Thanks to you!

If you think so, good for you...

What are you talking about? What did you not understood in this tutorial? You're not helping bro 😂

Their is no issue here, what are you talking about? I'm not using adobe product for 3D purposes... Maybe you mean Autodesk? Stop trolling around.

All of them need to be in raw. Always everything in raw appart for base color > Srgb or rec709. In the tutorial I don't show the switch in raw because I have a color settings rules that applies raw automatically as the maps are in Exr. Sorry for that.

@@PrimalVFX makes sense 👌🏻

You're welcome!

Did the tutorial help? Laying details can be fun it's like building blocks by blocks the details.

@@PrimalVFX I think it does, gotta rewatch and try though, I haven't used this workflow yet, I have some experience with redshift though.

Ok cool! With redshift it's pretty the same, just the nodes change names but you can do everything alike.

Thanks!

Happy to hear that! Thank you very much! I would be more than happy to see the wips on the discord 🔥👍⚡

Thank you, glad you like it! 🙏⚡

ok... you're a bit harsh don't you think? Yes you can do a lot of things in comp, but that wasn't the purpose of the video. Appart the fx, learn different techniques with nodes is always useful.

the tutorial shows an effect that can be improved and used for your own needs, also the passes you can render from a 3d scene are not the same as the ones you can make in compositing whether it is on after or nuke. we are talking about very different worlds. the purpose of a tutorial is also to learn the tools and the various nodes. In my opinion I find it a very good tutorial.

Thank you, very much appreciated 👍

Yeah! ⚡That was cool to do! Hope you will like redoing it!

@MrDarrell99 Hi! I was on Maya 2018 when I made that tutorial. For newer version try to connect the Out Color R of the aiUtility to the input of the aiRampRgb. Let me know if it works for you 😉

@@PrimalVFX i got it work last night doing so and forgot to delete my comment lol. thanks a lot for the reply and an awesome tut.

Ok cool! Thanks for enjoying and watching my tutorial 😉⚡🙏

@RedDragon775 The gold shader does not have displacement. But the previous shader applied has displacement. It's a bug from Arnold. As long as you do not close the ipr or refresh completely the cache it will maintain previous displacement. This tutorial was done in Maya 2018 so it is possible that you don't have this bug.

If you want the displacement on the gold shader just take the displacement node and connect it to the shader engine of the gold shader

@FinnBrooks Here there are: www.primalvfx.com/ressources/Realistic_Glass_Shader_Ressourses.zip Enjoy! 💪⚡

Thanks!

Thank you! Very much appreciated bro! ⚡🔥

Thanks! I will try to find enough good free Maya plugin to do the video ⚡🙏

Thank you for your feedback! I'm Glad it helps you to achieve better result for your project!

Thank you! 🙏

Thank you! ⚡🙏

Hi! I was on Maya 2018 when I made that tutorial. For newer version try to connect the Out Color R of the aiUtility to the input of the aiRampRgb. Let me know if it works for you 😉

Nothing can be excluded from them 😂

Thank you! It's very much appreciated! 👍

Thank you very much! The thumb is the result of the work done in substance, render in maya with Arnold. 😉👍 Plus a Cyber decal that I've made for the screen.

Thanks! 🙏

Yeah finally! I was really waiting for that kind of features in the hypershade 👌⚡💯

Thank you! Hope you will find this tip useful! ⚡🙏

Yes it is pure gold! ⚡💯👌

Thank you, I'm glad you've liked the video 🙏⚡

Thank you! It's very much appreciated! 🙏⚡

Ahahahah true! But it is not unfortunately 😌💯

Indeed! Thank you for watching! ⚡💯

Thank you! Glad you've liked the video and the tip 😉⚡

Thank you Mauro, give it a try you will not regret it!

Thank you Weeliz! Glad you've liked the video and find it useful!

Yeah this was a bit long and with overkill samples I must admit 😀. The specs of my friend's pc was: dual Xeon E5-2696 (18 core X 2 so a total of 72 threads), 64gb of Ram and a Geforce GTX 1080Ti.

Thank you! Have a great use of it ⚡👌

Happy that you've learn some interesting stuff, you're welcome, my pleasure! 🙏⚡

@@PrimalVFX I'll really appreciate if you can make a tutorial on how to create realistic rock shaders with Arnold using different maps 🙏

Nice idea 💡, I will look into it! Thank you for the suggestion!

Thank you really much appreciated 👍 ⚡

Glad you've liked it, yeah shading and lookdev are dope.

Thank you Wooper! Glad you've liked the video!

Thank you Matteo, very much appreciated!

You're welcome and thanks to you!

Thank you so much! 😊 I'm glad you enjoyed the video! I totally understand the dilemma-each tool has its strengths and unique features. Substance Painter is incredibly powerful and widely used in both the VFX and Game industries. Its specialized tools and flexibility make it a crucial asset for professional texturing work. It’s worth investing the time to master it!

Thanks for the suggestion! Recreating PS2 rendering within Maya sounds like a cool idea. 🙂👌

Thanks for watching! Glad it helped. UDIMs are a powerfull tool for detailed texturing. Transitioning to Houdini and Karma sounds like an exciting move! Good luck in your learning 💪⚡

Here it is: discord.gg/wpQrSeEXS3 By the way you always have it in the description.

Hello mate! Yes indeed! 💪