A "good effect on the soul": maestro, that is the understatement of all time. This piece moves me like none other. Grazie.
@carlosmacmartin4205Ай бұрын
Molto Grazie, Maestro Carlo for sharing! 🙏 It's a pleasure to finally see and hear you on this platform. Best regards from the San Francisco Bay Area, California, USA 🇺🇸
@majoraxisАй бұрын
I’m from Turkey and I can deeply feel the geography in this song. It is unbelievable, really, how music can depict so much and the musician as the magician who brings out the wormhole so we can be transported to places. Thank you Carlo baba! 🙂🙏🏼♥️
@mertozer86432 ай бұрын
This video has the same value as a diamond
@tedgibson50342 ай бұрын
I never tire of hearing this piece of music, and I’ve listened to it thousands of times. Beautiful
@beeps1232 ай бұрын
Man.. this guy is a load and so is his piece. That being said if you can survive watching these vids with that very very patient chick right there, you will get a lifetime of learning. I’ve heard this piece decades ago, but it’s so nice to be lead through the details. Thank you. Italians huh
@metalgeezerdude2 ай бұрын
Carlo Domeniconi is one of my favorite composers. I LOVE this piece!! I hope one day there will be instructions for Fantasia Di Luci E Tenebre and Variations On Anatolian Folksong!!! Thank you for sharing this!!
@IronLordFitness3 ай бұрын
One of the most if not the most interesting piece of guitar ever written. As a guitarist I'm more into hard rock, shred, nu or heavy metal but Koyunbaba is something else. At least Master Domeniconi dared to explore very exotic territories which is about the notes and not the sound (as we do with electric guitar, pedals and stuff). Brilliant in every way.
@venusrising22263 ай бұрын
I am really enjoying studying this piece and these videos are a treasure trove of advice
@youribennani707610 күн бұрын
Same
@ginamarcaccio50883 ай бұрын
My nephew Michael Gullo plays this sooooo well;))
@nedimbitgen3 ай бұрын
Bu ezgiler beni çok duygulandırıyor insan ağlamaklı oluyor sürekli dinlediğim bir eser ve büyük ustaya saygılar.
@nedimbitgen3 ай бұрын
17.18 Dur dur durrr:) Yavaş .
@bsmith81663 ай бұрын
This is such an incredible piece of music. How did you write this?
@youla87xcap914 ай бұрын
carlo babaa büyüksün! What a beautiful piece you have written, bearing the name of a place where I live. kendine iyi bak baba
@youla87xcap914 ай бұрын
koyunbabaaaa. carlo baba where are you roght now old men? i am so close to bodrum do you need any help?
@eschelar4 ай бұрын
The warmest thanks to you both!
@eschelar4 ай бұрын
At 7:35, you can hear that "tick tock" of the percussive sound of the string hitting the frets. It is something LiJie does in hers as well and many others don't do. I really like it because it adds just more texture and structure to the tempo too. Some criticize that version as being dry, but it's probably my favorite because it is so close to the music as written and yet has personality in the sound. This is the favorite thing in her performance to me. I'm glad to hear you have it as well. I struggle with this and I haven't been able to make it a part of my version of this piece. I hope to master it some day.
@eschelar4 ай бұрын
For me, the third movement contains the emotional climax of the entire piece. It frustrates me so much when people just play the Presto.. For me, I don't hear the sound of a firework, but definitely an explosion. I call it the sound of a heart being ripped in two. I have a hard time playing it without shedding a tear. I love it when he says "it's not fast, it's slow". I spent probably two years figuring out how to play it clearly and with sufficient intensity and getting all that delicious bitterness. I wish I could do it consistently. Heck, some days, I wish I could play it at all without it breaking my own heart.
@sherafati2 ай бұрын
Definitely! Same here, the opening is devastating...
@eschelar4 ай бұрын
So happy to see you making this video to share with us. This piece is the most powerful thing I have ever learned and when I play it, it runs through my veins. Before this, all I have had from you directly to learn from has been your performances of the piece with your variations. I am overjoyed to learn more about your vision of the music here.
@eschelar4 ай бұрын
When I play this I get visualizations in my mind. I hear sheep and I hear echoes. When I learned A Rose in the Garden, it is just completely repeated, so it was a very good exercise in thinking about *why* I want to repeat and what the function is in the piece. Contrast that to something like HVL Etude #1, where I think the only purpose of the repetition is to warm up the fingers and muscles... Haha In my mind, in Koyunbaba, the repetitions are a device to shift between the protagonist awake, listening to sheep milling about and asleep, dreaming of another time, both of joy and of some indeterminate tragedy. I love experimenting with this by adding some harmonics as well since they can add a dreamy feel. I think that as the piece progresses, the dream turns dark and he relives some tragedy and when he wakes up, it sticks with him, like when you wake up from an intense dream and it hangs about your mind, bothering you even though it was just a dream poking into reality.
