I just saw this offered on KZbin for free. It looks just as bad as the previews featured before movies years ago.

LP is so disjointed because it is not a very good film. There, problem solved.

insanely great analysis bro. I would love for you do one of these on all of PTAs films

The film had no direction.

Thank you for this. I didn’t get The French Dispatch at all. I was a film student and I know how to watch a film. But aside from Anderson’s interesting use of color/ design I could not appreciate anything else about this film at all. I left it thinking , “How could an actor read this script and get ANYTHING out of it?” So, thank you.

It talks about death.

Violence is used to ensure backsides on $eats.

Why to yo all fall to mention that the movie is adapted from a Cortazar short story

Peeking in on beautiful blonde girls

So why did the guy get killed?

Not 'meta' at all. More like 'smutty trash for horny teenagers' who have never opened a book.

I almost cried for that last shot where deniro asks for don't close the door fully leave that open little bit...we all felt it

I couldn't tell if half the movie was a dream sequence or not...

*So many poor videos about **_PSYCHO_** but this is not one of them.*

This is one of the most daring and experimental movies in PTA's filmography, and demonstrates how comparatively conventional most of his contemporaries (slaves to genre and commercial formulas) really are. It's "disjointed" in the same way that, say, Godardian jump-cuts were "disjointed" in the early 1960s. It's a narrative film without a Robert McKee Hollywoo story structure, a picaresque series of adventures presented as a string of scenes, most of which begin in media res and end abruptly before reaching a conclusion -- plunging you into the next scene where you try get your bearings all over again. I found it exhilarating, never feeling like I knew where the current scene would go next (the episode with the truck low on gas?) and often spending the first part of the next one trying to figure out where we are, what happened in between now and the end of the last scene, and how we got here. Scenes take left turns and either go on past where you'd expect them to end, or end suddenly before you think they're done. One example: After the argument about the pinball machines, Alana follows Chet out into the driveway, threatening never to speak to him again if he gets into the car -- which he does. He drives off and we accompany him (from the passenger seat) for a little while as he checks his mirrors. We wait for... something. Cut to: Alana in the campaign office, on the phone: "Good morning..." So, what happened with Gary? How much time passed in that cut? The movie isn't going to tell you. What happens next? Two new elements are now introduced: The Councilman's (kinda creepy) expression of appreciation for Alana, and the lurking guy in the "12" t-shirt who enters the office and surveys the scene before leaving again. (He may remind you of the shirtless figure at the police station who says Gary is "not the guy" -- but nothing is made of that here.) Then Alana's phone rings and she's informed that "Gary just came by and dropped off a flyer for his pinball palace..." THAT's how you begin to piece together what's going on -- basically by just observing and listening. You're not going to be spoon fed the story here...

Taxi Driver was actually a 1971 Yugoslavian film, the director of which adopted the idea. Movie name Mlad I zdrav kao ruza.

Let's not forget the screenplay by Joseph Stefano... Without it, the movie wouldn't have existed. Hitchcock was special and contributed but not without the script Let's salute the writer once again.

Excellent work. Thanks!

wich movie is at 1.3 minute?

There is one element of this film that cannot be captured simply by watching it as a film on TV, nor simply showing it in the cinema in the normal way. I saw the film when it came out. It was advertised in a way that got any audience wound up at the point of entry into the cinema. Audiences were told that at a certain point (15 or so minutes from the end if I recall correctly) nobody would be allowed to leave the cinema. If you wanted to leave you had to do it prior to the exit doors being shut (they were opened for a short while to allow people to leave if they so desired. The doors would suddenly be manned by two men at each door, doors opened and then slammed shut. Members of the audience would be left wondering at what point they would be confronted by the scene that would so frighten them. There were a couple of scenes where I thought is that it? I would imagine that that was true for all or the majority of others in the cinema. We were being psychologically played. Carrie's hand shot up from the grave and the whole cinema rose as one from their seats letting out a horrifying shriek. I've not seen anything like that before or since. Years later, someone invited me round to watch it with some other people. I warned them what was to happen. But when Carrie's hand emerged rather than shot up. In terms of being frightened nobody in that room was particularly impressed -- admittedly it was a very small screen. The only thing that has come close for me, I think, is "Don't Look Now".

This is JUST an Eleven minute long advert for Mubi

LOVE thus movie! Sad him and Peggy fell out! That always hurts.........in the END......we all gotta die and meet your maker!

The scene where he was negotiating the price for the little girl was so good I legit forgot I was watching the actual movie lmao.

I love how much depth these movies have. You've shown me man new things in a movie I've seen numerous times. Also the script writing, delivery, and editing are very well done!

Intelectual masterpiece

6:51 which film is this??

What a bunch of nonsense! I want my 13 minutes back!

I have no idea what you're talking about. Overanalyzed drivel. It's like you didn't watch the movie.

As someone who grew up during the times of 9/11 knowing full well about the US government's unethical surveillance, this entire movie gave out such a creepy atmosphere that I cannot describe. The constant distorted noises, Harry's accelerating anxiety, that dark parking lot, the music, etc. gave me the feeling that I was being watched despite not being the case.

The clip of the flame thrower how it's too hot 😂😂 and its story behind it 😂

One of the greatest movie heroes of all time

Courage the cowardly dog was the best horror comedy show 🎉

🤯

Love the channel and video God bless brother

That propeller is made of a beautiful wood. So I can understand why "Thomas" likes it.

Just watched it for the first time and I was stunned by how brilliant it was, IMO alma became Elizabeth’s cruel conscience at the end, we see Elizabeth (the persona i.e external mask) and alma (the inner self i.e the shadow part of self). The duality is external and internal yet they’re one person..

Odd you left out Eyes Wide Shut, Kubrick's supposed best. Did that not also use these techniques?

Life is horror.

Yes, yes he is a sociopath

I've seen this video many times, and I can't get over how the music stops after a character says a line. 1:20 - 1:25 and 2:07 - 2:11 They're my favorite parts!

Intro song?

Just my opinion.....Tarantino's best film ...to date

I think what’s special about Frank is he’s one of those guys that does stuff but still feels bad about it but is able to manage it

I just watched this Gem last night for the first time... & Sissy Specek has made me fall in love with the character, what a performance, what a great movie

Incredible breakdown, thanks

I hate ads with a passion