Does anyone know the name of that tool that Professor Mermikedes uses to display the interval vector? At 6m52s

Hello dear sir! I don't know what kind of witchcraft you are applying here, but after many years of hearing about modes and never understanding exactly what "brightness" meant, after watching your videos (this one and also the previous about set theory) I finally "heard the light". I always understood the concept, intellectually speaking, but now I realized what it means in sound. I don't know if being visually impaired is a help or a hinderance, but there is that to consider. Thanks for the enlightment!

There's a big chunk after minute 15 without sound, no one wrote so I assume is probably recent, check it out.

I stopped watching to write, so, there you go, next time I'll wait.

In Stravinsky"s case since the note is in certain octave I would see that as a bass displacement and give you straight away the Bartok example ,C Eb C E to illustrate the point, in Jazz is a very common chord which is C7 #9 that doesn't have the same function but has the same type of conflict. It's also very used in Blues, and Ravel uses it in the concert in G if I recollect. Very good video

Hi Milton, I saw you were going to make a version for Logic. Is that possible ? Do you like strawberries or Jeruselem artichokes ? I have sack loads growing in my garden in Surrey :)

Thanks Milton, for new perspectives and great visualisations, your humility, passion and insight are an inspiration to me.

Your videos are so beautifully narrated. You remind me of Dan worrel from the fab filter tutorials who everyone loves for the way he speaks 😂

Super interesting. I did something similar once in writing a string quartet based on respiratory data relating to anxiety attacks and recovery breathing patterns. I did find, eventually, that being too strict with the data as I initially applied it limited the dramatic effect of the music a bit too much. However, the data structure provided a marvelous organizing principle and generated a lot of compelling material. From the experiments I’ve undertaken with data and math, I’ve found that combining a respect for the data with a dash of “prejudicial” intervention yields the most satisfying works :).

I'm not super clear on how the sets in Psalom affect the variation. Is each set supposed to represent the notes you play and their order? As in {2 3 0 2 1} {EFBCD} would mean play E twice , then play F, skip B, play C twice, and D once? Or is it more like a set of parameters to then use for constructing the melody for that length of time?

Wonderfull video... but yet again, music samples (5.05) are not audible. Was also the case in your Bartók Pich Axis video... Copyright issues??

The Tartini tone (C) in Maj 3rd ringing in my head is just 🤤

This truly is every guitarist's LSD.

Thank you for your information

This makes me feels like i was listening to the fake major chords

Something sounds weird about your voice and it seems like you need to do voice excersizes or something, your voice sounds weak. You sound like me and I'm recovering from corona right now... 😅

i can barely hear any of the musical example from 14:58 onwards. is that a sound issue my end?! except for a few bars, the entire piece was silent, although i could hear all the voice over. feel like i'm missing something

Love this

Thank you so much i am in the final year of my degree doing my dissertation, i struggled to wrap my head around some of these topics as i found the text too academic, but this has made every part understandable and allowed me to utalize it, thank you!! :^)

Very interesting. It is evening now at the moment and I am too tired for watching and listening. But for another time it is fine. Thank you.

Can I get a power point or pdf of these slides? Also thanks again!!

Even with simple sine waves you can tell the difference Try with EQed sawtooths or any sound with harmonics. OOOUUUFFF

thank you very much!!

Congratulations!

still love it!!

foreman sent me here

Smiles, smiles, smiles, smiles!!!!

The next time someone tells me that ET sounds just fine, I will point them to this.

1/2! I'm surprised and pleased I got any. 😊

There's a nice way to use color that turns out to be a compelling metaphor to the primary and secondary colors in color theory: C, A, F#, and Eb are yellow notes; G, E, C#, and Bb are red notes; and B, Ab, F, and D are blue notes. Major and minor triads can be given the secondary colors of orange, purple, and green based upon the mixing of their constituent notes. These secondary colors correspond to the S, T, and D functions. This coloring has been called "Metaharmony" by Tom Glazebrook, who uses it in the context of the teachings of Barry Harris, but one could use it for Axis theory as well. They're isomorphic.

I had a dream last night that I was speaking to a professor about music and the heroes journey. He started to give me a lecture on Bartok just before I woke up. So I found this video today and I have to say that I really love how you explain it and makes sense. Also, the song you created at the end is so cool I love how you showed the practical application and I can’t wait to create my own composition using this method. Thank you so much for making this video.93

WELL DONE!

Do 4/5/3 pure

Who needs drugs when you have Bartok pitch axis

Great lecture, thank you!

I only learnt this from watching Only Connect today on BBC2

I got through about 3/4 of this video and I’m more confused than when I started. Isn’t there a “Cole’s notes” condensed version of this in plain English?

Wonderful video, thank you so much!

thank you so much! one of the best lecture online!

NICE!!!!!!!!!!!!!

Anyone else singing along with “Dit Dit Dit Dash Dash Dash Dash Dash Dit”?

Great! Thanks a lot❤

What is the final piece at the end?

This sounds like Pat Martino

Great Explaination. Thank you

Yes I knew that would Hurt😂😢😂

I was given the Bartok String Quartet box set back in the early 80's. It's always been a great way to open up my mind...without drugs of any kind!

Can’t possibly convey in a KZbin comment how much I appreciate this content. Thank you so much. Absolute excellence.

Thank you, Milton! I am studying Arvo Pärt's and other minimalist compositional techniques, especially from your presentations. This tool helps greatly with understanding tintinnabulation.

Great work! 👏🏽👏🏽👏🏽 Thank you