@@SuperKskalyan great observations. Let me familiarize myself with some Telugu sounds now 🙏❤️ Double “nn” doesn’t stop the breathing, double “ll” doesn’t stop the breathing, but still… something without those like “loofa” or “maysoon” would flow better than something like “villain” (said with Indian accent with emphasis on LL)

@@musicplagiaristcatcher1931 It is on my fav list but didn’t get to it… 😃 Will see…

Also: Magudi Magudi (oh mannnn)

@@suvaissance oh yes please.

@@natozeleo7579 No no… I said “what if she started a song with gibberish”… It’s ME who made the line “Fa Lee ma zee ya no la” It’s an imaginary song.

😔🙏🙏🙏❤️

Thanks! Glad to hear

@arjuns9811 Just discussing what actually happened, in a way that non musicians can understand. If you meet a couple musicians who didn’t pay attention to the triplet part, you’ll see why (it can very well happen, it doesn’t mean they are dumb, or that they don’t know triplets.) “4/4 with triplets” apparently isn’t the only way that musicians perceive and count this. There were a couple who felt this was a shuffle. One said it was a polyrhythm. One said “it’s a blues inspired 2 4 shuffle”. Dancers count up to 8, a lot of times. I didn’t even get to those parts in the video. There’s no point attacking the messenger. I am simply talking based on other musician reactions. And the reason this song is special IMO is because in the percussion part, they used dingkuchakun alone instead of Indian drums (this was not a mainstream technique especially for that time)

Hi, Long time no see! (Mind voice: ahaaa namma kannukku pada matenguthe… ) Rushes to find the Nanban function…. 💃

Oh! You mean he talked about this song in a recent interview?

@@suvaissance it was on nanban audio launch . He talked about it.

Nice… Avoiding hard consonants which cause breath stops and choosing words that flow with softer more open sounds. Fantastic observations!

@@sharmilajb4563 Nice… ☺️

@@rajakyuva ☺️🙏🙏

@@user-is2cu8rz3f Glad you’re enjoying!

@jayakumarchakravarthy4364 If you have composed a tune, and had the rhythmic feel of it changed due to many kka, chcha etc you would know the pain of it… as for open vowel sounds- there is a video of Maestro Ilaiyaraja also preferring open sounds like words ending in aaa to carry the tune rather than ending in “mmm”. It doesn’t look obvious from one video if you’re not convinced, but compose enough tunes and have it fitted with words, you will begin to feel these. Listen to “Muththaith tharu” (Thiruppugazh)- the double hard consonant of Tamil language deliberately arranged to create rhythmic feel. These consonants change the feel. Every time you hold breath and release in a place where the composer didn’t intend, there is a rhythmic deviation from the composer’s intent. Reason 4 closely follows reason 3. Instead of Uyirin Uyire as the lyric imagine: Pakkaththil pokkisham, pakkaththil pokkisham (do you feel the rhythmic change?) The more the breath stopping consonants accumulate, the more they change the rhythmic feel of the tune.

If “gaslighting” is what you got out of this video…. I don’t know what to say…. 🥲Other than to turn on the gas…. Fsssssssssssss…… maybe at this point you would have said “tha ki da tha ki da tha ki da” to represent the gas leak… because they are both gibberish, and don’t matter, and should be interchangeable according to you… 🤷🏻‍♀️

🙏🙏🙏 Composer Ghibran had shared the other Utthama Villain video on Theme Lyrics from this channel on his social media accounts. I think I really “felt” his Utthama Villain album… and cried happy tears at the end…

☺️🙏

@@lashansivaganeshan4113 Welcome to Suvaissance! 🦢☺️

Hi! I think you were subscribed or viewing since the very first episode of Harris signature styles (HAJAX). Nice to see you here…

@@suvaissance Yes mam, good that you remember😇👍