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Пікірлер
@slidemcbride6121 Күн бұрын
And--- I see that you're a trombone player. Now it all makes sense!
@slidemcbride6121 Күн бұрын
Count Basie would love this!!
@douglasleibinger8549 Күн бұрын
Thanks! I definitely had Nestico/Basie in mind when I wrote the chart.
@iestynellis3797 2 күн бұрын
Is there a pdf of this available anywhere?
@douglasleibinger8549 21 сағат бұрын
Email me at [email protected]
@don4476 8 күн бұрын
That's so much work. 😮 Great chart. Truly.
@douglasleibinger8549 4 күн бұрын
Thanks so much. That was about 36 years ago. Thank god for Sibelius . . .
@dylanwalter-gb7kq 8 күн бұрын
the sax improv was questionable but coool
@douglasleibinger8549 4 күн бұрын
Greg is cool!!!
@dsctunes 8 күн бұрын
So underrated! Sub button smashed!
@douglasleibinger8549 8 күн бұрын
Thanks!
@boydx4687 16 күн бұрын
I like this! How could a get a recording I could download to my mp3 players?
@douglasleibinger8549 16 күн бұрын
I use this y2mate.nu/Pio1/
@douglasleibinger8549 16 күн бұрын
Just look out for ads . . .
@WitchKing-Of-Angmar 17 күн бұрын
These really are everything I hope for when I look up arrangements. Maybe more of a melody in it than a scatter of lovely bebop style notation, but buy in large lovely all fhe way through. The dissonance is infectious, very reminiscent to..a few songs I have on my mind.
@douglasleibinger8549 16 күн бұрын
Thanks!
@WitchKing-Of-Angmar 15 күн бұрын
@@douglasleibinger8549 Absolutely; great job!
@WitchKing-Of-Angmar 17 күн бұрын
I'm glad Trombones think this is a solo the entire time haha! I think saxophones, trumpets, and trombones may have been playing three different songs in volume. Saxophones are at PP Trumpets at MP And dear Trombones have achieved the sound barrier.
@douglasleibinger8549 4 күн бұрын
Lol. Amazing band overall; incredible bone section. I recorded this on a single stereo microphone to Minidisc in 1989 - no mixing!
@WitchKing-Of-Angmar 3 күн бұрын
@@douglasleibinger8549 Incredible. This reminds me of the sorround orchestra from 1954, which seperated the low strings and high strings (woodwinds/brass etc) into two seperate pieces.
@lramat 17 күн бұрын
Love that little repetitive lick at 80, Doug!
@gilevansinsideout 19 күн бұрын
Well done! 😀
@douglasleibinger8549 18 күн бұрын
Thanks so much!
@warthog57 23 күн бұрын
Great writing!
@bradyjones8263 25 күн бұрын
This is awesome. Thanks!
@douglasleibinger8549 25 күн бұрын
Thanks so much!
@jerrodshackelford6773 25 күн бұрын
This chart goes so hard
@douglasleibinger8549 25 күн бұрын
@@jerrodshackelford6773 thanks!!!
@damonpoppleton5661 26 күн бұрын
Wonderful writing!!
@douglasleibinger8549 26 күн бұрын
Thanks very much!
@francoomarlopezlopez 26 күн бұрын
beautiful score!!!
@douglasleibinger8549 26 күн бұрын
Thanks! It looks like I actually used a ruler. That didn't last long! 😂
@francoomarlopezlopez 26 күн бұрын
@@douglasleibinger8549 i can definitely relate! at some point you just go "eh, either way anyone who looks at this score who isn't me will HAVE to look at it closer", so you stop caring about making it easy to read at first glance
@JustDontCall 26 күн бұрын
This is amazing! You should arrange a jazz balled of “If We Were In Love”
@DaRealYungRay 29 күн бұрын
You made this? Big dawg this is FIRE 🔥🔥
@douglasleibinger8549 29 күн бұрын
Yeah thanks!
@MrSoccerboy429 Ай бұрын
This is such a killer chart! Does the alto sax really switch to harpsicord near the end there?
@douglasleibinger8549 Ай бұрын
Thanks! Um harpsichord . . . ?
@MrSoccerboy429 29 күн бұрын
Measure 166 in the alto 1 part!
@douglasleibinger8549 29 күн бұрын
@@MrSoccerboy429lol Whoops! See, this is why you should proofread!!!
@user-qv9tg5su9v Ай бұрын
The Bass Trombone part is epic! I love playing low nots on it in jazz. It's super fun.
@spenceredmond8641 29 күн бұрын
Bass bone and bari sax are the two most important parts in a big band if the band is going to have any power and presence. And arguably the most fun parts to play.
@francoomarlopezlopez Ай бұрын
a classic!
@CRXZXD_CXLD Ай бұрын
Loving the charts
@douglasleibinger8549 Ай бұрын
Thanks!!!
@janismillers5344 Ай бұрын
Great chart!
@douglasleibinger8549 Ай бұрын
Thanks so much!
@Alex-ze6jk Ай бұрын
I love this arrangement of invitation, this sort of funk/hip feel brings such a new life to the standard. This key also remind me so much of the key invitation was wrote in for the airmen of note arrangement (which I'm pretty sure it is). But well done with this piece, you've really nailed it!
@friedfryfitness Ай бұрын
Fire song 🔥
@douglasleibinger8549 Ай бұрын
@@friedfryfitness thanks!
@ammgpt Ай бұрын
Available for purchase?
@douglasleibinger8549 Ай бұрын
email me at [email protected]
@AyalaAndres03 Ай бұрын
@@douglasleibinger8549 Hola, te deje un correo..
