3 жыл бұрын
4 жыл бұрын
4 жыл бұрын
4 жыл бұрын
Пікірлер
@Drag_nA440 3 күн бұрын
14 10
@paulwellings-longmore1012 18 күн бұрын
This is Beethoven’s heroic period before Beethoven. The opening crescendo and much else is pure Leonora No 3.
@eriiseq2046 29 күн бұрын
Primer movimiento Introducción que precede a la forma sonata: Sol mayor, hasta comp. 29 (finaliza en un acorde de sexta aumentada, versión alemana). 1:33 Exposición: Tema 1, comp. 21-40. Transición (que modula a la dominante), comp. 41. Tema 2: dominante (Re mayor). Tema conclusivo: comps. 72 Desarrollo: desde comp. 83. Recapitulación: comp. 125. Transición: com. 145. Tema 2 (en la tónica): comps. 166. Tema conclusivo: comps. 191. Coda: desde 200. Nota: en este movimiento hay materiales -a, b, c, d, eque es necesario identificar dentro de la exposición para luego comprender su rol en el desarrollo y la recapitulación. En algunos casos, estos materiales pueden aparecer modificados (invertidos, por ejemplo), tratados en secuencia, o superpuestos (tema 2, por ejemplo, aparece acompañado por el material a del tema 1). a: comps. 21-24. b: 25-32. c: a33-40. d: 61-71. e: 72-82. Segundo movimiento Forma general: ABA'. Para cada una de esas partes seguir el fraseo, según el siguiente detalle (no es necesario usar apóstrofos, en ese caso sólo ten en cuenta que las las frases presentan variaciones): A: a (1-8), a (9-16), b (17-22), a' (23-28), b (29-34), a' (35-39). B: c (40-47), c (48-55), d (56-65), c (66). A' (es A pero abreviado): a (72), b (80), a' (86). Coda (o epílogo, en términos de Palisca y Burkholder): 96-fine. La sección B es un claro ejemplo de uso del modo menor para generar contraste. En este caso, los rasgos generales de esa sección concuerdan con el Sturm und Drang (dinámicas altas, modo menor [tonalidad paralela], tutti, etc.). Tercer movimiento Minué (con su correspondiente trio): Forma general A (minué) B (trio; otro minué) A (minué). Tanto minué como trío están en forma binaria circular. A la vez que su combinación en la macro forma ABA también es circular. Minué. Primera sección: a (con frases de 6 compases); segunda sección: b (comp. 3) y a (comp. 33). Trio. Primera sección: a (comp. 51); segunda sección: b (comp. 67), segunda sección: comp. 87. Cuarto movimiento Tema 1: Primero en cuerdas y luego se suma la flauta. Transición (a la dominante): comp. 32. Tema 2 (en la dominante): comp. 79. Tema conclusivo: comp. 98. Desarrollo. Hay secciones que claramente se basan en el tema 1 (desde el comienzo del desarrollo, comp. a114), el tema 2 (desde 178) y de nuevo el tema 1 (comp. a206) Recapitulación (no "reexposición"): desde a222, con tema 1. Transición (no modula): comp. 237. Tema 2: comp. 268 (en la tónica). Tema conclusivo: comp. 287. Coda: desde a297. Nota que, en este movimiento, tema 1 y tema 2 están muy relacionados, por ejemplo en su ritmo.
@Kyubiwan_II Ай бұрын
Sounds like Beethoven
@fullario Ай бұрын
Played second horn on this in a semi-pro group in college. Fun part in the 4th movement. This was almost 20 years ago and all I remember was that in my fatigue at the end of the piece, I came in early and played during the quarter rest in the third to last bar of the piece. The conductor was a huge dick and gave me the dirtiest look ever...but the principal horn hated him so he laughed hysterically for about five minutes after the last downbeat. Good times.
