thank you sir..!!

wow its great learning from this

i get an error that sais red9' has no attribute 'start' #

please make a video about retargeting motion capture to this rig , i hope this is Advanced skeleton rig

Very good tutorial for 2.8 and some new versions. Do you know how to do that in Blender 4.2 LTS? It doesnt work for me :)

thanks a lot

Thank you!!!!!!!!!!!!!!!!!!!!!!

❤❤❤

great video! im only 10 minutes in but already its so informative

Thank you!

Keep the shortcuts but change teh viewport navigation imo. Cant stand Blenders navigation, its different to every other software.

why did you use the master controller moving instead of just the feet?

Nice any other technically advanced animation techniques like this? id LOVE TO KNOW?

Very helpful sir thanku

link to the site ?

Sub! Do you have video that shows how are you doing your comp process in Nuke, how to do render passes and generating mattes from Maya?

this tutorial was really cool, thanks. I would just say tho that it was really hard to follow when you used hot keys. Obviously i understand that this may be meant for a more advanced maya user who would know the hot keys but when you said unparent the groups with the joints in them and it just instantly happened on ur screen (im guessing you knew the hot key) i was very confused. In the end i made it hahah, i liked the tutorial thankyou

Thank you! You saved me a lot of time rendering this also works with Cinema 4D ❤👍

Hi I want to learn advance mechanic animation like motion and physics in animation full cource step by step can you pls teach me if Yes please contact me I will send you my email address.

thankyou. As an animator i used step because i knew what i was doing - and i was an expert in the graph editor. Now i teach animation. and the students spend 2 years struggling because they have seen KZbin videos and visiting professionals saying do everything in stepped - despite my advice. Some of them drop out due to frustration. Some professoinals advise them to even step on twos or threes and then spline. When they dont even know how to anticipate. Now i will show them this.

You can do that in blender under 2 minutes

I know this video is 3 years old. But the author assumes that blender hotkeys were carefully designed. They were not. Maya's hotkey system has been carefully arranged and refined based on the input of thousands of professional artists over the course of decades. Blender is an abandoned commercial product that has made small strides to emulate maya's hotkey and will continue to do so. It is a bad idea to learn blender's broken hotkey arrangement when the default will change in the future. If you want an example of how bad blender's hotkeys were designed. Open blender. Press t. Of all the things they could bind `t` to. They bound it to hide/show a toolbar. That is atrocious design. It won't be like that in the future. If the devs want blender to be taken seriously they will overhaul the trash hotkeys and they have been doing this very slowly.

Wish you millions of subscribers, really very useful content! Thanks for your work!

so the reason for all this is that Euler had bad eyes

I usually decide on a main rotation which is normally either Y or X and use the gimbal controller just for that rotation and the other two on the normal controller

So beautifully explained, it's a very practical problem faced in production pipeline! Excellent job!❤❤

Fantastic walkthrough, thank you

When importing 2 of the same reference, is possible to change the color of one but not the other? Like say you want one red bug, but want the other bug blue?

I used to animate this way in Lightwave... But, then realized, I was putting the cart before the horse. You should only have to "finesse" something when your in 3rd or final pass animation... But seriously, it's all taster's choice. I've made great sequences utilizing both methods. Great topic of conversation though! Thank you!

4:30 what if there isn't a 2nd master control? How can I make one? Do I use a locator?

I wish Blender navigation was more intuitive and similar to Maya, Max and Unreal. The unintuitive hot keys made me not want to use Blender for years. Now, I am familiar with Blender hot keys, and also a bit frustrated, because if Blender does decide to change its hot keys to match other softwares in the future, I will have to relearn everything! In any case, I don't regret switching to Blender. I loved Maya and Max, but I am not going to be a pro animator. So, I will never be able to afford the softwares. But, I am already too deeply in love with 3d art, and Blender lets me make them.

Maya does not assign materials to faces if the material is already assigned on the object. Assign a dummy material first to the object before assigning the correct materials to the faces.

Was really struggling in my job with a board room full of the director's immediate family, this tutorial is a life saver

Hi thanks for the great tut, Amedeo! I wanted to ask - do you prefer using Anim Layers over using Time Editor for cleaning your mocups? Wouldn't Time Editor be better suited for this kind of tasks as it also has controls for creating Additive and Override layers + you can create anim clips and poses for various body parts there. Thanks in advance!

How you did it the lighting??

Wow, such a pain to setup up. And so pointless. Use a proper Mirroring tool. Anyone can write a tool that just sets attributes. Notice that you did not mirror a controls that were in different spaces. Or a pose that was off the COG. This tool won't handle those situations.

Detailed, clear and straight to the point. Love that you explain your thought process too. Thank you<3

This is amazing to watch. Do you have any tutorials on how to do that kind of facial rig? I am working on a project right now and this could be really helpful

that's very helpful thank you😀

it works fine. Thank you.

I think the title is a bit clickbaity and one should probably scratch "Why" and replace it with "When". For new animators it could be a bit misleading to approach any animation without stepped tangents, as this is (in my opinion) the basic approach that should be ingrained in your expertise as an animator, no matter the medium. Also from my experience it's something that directors expect to see as a first pass of animation, unless it's a looping motion like a run cycle. I would say for some animations like what you're showcasing in this video, it's totally legit to skip the whole "blocking" and work exclusively with splined tangents, but there are also kinds of animations where this approach might get you in trouble, if you're not that experienced.

Ciao Amedeo! Grazie tantissimo per questi video ! Fanno veramente la differenza !!! No avresti mica tempo, a pagamento ovviamente, per un one to one, per dare consigli ed indicazioni ??? .... io qui ho bisogno di un maestro che mi dia consigli e feedback. grazie mille !!

where can we get this tool

I am going to perchased next month/Any discounts

Helloooo, just to say Thanks for the video, you help me like, to much xD. Now whitout disturbing I continiou learning, Bye :D

Is there a reason why I am not seeing the volume within the cube when I attach the beginning volume surface material to it? It's totally transparent.

Excellent Production way of explaining

Thank you so much!

Hi sir i love your all tutorials i have learned a lot from you thank you so much making these wonderful class on skillshare sir may i ask you that can i get these mel scripts of your like skin solution and all mels pllssssss pllssssss

really helpful! thank you!