IV - Third Movement (Cantabile) of Koyunbaba // Masterclass with Composer Carlo Domeniconi

Discover the third movement of "Koyunbaba" with Carlo Domeniconi. In this tutorial, Domeniconi shares insights and guidance, revealing the intricate nuances and expressive techniques that breathe life into this enchanting composition. Join us on this extraordinary musical journey as Domeniconi uncovers the secrets behind the third movement, empowering you to connect deeply with the music and elevate your guitar playing.
Don't miss this exceptional opportunity to learn from the composer himself!
00:00 The head of the piece
04:20 Interlude to the Arpeggio
07:00 Beginning of the Arpeggio
10:05 The Big Crescendo
13:35 The Climax
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Carlo Domeniconi
► Koyunbaba Score: www.stretta-music.de/domenico...
►Website: www.carlo-domeniconi.com/
►KZbin: / @carlo.domeniconi
Julia Schüler
►Website: www.julia-schueler.de
►KZbin: / @julia.anatolian.guitar
►Instagram: / julia.schueler.guitar
►TikTok: / julia.anatolian.guitar

[@TheFarabee]

I love the third movement

[@eschelar]

My favorite too. For me, I see it as an ABAB poetic structure. First and third are the idyllic, beautiful pieces that lead into tragedy. Second and fourth are the releases of the built up intensity, leading right back to the calm and tranquility of the beginning of the first, albeit slightly tainted with whatever it was that the subject of the piece was experiencing that tortured him so beautifully for these fifteen minutes or so.

[@venusrising2226]

I am really enjoying studying this piece and these videos are a treasure trove of advice

[@youribennani7076]

Same

[@stavroslv9184]

Wonderful teaching! Thank you. Are you gonna teach Presto too??

[@philippfranz4772]

Vielen Dank für diese Videos! Man sieht Ihnen beiden die Freude an der Musik an. Ich spiele das Stück seit 1 1/2 Jahren und entdecke immer wieder neues. Ich bin sehr gespannt auf den nächsten Teil, weil das für mich der technisch anspruchsvollste ist.

[@AliSalimXX]

amazing movement

[@carlosmacmartin4205]

Bravo 👏🏼 Greetings from the San Francisco Bay Area 🇺🇸 Thank you for sharing, Maestro Carlo 🙏🏽

[@eschelar]

For me, the third movement contains the emotional climax of the entire piece. It frustrates me so much when people just play the Presto.. For me, I don't hear the sound of a firework, but definitely an explosion. I call it the sound of a heart being ripped in two. I have a hard time playing it without shedding a tear. I love it when he says "it's not fast, it's slow". I spent probably two years figuring out how to play it clearly and with sufficient intensity and getting all that delicious bitterness. I wish I could do it consistently. Heck, some days, I wish I could play it at all without it breaking my own heart.

[@sherafati]

Definitely! Same here, the opening is devastating...

[@carmellewis2466]

Thanks so much -beautiful...I first heard this Koyunbaba played by Ayman Jarjour and fell in love with it! 💕

[@DeOmnibusDubitandum76]

Very nice! I just discovered the channel! We need one of these for the Don Quixote Suite, maestro!

[@nedimbitgen]

17.18 Dur dur durrr:) Yavaş .