Thank you! There is only one exception, a water bottle. The kick drum sound is a rock! Is a really cool park and there aren’t many places in the world with ringing rock fields, so make it a stop if you’re in PA.

Haha, yes! That’s a great scene to imagine

Thank you 🙏 it was like Spelunking without leaving the room

We're in the same boat since I'm not even sure what was patched for that, but I'm pretty sure it was Fourses and swoop in a VCA

You should! I’ll definitely be there to listen

Thank you! I’ve got two more left in the series. 🪩

Drone state of mind

🎛️⏳🎛️⏳🎛️💡

🥁🛢️🪘

🚒🚒🚒

Thanks, I was inspired when thinking about the free running oscillators inside Swoop and how they could approximate an audio signal fed into Bounds. This session was just noodling a bit seeing how that worked. Swoop can crunch up any audio of course. Try Drums :)

Thanks, something about the passive circuits of Noon pair really well with Rollz because Rollz makes an odd power source.

@@ieat3141592 I've tried to drive with rolzer but didn't get much sound.. (my test wasn't intense, tho) Is CrucFX rolz more powerful...

Thanks! When I was putting together the Sidrax guide, the Bounds/Bounce concept came together for me, so I'd definitely recommend checking out that section in the Sidrax guide (link in bio). Other than that, Peter's IFM manuals are great with a lot of detail. So I wasn't thinking about supplementing that since it's already pretty thorough. Also, I'm not really sure how I'd document within the euro system since its more variable than the semi-modular synths I've done so far.

Thanks for listening. I feel that CV control over Ferrous opened it up new possibilities. I didn't try this yet but want to try using the CV control sent to Ferrous as its own envelope to a VCA to see what happens.

Thank you, I plan to do more Tocantes in context as well. I recently used the Joranalogue Collide 4 as a preamp on a Tocante and found it to be an awesome pairing, so I'll probably use that in a future one.

Amazing, I'll be excited to hear it. Oo yeah I can imagine that's a great pairing, I've been thinking about a Bass Thyris or Bistab to ping a pair of Res EQs, so these vids are very handy.

@@mummermusic I've actually got a bass bistab and have been meaning to try pinging filters with it. It reminds me of touch activated rollz, esp the LFO rate ones.

@@ieat3141592 Ah cool that's good to hear, I wasn't sure if it would go down low enough to be worth it

Thanks, it was new territory for me to tie in audio to the patches in the guide. I landed on this format because, well it’s all I know how to do since I’m not set up in anyway to record video. Ultimately I figure it’s all about the sounds so let the audio speak for itself. The other thing is that top down video can’t show the super subtle gestures used when playing Sidrax. It’s incredibly sensitive and I’ve found that playing it is all about using your ears, especially because of the release sound. About live performance, I don’t have experience playing it live, but if I did I’d be careful. Lastly, the fact that you hear things you love and hate coming out of CL speaks to their versatility. They are highly flexible and give you the freedom to make a wide variety of sounds you like. If you want to guarantee you don’t make sounds you hate live, then it’s all about practice as you said.

I used a 0-CTRL via the upcoming CrucFX SLM, but there are many other options. The main requirement is the sequencer is that it is unquantized and has enough voltage range. I think Meng Qi’s Voltage Memory would work or Serge TKB, but I don’t have either to test.

hahaha, I'd love to know. let me know if you remember, and.....welcome?

Believe it or not, yes! There's reverb on it, but no other instruments were harmed.

waouuuuuuuw 🤩

Great visuals also 💥

Same here, it’s not crazy far fetched either. Peter published an idea for a three dimensional rollz geometric shape that you’d hold and play with a glove. At least that’s how I understood it. Have to imagine that’d be like playing Ciat Lonbarde with a Nintendo power glove.

@@ieat3141592 hmm, now i'm thinking i want to build a wooden geodesic object that can have different ciat circuits on each face 🤔

Thanks, it’s a lot of fun to play the Plumbutter this way

The Mob Nob for the win on this one

It definitely fits in with some very helpful utilities. I wanted to do with patch from the first time I ever paired Sidrax and Plumbutter

Thanks, my playing was sloppy but still felt it got the idea of the patch out.

Thanks, yeah but I think it was two gongues both doing it. I wish I noted it exactly.

It is both a problem solver and creative CV generator

Thank you for creating such a perfect companion to Ciat Lonbarde. It really opens up new possibilities.

Noon at the crack of dawn!

@@ieat3141592 11 am here

rrrrrrrooooolllllllllzzzzzzzzzzzzz

On the first and second sections, yes. I set up a Plumbutter patch and then played along with my guitar also going through Cocoquantus. On the last section, Sid'licious, the rhythm was from my drum skiff and I played Sidrax first into a looper and then played along with guitar (at least I think that's what I did).

Thanks, the PB snare noise sound gives a lot to sculpt with. This was reverb to give it body and EQ to shape its tone.

Thank you, that was made by subtle pressure changes on the sandrodes of the Bistab.

Thanks I put that part in there just for you 🫠

Hahaha yeah that’s my favorite part too

Agreed I hear reeds in there sometimes I swear.