Thanks for following along glad to have you in the community.

It's a promo you are correct this is more external messaging. Corporate/industrial video is more internal messaging. I used "corporate" because it performs better in KZbin search.

@ smart! Got it!

@@patdinco thanks that means a lot

@@AndersBakfeldt in this case we just rolled with it we don’t want to pay insurance deductible. Production usually has insurance for these type of situations. It depends on how much of a loss it is if we claim it or not

@@WadeHartley yeah your right. I did not request FAA Authorization. Just unlocked within the app. DJI calls this authorization so I just used to calling it that. I did not contact FAA in this situation

@@nordfilmcompany thanks so much for the kind words

@@peterwood1066 perhaps certain modifiers such as spotlights and fresnels might not have the correct heat specs for full size pro-lock mount. Also the beam diameter of some small lights do not have the spread to fill soft boxes and frames very well so they need that kind of dish.

@ I’d love to see someone compare all of the current 60-100W COB lights that can be powered by ultra portable batteries. Especially adapted to standard Bowens third party accessories.

@ I agree I’m still interested in picking up the amaran 60X for my KZbin set and keep the Aputure 60x for more pro work. But there are so many options from nanlight to Zyieun to godox to small rig

@@nogasdash yeah 60C would be perfect same form factor with color. Who needs 1200D now that 1000C is out. Same deal.

@@juliustubbsDP right on thanks for watching. I’m glad you enjoyed.

@@juliustubbsDP totally it’s good to practice and keep skills sharp. So okay to go for low rates but some productions take advantage.

@scott_stevenson they sure are taking advantage this year.

@@pchuck1439 yeah sometimes it’s better to make it difficult for productions not willing to pay industry standard rates… We all need to make a living but not worth making the crew suffer.

Its dog eat dog out here in this Industry man.

@@scott_stevensonsad to see

@@scott_stevenson I have produced with Budgets before and IDK for me I would never do that to someone who signed on for such a low rate. to try and find someone to undercut them.

Glad it was helpful!

Exactly it's never a good situation to be in.

yeah they are works of art for sure

@@TheHumorousDaze yeah maybe I wasn’t clear in the video. I own the 60x units and I love the fact that they spot and flood as well as have barn doors. I do not have the 80 C yet but I am aware that they do not have those features. What I meant to say was that I wish 80C had them because 60x is my favorite unit for those reasons.

@@sebastianFZE Sure save some money. Link in description

@@atriux7 creamsource works great. Our Arri Orbitors do not connect but they need to have the firmware updated. I have not updated them yet I think that might do the trick. Lite gear Litmats are a bit weird need to find the correct patch but they do work.

300C is nice but the color does not compare to the 80C. I have not used the ACE 25C yet but I love the MC Pros. The addition of a fan and the increase in output makes them very desirable.

It’s weather proof and has in built CRMX…. That alone destroys the fc500 if you’re not looking for output. Plus it’s riggable and the mount is more robust

@favouredcinematographerii8110 I agree. For the output though, is that price a bit weird? This is a great accent light but I'm saying that there are legit key lights out on the market for the same price.

@@alexgrant311 what other key lights have these features at this price point?

@scott_stevenson I don't necessarily think the features are that important. They are a nice to have. It would be cool to see the brand maybe package 2 or 3 of these together in a mini carrying case in order to make a mini kit. $600 for a low powered niche light is a lot when similar results can be achieved with other resources. I really like it but the price point seems like it should be cheaper for what you're actually getting.

@@alexgrant311 for you the features might not be important but for a professional Gaffer working on large production they are essential in 2024. $600 is very affordable. Output is not the most important factor in a lighting fixture. If you invest in quality gear it will last through many jobs and you will get a return on your investment. If you buy cheap stuff it will break then you need to continually buy new lights because they get water damage out in the rain or the cables connections are cheap and get pulled out and damaged. Buy once Cry once.

Yes! When can we expect it on the LS lights? I need to add a new 300 an 600 but I'm waiting for Prolock. :)

Hi Mitch, would you be able to recommend a good battery bank? thanks

@ That would be a major retrofit. Whenever a replacement (mark II) or STORM version would come along will be when you see the ProLock.

@@Cinegavo USB-C is a 5v standard, so you need to look for one that has a 20amp output (5*20=100). If it’s labeled in milliamperes that’s 20,000ma. Don’t be confused by capacity, which is the total amount the battery can hold. You need to see how much it can output at any time.

@@mitchgross592 sounds like the storm first then. I'm open to that. 80 to 1000 feels like a pretty big gap, so I'm hoping soon :-)

kzbin.info/www/bejne/mmrXnWahbs2VgrM

check out the link below

thanks for watching

@scott_stevenson • 4 seconds ago I have one in the works thanks for watching

@@randyrektor I was thinking the same thing. I prefer Multicam as well. I forgot to mention that in the tutorial but that is definitely something they could improve in the final version. This is a beta hopefully some of the other features work better as well

Find a gaffer you look up to and work under them until you master the craft. Get a teacher/mentor!

@@scott_stevenson thx :)

@@danbrit9848 Glad I could help. Good luck transitioning in this industry!

Right on glad you found it useful

Really love the stuff DJI has been putting out lately.

@@SuperJackBoom workflow. Ease of use. Definitely need a crew for the RED cams. Blackmagic cams on the other hand are a bit easier for solo Operators. Also like I mention in the video I think it will be great for podcasting. Different Jobs require different tools. There is some overlap but not every camera works for every situation

Thanks man I’m going to rent it for a project and check it out. Might make a video on the channel. Did you get the LMount?

@@scott_stevenson yeah. I still have ef lenses that are really good and pl lenses so I got the l mount for the versatility.

Thanks man. Your van looks dope as well congrats. I just ordered the solid com SE from the last review you guys made.