@ssbuzeno Ай бұрын
1:16
@Joachim-dj2em Ай бұрын
Recomendada Muscia Composer Händel Muchas Gracias por grabacuion Interpretation tambien alla Colaborades de Este hermanos.Entre por tropical Costa Rica Joachim Ehlers
@aboelsaudeldessuky4844 2 ай бұрын
thanks a lot for uploading.. Mateus Pereira
@GlaceonStudios 2 ай бұрын
FORMAL ANALYSIS I. 0:00 Adagio molto. (C minor, binary form, 3/4) - Intro chord 0:06 - A section (C minor - Gb major) 0:12 - B section (Gb major - C minor) 1:08 Allegro vivace. (C minor, sonata form, common time) EXPOSITION - **P**rimary theme (C minor) 2:53 - **T**ransition (C minor - Ab major) 3:06 - **S**econdary theme (Ab major) 3:44 - Harmonic excursion (Ab major - E major - C major - Ab major) 4:09 - **C**losing theme (Ab major) 4:45 - (Re)Transition 5:08 DEVELOPMENT - Pre-core (P fragments) 5:13 - Core part 1 (P based) 5:23 - Core part 2 (P based) 5:51 RECAPITULATION - P theme (G minor) 6:09 - T (G minor - Eb major) 6:21 - S (Eb major) 7:00 - HE (Eb major - E major - C major) 7:24 - C (C major) 7:49 CODA (C major) - Upward scales 8:08 - Arpeggios 8:25 II. Andante (Ab major, sonatina form, 2/4) 8:38 EXPOSITION - P theme, phrase A (Ab major) 8:43 - P theme, phrase B 9:34 - T theme - based on P(I) (F minor > Cb major) 10:27 - S theme (Cb major - Eb minor) 11:15 - Retransition, P-based (Ab major) 11:58 RECAPITULATION - Pa (Ab major) 12:10 - Pb (Db major) 12:56 - T (Bb minor - Ab major) 13:50 - S (Ab major) 14:36 - Retransition (Ab major) 15:18 CODA - Pa, varied 15:27 - Pb, varied 15:57 - Cadence (P-based) 16:39 III. Allegro vivace (Eb major, ternary form, 3/4) 17:17 Menuetto. - Strain 1, repeated 17:21 - Strain 2, repeated 17:47 Trio. - Strain 1, repeated 18:59 - Strain 2, repeated 19:16 Menuetto D.C. - 1 20:13 - 2 20:26 IV. Allegro (C minor - major, sonata form, cut time) 21:06 EXPOSITION - Introduction 21:09 - P1 theme (C minor) 21:13 - P2 theme (Eb major) 21:36 - T (C minor - Ab major) 22:02 - S theme (Ab major) 22:20 - C theme, P2-based (Eb major) 22:58 - HE (Cb major > Eb major) 23:11 - Cadential material 23:50 DEVELOPMENT - Part 1 (cadence-based) 23:55 - Part 2 (P2-based, following HE.I template) 24:20 - Part 3 (P1-based) 24:41 - Part 4 (P2-based) 24:57 - Part 5 (C-based) 25:08 - Retransition 25:18 RECAPITULATION - P1 (C major - A minor) 25:21 - P2 (C major) 25:45 - T (A minor - F major) 26:09 - S (F major) 26:30 - C (C major) 27:07 - HE (Ab major > C major) 27:20 - Cadence (C major) 28:00
@oldfriend2341 2 ай бұрын
3:23 here it is
@deshiliu 2 ай бұрын
2.6:35 3:12:20 4:16:59
@baemi1589 2 ай бұрын
6:27 계속 들어야지~
@GlaceonStudios 2 ай бұрын
In the tempo of that first movement it kind of sounds like Kraus' C minor symphony; I wonder if he knew of that symphony at all.
@migueldelafuente4607 2 ай бұрын
Didn't met a cello feeling as a violin wanna be 15:52
@miguellaportacerdeiras3882 2 ай бұрын
🦫❤️❤️
@goranjovanovic9885 3 ай бұрын
11:52
@DonnaLee-g8q 3 ай бұрын
Young Brenda Williams Larry Hall Daniel
@baokhangmaile6194 3 ай бұрын
great
@MaryJones-d7e 3 ай бұрын
Allen Brian Moore Sarah Clark Paul
@Maxime_Ayrault_de_Saint-Henis 3 ай бұрын
My toxic trait is saying that I can play it if I practice enougth (I can't) (sorry for my english, i'm french)
@thomapple 2 ай бұрын
Technically, anyone could play it if they practiced "enough" :D if they can't play it, they didn't practice "enough"
@comradech.8646 3 ай бұрын
16:57
@pantristeel 4 ай бұрын
31:35
@Chysp010-sd7nt 4 ай бұрын
This is my favorite score-video, but I have noticed a couple of parts in the video by “symphony7526”-small ornaments in the high woodwinds, and some soli parts that are more clear in the unfortunately-more-austere version (=less lush reverb) they have uploaded. If you’re serious about score-study, 7526’s is a good one for woodshedding.