@johns.4708 2 ай бұрын
Great writing and imagination, bravo.
@douglasleibinger8549 2 ай бұрын
@@johns.4708 thanks so much!
@jilanluandrihakim3847 2 ай бұрын
I really like the soli saxophone part! Can I have permission to play for Instagram reels covers?
@douglasleibinger8549 2 ай бұрын
@@jilanluandrihakim3847 sure!
@barriegott8584 2 ай бұрын
Crazy.
@barriegott8584 2 ай бұрын
Nice
@user-qv9tg5su9v 2 ай бұрын
Lets go Bass Trombone!!!
@francoomarlopezlopez 2 ай бұрын
wow that was AWESOME!!! is there anywhere we can view your original manuscript? also did you get a copyist at the time, or did you hand write the parts yourself? would love to hear more!
@douglasleibinger8549 2 ай бұрын
Thanks so much! I do have the original manuscript - I'll think about making that available in some form. I didn't use a copyist - this was a chart for a class - pretty sure we had to write out the parts for a grade! I spent a lot of time in the 80s and 90s writing out parts by hand . . .
@francoomarlopezlopez 2 ай бұрын
@@douglasleibinger8549 that's so cool! i myself also write everything by hand, including parts! ive been looking for a traditional copyist, but I've had no luck unfortunately
@douglasleibinger8549 26 күн бұрын
Manuscript version is up! kzbin.info/www/bejne/qGOlooSLoNmCl6csi=gFZHFw93BTWA4l-9
@tylereick8848 2 ай бұрын
Where can I find the score
@douglasleibinger8549 2 ай бұрын
email me at [email protected]
@ABruckner8 2 ай бұрын
Awesome! Letter C and Letter R: Bass Bone/Bari Sax/Bass plays top space G instead of written Ds (octave skips)
@douglasleibinger8549 2 ай бұрын
Yes, that was in the original hand written chart. There are a few edits in this Sibelius version. Good catch!
@Avstinato 2 ай бұрын
Great recording
@francoomarlopezlopez 2 ай бұрын
nice arrangement!
@douglasleibinger8549 2 ай бұрын
Thanks!
@beachcraftonline9391 2 ай бұрын
Groovy!
@bigbearsbrother9513 2 ай бұрын
Woah 😳
@thomasc.gosnell6544 2 ай бұрын
One of my favorites from working under you at SSU! A very creative chart.
@I_am_Kairos 2 ай бұрын
I enjoyed playing this under you at SSU. Thank you!
@temohdzmusic2838 6 ай бұрын
Thanks for this video , it helps me a lot ! What do you recommend for spread voicings when the root is in the lead note?
@douglasleibinger8549 6 ай бұрын
I would suggest switching to a drop 2 & 4 sub lead voicing with a root in the lead
@majikjack2027 Жыл бұрын
Hey, just curious, you talk about substituting a root note, and I'm not super familiar with that. I understand full chord substitution, switching the 1 for the 3, etc., But I'm unsure of which notes are the best for substituting a tonic note. It seems to me like you are often using the 9th? And you recommended the 11th in some circumstances. Along these lines, would the 13th and 7th also be good substitutions? You also refer to the 11th as a good substitute for the 5th, would that also mean that the 13th would be a good 3rd substitute? Or would you want to even substitute a 3rd?
@douglasleibinger8549 Жыл бұрын
So I was a student of Gary Lindsay at University of Miami - I highly recommend his book "Jazz Arranging Techniques" lindsayjazz.com/ - this video draws from his method heavily - regarding subs, he has a very useful table with specific subs for every chord type - but in general, 9ths are good subs for roots; we generally don't sub for the 3rd or 7th; 11ths and 13ths are good subs for the 5th - however, these all depend on the chord type. Hope this helps!
@AugustinLehfuss Жыл бұрын
well explained - exactly the way I would have written it - to be super correct the #9 in the F7(#9) would rather be a g# 🤓 - however, every musician would prefer to read the a flat in such a situation :-)
@douglasleibinger8549 Жыл бұрын
Yes, you're correct - G# would be the "proper" spelling, but we jazzers tend to be liberal with enharmonics!
@AugustinLehfuss Жыл бұрын
@@douglasleibinger8549 indeed we are - readability comes first
@omarreroch Жыл бұрын
These videos are great. Thank you very much.
@douglasleibinger8549 Жыл бұрын
Glad you like them!
@dieg0o0s 2 жыл бұрын
Thanks! I love that Gary Lindsay approach 👍👍
@douglasleibinger8549 2 жыл бұрын
Gary was one of the most amazing teachers I've ever had. Best practical arranging book ever written.
@JMHV 2 жыл бұрын
This is a gem!
@JMHV 2 жыл бұрын
Really cool!
@douglasleibinger8549 2 жыл бұрын
Thanks so much!
@I_am_Kairos 2 жыл бұрын
I loved playing this tune
@aura1222 2 жыл бұрын
Hi Douglas! Thank you very much for the video! In the third system, the E7alt voicing should be Drop 2+4? Because it's only in Drop 2. In Fm7b5 you take it as F#, it seems to me that it is not right. Sorry for my English
@douglasleibinger8549 2 жыл бұрын
Good catches! Yes, the G# in the E7alt should be dropped to create a drop 2&4 voicing - also, I'm not sure how I wrote that F# on the F half-diminished - must have been tired!
@NelsonRiverosMusic 2 жыл бұрын
Do you have any videos for a whole Ensemble Shout Chorus? Thanks
@douglasleibinger8549 2 жыл бұрын
Not yet, but I'll make one sometime soon!