@spacekraftru4 ай бұрын
Insane to see this on KZbin. Such a delight to hear explanation of the ideas being the piece by composer himself!!
@cinnamontoastdeath30234 ай бұрын
Ahh this brings me back to my undergrad days. Really enjoyed learning this particular movement for juries
@gianmarco80754 ай бұрын
Maestro mi sono trasferito da poco più di un anno nella sua città natale, e nonostante il mio peregrinare e chiedere in giro non ho mai trovato la sua casa natale. Mi piacerebbe conoscere il luogo in cui è nato, i posti che ha respirato prima di andar via dall'Italia, vorrei poter dire ai miei figli "qui è nato il miglior chitarrista del mondo" ogni volta che passiamo in macchina di lì. Sarebbe un regalo bellissimo, così come lo è stato ascoltare per la prima volta la sua voce. <3
@epserps50554 ай бұрын
Thank you!
@aaronmills77315 ай бұрын
This was such a delight to watch. Just spectacular.
@waynerd5 ай бұрын
Koyunbaba struck me like no other song. It was great to hear him discuss it. Thanks!!!
@rajivbmenon5526 ай бұрын
Thanks Carlo for this masterclass and for all your music. And thanks Julia.
@susanboukema46256 ай бұрын
This is wonderful. Even I learn a lot and I am a Ukulele-player. My wish is that the master would write a short piece like this for Ukulele (Re-entrant or lineair).
@dr.mertbardakc72406 ай бұрын
👏👏👏
@AbeKenney6 ай бұрын
What a find! Thank you for sharing this!
@larin10286 ай бұрын
Bellísima información, maestro
@ctloo08087 ай бұрын
the best piece was by li jie
@ibrahimy.demirturk51647 ай бұрын
süper
@seyfettinsoguksu27037 ай бұрын
Long live Carlo Baba what a privilege to see you and follow your precious artistic speech and tutorial. *Yuregine saglik* respect you deeply what a mesmerising maestro 🤍🙏🍁 Lots of thanks for the piece. After the brutal earthquake in Hatay I always played it to smooth my pain may be to comfort my unbearable agony or to express all moans and suffers in Hatay. We underwent such historic catastrophe that only your unique piece could reflect our bleeding hearts. Long live Carlo Baba 🍁
@scorpiocurse79697 ай бұрын
Very cool to hear the composer talk about and explain about the piece, and also to witness the relationship between a maestro and his student.
@pierrotgtlovers288 ай бұрын
Master please teach us about one of your grand masterpiece Toccata in Blue 🥺
@paoloespinola95318 ай бұрын
I absolutly loved " the call from far" idea... So deep...a mosso so full of disonances
@sherafati2 ай бұрын
The first time i heard this masterpiece i could imagine what scene each movement described which without any exception would be the same for anyone. This show how powerful and well composed rhis piece is.
@ahmetdemirtas84878 ай бұрын
Best regards from Turkey
@ahmetdemirtas84878 ай бұрын
Gorgeous Carlo DOMENlCONl
@user-ro4ks9oy9l9 ай бұрын
I absolutely love this composition.
@mehmetturkmen92649 ай бұрын
I would love to be that lucky to have lessons with Carlo. OMG ! Great recording.!
@alfredo20602t10 ай бұрын
I love this piece, it is posible to get the sheet? Where I can find it? Please help me with that
@Girasole081210 ай бұрын
Grande Maestro, brava allieva.
@martinpramanik109010 ай бұрын
Hallo Carlo, in meinem vorherigen Leben habe ich das Stück geliebt und alle anderen deiner Stücke auch! (bevor ich ms hatte) Schön, wieder eine Stunde mit dir zu erleben! 😊👍🏼
@prabuddakoralage10 ай бұрын
Fantastic lesson, Thank you Sir..🎉
@TheFarabee10 ай бұрын
I love the third movement
@eschelar4 ай бұрын
My favorite too. For me, I see it as an ABAB poetic structure. First and third are the idyllic, beautiful pieces that lead into tragedy. Second and fourth are the releases of the built up intensity, leading right back to the calm and tranquility of the beginning of the first, albeit slightly tainted with whatever it was that the subject of the piece was experiencing that tortured him so beautifully for these fifteen minutes or so.
@Davy96610 ай бұрын
Ma c’è un gatto che canta con voi!❤😊😊😊❤
@Davy96610 ай бұрын
❤grazie maestro! Che meraviglia sentirlo direttamente dalla sua voce!
@MrCartmannn10 ай бұрын
PLEASE!!! do more this is amazing
@HyenaPlinsky10 ай бұрын
Oh my god i actually never heard him speak. What a priviledge. He's one of the best guitarist to grace this earth