@MrJekyllAndDrHyde 4 ай бұрын
8:09 bass excerpt (note to self)
@marron901 4 ай бұрын
Violin 22:02
@miguelsuarez8010 4 ай бұрын
I love the tempo. I can't stand conductors that think they are driving a steam loco going "loco"
@matteotomasi5072 5 ай бұрын
16:28 21:43
@paulwl3159 5 ай бұрын
Shame about the incident in August 2023. Hope it won’t prevent future performances as good as this one.
@miguellaportacerdeiras3882 5 ай бұрын
🎓✌🏽
@ThrillzTheGreatest 5 ай бұрын
16:17 I am stunned that this has never seen true popularity. It's a masterpiece to listen to.
@lenahuerta100 6 ай бұрын
Somebody in 2024?
@notfoundbro 5 ай бұрын
yeah
@miguellaportacerdeiras3882 6 ай бұрын
Grubb cool grandpa 🏴❤️
@fabrizio1655 6 ай бұрын
El cuarto movimiento, "Finale: Allegro con spirito," presenta una fuga en su desarrollo. Esta sinfonía, compuesta en 1787, es conocida por su brillantez y energía, y la fuga en el movimiento final muestra la maestría de Haydn en la escritura contrapuntística.
@henryrusch9475 6 ай бұрын
Thank you also for providing the score which is very helpful.
@henryrusch9475 6 ай бұрын
Thank you so much for this recording and your informative notes. Antal Dorati, one of the truly outstanding conductors, presents this work in the 18th century spirit of innovation and liveliness which it deserves.
@송지현-q8g 6 ай бұрын
1악장의 첫 번째 주제: 1:34
@claudefazio 6 ай бұрын
The fourth movement, feierlich, is one of the greatest achievements in the symphonic repertoire on my opinion, and a worthy tribute to J.S. Bach, whom Schumann held in high regard.
@sanguineaddiction3436 7 ай бұрын
I d. gp 0:10 III d. pamatt.13:40
@boranmert4587 7 ай бұрын
9:20 chord progressions
@aurelijjj 7 ай бұрын
0:10 - V.A.Mocarts - 41.simfonija 1.d. g.p.
@aurelijjj 7 ай бұрын
0:10 V.A.Mocarts - 40.simfonija 1.d. g.p.
@hh08.10 7 ай бұрын
1:30
@eran2626 7 ай бұрын
Long and boring
@sophiadunkin2682 7 ай бұрын
21:13 is the variation for the horns!! 📯📯📯
@LM.365 7 ай бұрын
עכשיו חבר טוב שלי הלך לשמוע את זה בקונצרט. לדעתי זה לא הוגן (המחיר) כי אין תפאורה או תאורה מעניינת כמו נניח במופע רוק, ופשוט יותר כיף לשמוע בבית או מחוצה לו באוזניות. גם בלי הכאב הזה של מחיאות הכפיים כל סיום קטע שלא לדבר על ההתעסקות בלמצוא חניה 😂.
@leonardopaladino744 8 ай бұрын
27:20
@CamW0017 6 ай бұрын
horn solo
@jmbechtel 8 ай бұрын
Very lovely! Happy Birthday, Adolph von Henselt! 🎉
@mmmoroi 8 ай бұрын
Haydn was offered honorary doctorate degree from Oxford, but declined because he did not bother to travel to England.
@elaineblackhurst1509 6 ай бұрын
It is so sad when lazy commentators choose to go public with such unmitigated rubbish without the slightest sense of embarrassment or shame; I suggest you remove this blatant disinformation. Haydn *did* go to Oxford to receive the rarely awarded* honorary Oxford D. Mus on 8 July 1791; he arrived late on 6 July so missed the first planned concert, but conducted his Symphony 92 (‘Oxford’) at the second on 7 July. The honour - one of many of different sorts that Haydn received from all over Europe - was something of which he was immensely proud. Haydn *did* go to England twice, each trip lasting about eighteen months from roughly January to August thus covering the 1791 and 1792 London seasons on the first trip, and the 1794 and 1795 seasons on the second trip. * Neither Handel, nor JC Bach or CF Abel for example ever received one.
@elaineblackhurst1509 5 ай бұрын
If you have absolutely no idea about what you are speaking, it is better to stay off the keyboard thereby readers may only suspect you to be foolish rather than post absurdities like this and confirm the point. Haydn collected his honorary doctorate from Oxford in person on 8 July 1791.
@MildredHailey-cg1zu 8 ай бұрын
Powerful
@PJB-ks9vn 8 ай бұрын
26:02 - The Booby Trap Dance!
@armandssurins3364 8 ай бұрын
8:23 ,