not know how to express this correctly, but please keep up the beautiful work! And always thank you.

Charlie you ROCK! I'm working on an Animated Film and we're in early stages. Would you happen to know a space or site, where animators who are proficient in Unreal are in a community? Im looking to collaborate/ commission a few short film projects. I'm wearing TONS of hats, and don't have the bandwidth to also be the animator. Any advice?

I’m trying to replicate your diy helmet and I can’t find the vertical elbow piece between the phone mount and the long helmet rod?

I can't even begin to explain how I have enjoyed ever bit of this tutorial, actually one of the best unreal metahuman tutorials I have ever had the pleasure of watch, everything is detailed out so perfectly that you have my upper most respect, I was afraid of unreal engine but just this tutorial made it possible for me to download and start my ventures, thank you so much Sir for this and I promise you that once am done with my project I will tag you.

This is excellent! Thank you for a great video!👍

I really don't like this Iphone gatekeeping.

Hi bro can you make a video on how to make a zack d films video

I think this is great. And if I could build this into my future budgets as a filmmaker, I will.

Thank you for sharing. It's the future of movie making.

How much does your move pro setup cost? Also any tips to reach out to the team? I've been emailing them for a while but haven't been getting a response

Sir if I may ask at 28:57 you deleted the Metahuman control rig for body AND at 1:21:32 it appears again when you are smoothing out jitters, how does it come again

Really interesting previs process, but I guess I will redirect the question you asked back to you 😅 do *you* think it was worth it? 25 hours of previz work sounds like a lot, but if you are spending 100-200 hours making the actual film, then I think it's actually worth it. I guess it would work well for large-budget and longer films, but curious what you think of doing this for shorter or indie films?

Amazing stuff! Kee them coming, please!

love the process/technique, being searching for a work flow on how to execute a short film/project....i like the process , i just wish i know how to create my own animations....the whole scanning process and using unreal engine is key, to show it to the actors so they know almost exactly what to do, is amazing....

I have had somewhat similar thoughts regarding filmmaking on a budget. How Unreal could, with good use and preparation, become a tool that will allow indie filmmakers to think outside the box and not find themselves so constrained. I especially find it interesting to do a scan and be able to plan a shoot in advance, for those situations where you only have a limited amount of time to film on location - either because of the lighting needed, or because of a need to minimize an impact on the everyday lives of the people that live or use the locations for their day to day things. Very interesting!

What a giant waste of resources.

This was a gem. Really appreciate that you shared this wonderful info in such a detailed presentation. Much Thanks!

@NorthwoodsInteractive So your Sequencer timeline is 24 fps, the body mocap is at 60 fps and the facial mocap is at 30 fps. Does it matter that we have different fps that don't match?

The title sounds like you invented pre - production industry. Man, it doesn't change anything. There are people and companies that specializing in previzuailzation for last 30 years. Nice that you sharing what you are doing, but the title is anoying clickbait.

Honestly I can’t even begin to image how kind someone has to be to share their process like this for others to see and learn from and for free too, and in such a digestible way. You’re a natural and thank you for all you’ve shared. I’ve been using what you’ve thought and I saw an impressive clips on Reddit and they directly sited you for what they learned. Well done and keep up the great work

Saves money for the most part.. Not exactly time.. As you'd spend time making the detailed previz

Super inspiring stuff! :) Thanks for your in-depth workflow! :)

movie ai sync livelink with head iphone capture in unreal timeline ??

It's truly great. Thank you so much for sharing!

I've done few previz projects in Maya to UE pipeline and had to start learning the engine on my own seeing how powerful it is. Really hope it becomes norm for previz. Great video!

Amazing work process, this process will be way more usefull for budget Film makers. Congratulations and make more useful contents like this ❤

You had me at " ... Shocking, I tell you."

Great process tutorial! I vote for me of these videos on this topic. I use Polycam when I scouts and location surveys. I’m an Assistant Art Director. I love seeing more use case scenarios for all of these programs. Now I’m going to watch the rest of your videos. Thanks for these!

THIS IS SO COOL> KEEP UP THE GOOD WORK

Hi, this looks really nice, I'm here after watching your 2 hour or so tutorial on Crazyman in full. Really easy to follow/understand. I was wondering where did you find the KingKong character and did you animate the face using MetaHuman Animator also? I assumed MetaHuman was (as the name suggests) only for MetaHuman facial animations?

This is amazing, thank you! First one I have found that covers everything from start to finish for this topic and in perfect detail.

You should consider higher focal length for a more cinematic looking film.

Wow I definitely need more than one thumb up! What I great session, really well explained and always on point! Thanks for sharing your workflow!

This has helped me so much I can't express how much. You are professional, precise and thorough. I can't believe you only have 3.54k subs.

Hey, how do you not have a million subscribers? Unbelievable! Do you think that it would be possible to combine this workflow with Stretchsense gloves to get a better result with the hands? Thank you in advance!

Hey Charlie, I randomly came across this as I've been tinkering with Blender & UE5 for a while trying to figure out a workflow. Absolutely blown away by your experience, thoroughness and attention to detail. Thanks for this! Definitely looking forward to more tutorials of this kind (if you plan on doing that) because as a complete rookie there are many more basic things I'd love to learn about, even something simple as animating along paths and keyframing, project structures or just render strategy since I suspect when it comes to a narrative there isn't linear animating & rendering. Anyway, just wanted to say, I'm extremely impressed and grateful at giving us rookies a bit of an insight into a UE5 workflow!

I just saw the mocap helmets, sorry for my earlier post lol

What face helmet are you using? Any recommendations?