28:00

Watching your video from New Mexico. All for the glory of God 🙏

16:08

Great performing Dr Chai ! Thanks for you wonderful orchestration that combined between Chinese music and western music. Great example of when East Meets West . Well done!

THANK YOU for posting this incredible interview. Love the behind the scenes look at Audra and Andy's work ethic and history. Having seen them earlier this year at their concert at Stanford, and literally just came back from NYC today and bookended the trip by seeing a preview and then a post-opening performance of Gypsy, where she blows the roof off the Majestic (and love that during this interview they dropped that hint about Gypsy before the official announcement!). Love them even more, and looking forward to everything they do going forward.

Audra is an absolute treasure. Her version of Make Someone Happy at the end of this interview is so breathtaking and moving, she stirs my soul. Noone sings with more heart and truth than Audra. Thank you for all you are; you make this world a place of wonder..

Thank you. This has been very interesting. After more than 70 years, I recently found a pianola roll, cut by Laurel Pardey in the early 1950's. My late father, Australian popular music songwriter Ernie Davidson, was the composer of the music. It is a real find. It is a Mastertouch roll. I haven't managed to hear it yet. The same song was released on a Broadway roll. I am now searching around for this one. The preservation of our Australian music is a wonderful thing. Keep up your good work. The effort you put in is vital to our Australian music history.

the music says to play at 144 or as fast as you can so I think their speed is fine hehe

In case you guys are wondering, here are the time stamps ❤️ Theme - 0:07 Var. I - 1:10 Var. II - 2:30 Var. III - 3:35 Var. IV - 4:49 Var. V - 5:53 Var. VI - 7:34 Var. VII - 9:05 Coda - 10:18

Heard this the other day 1st time and was moved. Great piece, very inspiring and filled with movement..

1:23

This is really very nice

Fabulous.

Introduction and conclusion are missing. An incoherent fragment.

9:00

The song that started Black Sabbath!

Took me till the end to recognise that's Bert!

I’m so glad that this novel performance was recorded for later appreciation.

WOW! ENERGETIC!

bro went into that cadenza way too quickly

Many many thanks sir Johnson for bringing Schubert closer to us, by playing and lecturing.

Hugely enjoyable.

Not bad for someone who wrote music in his spare time

Bruse Haack should be on that list! His musical instruments where beyond and very advanced!

Brilliant and unexpected.

Great work by E K-C with much reverence and many references to other composers I love. Incredible performance by all especially Lisa Moore.

Zunpet?

Umm.

A wonderful piece, beautifully played. Thank you!

Loved performing this piece while I was assigned to the 26th Army Band, Ft. Hamilton Brooklyn NY.

Classical music ("historically informed") still lives on, they just call it jazz now Mainstream classical music is mechanical sight reading

it would be so much better if they had masks

How does a group of 5 men (Boston Brass) sound better than this????

LE SAXON DE HALLE HANDEL MAGNIFIQUE

Lol i'm struggling at 8:00

4:05 v6 6:23 v9

0:07

Wonderful work - very much looking forward to hearing more recordings on spotify - thankyou

such a nice work. beautiful playing

C h i l l s from the unexpected choral rendition at the beginning of movement 2... amazing (and amazing performance in general)

This is beautiful.

around 12 years back i and my friend entered our village chapel alone at night and we heard a mysterious music large choirs singing and this sound was coming from the sacristy area of the chapel or from approximately that side . We never understrood what it was but than many years later when i heard the gregorian chant. I realised it was the same similar music but i had no one to discuss with but it was definately a paranormal phenomena and its origins were heavenly im sure of it. it was late night and no one was there around the chapel and the music was soo loud yet so crystal clear. I still dont undertand what it meant

I enjoyed this presentation! Thank you for mentioning the dance. As a Renaissance and Baroque dance practitioner I have noticed many musicians interested in HIP want to know more about the dance but many don't consider it. It's true that in Coroso and in the earlier treatises from 15th c talk a lot about the proportions of changing meter. Monteverdi exists on the cusp of Baroque and it would make sense that he would be aware of these "rules". Also fascinating about the errors in the text! I see this post is from 10 years ago - I hope more people have caught on since then :)

SO Calming😊❤

Beautiful text indeed. Remembering my dear japanesse full time best friend Naoka Mori.

two girls for every boy intoned

The French horns are wonderful.

Hey who’s the soprano player. Need to pick his brain on the A and G in mvt 3

OK . . . It's lovely, but what's the point of an "Acrostic" song being transcribed for winds who won't sing the whole point of the text's special feature?

The audience loved it