Very interesting. Upon my initial exposure to the interpretations of Stokowski, Sanderling, and Jansons, it has got to be evident that they conducted the fourth movement of "Revolution" in a manner akin to Mravinsky's rendition. Previously, my experience with these conductors was limited to their performances afterward according to the more prevalent version. While it is conceivable that Kondrashin and Petrenko may adopt Mravinsky's approach, it appears that they, along with the aforementioned conductors, uniformly opt for the prevalant score.