Shattering. The only production of a classic work in my lifetime that stood toe to toe with the original work itself.

challenging music first encountered in the 70s when i was in high school. came to love it along with schoenberg, Ives etc. Ives said you must stand up and take dissonance like a man.

42:15

29:00

18:27. Mahler from top to bottom.

03026 Streich Square

Here is a tathata, in this production a even more conflicted complex Don Alfonso appears. Bravo, Peter Seller.

Waelchi Crescent

I. Akt 0:19 [1. Szene] (Hauptmann, Wozzeck) 9:31 [2. Szene] (Wozzeck, Andres) 16:46 [3. Szene] (Marie, Margret) / 22:02 (Wozzeck, Marie) 26:06 [4. Szene] (Doktor, Wozzeck) 35:16 [5. Szene] (Marie, Tambourmajor) II. Akt [38:45] (Wozzeck, Marie) 44:45 [2. Szene] (Hauptmann, Doktor) 55:07 [3. Szene] (Marie, Wozzeck) 1:00:45 [4. Szene] (Handwerksburschen)

Wozzeck is such a good barber he can cut the hair of a bald man without cutting his throat. I credit the peas. In all seriousness, the voices are screeching and I've suspected by design, to emphasize the cruelty of the world and the atonality of the score.

I discovered this piece listening to Alban Berg Op #3... Berg , I liked his counterpoint writing a tapestry of layers interacting in patterns like a fine woven quilt... I listened to the opera Wozzeck before watching the movie... Now understanding the theme , I will continue listening to this piece of art in my mind, placing the theatrics together with much enjoyment...Thankyou much!!!😊

The dialogue between the captain and Wozzeck is onte of the greatest Intros to a visual media in history

Ten years later I still listen to these fabulous recordings.

쇤베르크의 제자, 베르크, 최초의 무조성 오페라

27:15 What a beautiful viola solo...

It seems to me a great musical performance, well played, well sung and well performed orchestrally ⭐⭐

Thank you for sharing this!

to moje ulubione nagranie ze wszystkich jakie mogłem wysłuchać, a było tego sporo, Bruno Maderna rozumie Berga, tak jak Michel Gielen Schoenberga. Bardzo lubię słuchać Waltera Berry jako Wozzecka...

A prelude to The Great War: You can literally hear Europe coming apart (Selbstmord)

1 сцена 5:52 Ария Воццека «Мы бедный люд» 09:20 Сцена 2 Франц Воццек и Андреас (песенка Андреаса и монолог Воццека о голове) 16:40 Сцена 3 Сцена Мари с сыном, с соседкой Маргарет и военным оркестром, 19:05 Колыбельная Мари 26:05 Сцена 4 Сцена Воццека и доктора. Пассакалия 35:10 Сцена 5. Мари с Тамбурмажором 40:27 Сцена 6. Мари с сережками, 41:44 диалог Мари и Франца 49:33 Сцена 7 Фуга на три темы Воццека, Доктора и Капитана 55:10 Сцена 8. Мари и Воццек, 58:06 л/м ножа (Лучше меня ножом ты в бок пырни) 59:45 Сцена 9. Сад при трактире. 1:04:53 хор солдат и парней «Охотник молодой» 1:08:00 Сцена 10 в казарме (Воццек, Андреас, Тамбурмажор и солдаты) 1:17:10 Сцена 11. Молитва Мари 1:22:45. Сцена 12 Мари и Воццек. Лесная дорога у пруда 1:27:30 Антракт. Сцена 13. Воццек в кабаке 1:31:30 Сцена 14 Воццека у пруда 1:40:15 Сцена 15. Детвора

I love Alban Berg

The fear and the pain and the misery that life brings is transformed into the most heart rending music that any human being could imagine. Thank you Maestro Alban Berg!

Why don’t he write something of his own instead of plagiarizing Mozart.

Peter Sellerr have plagiarized Mozart’s music. He hasn’t a clue as to the drug culture of NY.

kzbin.info/www/bejne/rH67hmimn82Diq8

Very powerful performances. Berg is the master of atonal opera. I love this and Lulu. Together, they make powerful impacts.

ich bin nicht deutsche und deutsch ist nicht mein muttersprach aber ich hatte viel spaß mit diese oper es ist mein erste deutsche oper und nicht die letzten.

Thank you for making this wonderful production available to me ! Thank you !

Lmao😂

Scream Pionero Classic, Opera, Avant Garde Music, Experimental Music, Blues, Soul, Gospel, Rock, Metal, Punk.

SPLENDID! Thankyou !

My favorite version! Thank you!!!❤

Thank you for uploading. Long time I am looking for this performance.

Ferrando - a horrible voice! I must stop listening.

Good idea to do a cinematic version. [ the music is brilliant and I can not add anything except compliments ]

9:32 some folks call it a sling blade.

Piękna opera i bardzo ciekawa inscenizacja. Poszukuję jeszcze Petra Sellarsa operę Wesele Figara. Czy masz może to nagranie albo wiesz gdzie mogę je zanależć?

I have the recording in my collection - so it is very nice to have seen the visuals too! Thank you for uploading!

Thanks so much for sharing this, how well the production holds up.

Kurt Moll and Franz Grundheber are total scene stealers. WOW!

The ending 🥺

She’s such a sweetheart❤

What a treasure, I never knew abbado had done wozzeck

My mom taped this when it aired on PBS and we watched it pretty much weekly for at least a year. I was a middle schooler and definitely had a crush on Leporello. Rewatching it 30+ years later, I'm struck both by the amazing performances and the fact that the 'modern' setting now itself seems like a time capsule of another era.

The imagining of this work is laughable and not in a good way. Anyone can be different. That doesn't mean it's worth the effort.

Act 3 Scene 3 [13:47] Out-of-tune piano playing a polka in the tavern with Wozzeck’s tetrachord leitmotif [CEGG#] Tonal styles in atonal idiom Expressionist representation of tavern music Wozzeck’s mental state Developing variation of the rhythmic theme

Act 3 Scene 2 [12:28] Madness and terror Ended with the note B

In a way Wozzeck carries on where Strauss left off after Salome and Elektra. Strauss "stepped back from the brink" with Rosenkavalier and handed the baton he'd created to Berg. To me there are clear similarities. And BTW, I love both Strauss and Berg!

This is coming to Covent Garden in May 2023 where I'm sure it will go down well with the audience. I'm not sure it's us there are so many rival pieces bidding for our attention. I'm quite happy with the concept and it is very well done maybe in a year or two I'll come around.

I wish I understood all the rhetoric